Designed by Daniel HalsallPantone Printed on 155G 100% Organic Cotton Jersey / Earth Positive T shirtOrganic and Ethically made using sustainable power and Carbon Neutral manufacturing

Be Disco !

8 x 11” black and white printing with 4C color front and back covers, 24 pages. Edition of 3,000.Alice Demoëte, Barbie Bertisch, Cesar Toribio, Chris Cerny, Danny Akalepse, Kristin Malossi aka DJ Voices, Nathaniel Jay, Piotr Orlov, R.A. Lisner, Love On The Run. Designed by Paul Raffaele. Cover by Guarionex Rodriguez Jr.

Specs:8 x 11” black and white printing with Pantone CMS 877C accents on front and back covers, 28 pages. Edition of 3,000.Contributors:Participating contributors and artists include Aaron Clark, Ari Robey-Lawrence, Ash Lauryn, Barbie Bertich, Cesar Toribio, Cy X, Gavilán Rayna Russom, Heidi Sabertooth, Hue Hallums, Kristin Malossi, Mauro Baiocco, Nathaniel Jay, Paul Raffaele, Rich Medina, Ron Like Hell, Ryan Smith, Tad Hayes, Terrence Edgerson, The Carry Nation. Designed by Paul Raffaele. Photos by Guarionex Rodriguez Jr.Features:- 10 Years of Wrecked: Q&A with Ron Like Hell & Ryan Smith by Kristin Malossi- Q&A with Rich Medina by Cesar Toribio- Q&A with Synth Library NYC ft. Cy X & Heidi Sabertooth- Bandcamp Charts June 2021- Chosen Family: A Halloquium Conversation Part II ft. Ash Lauryn, Gavilán Rayna Russom, Ari Robey-Lawrence- ACIEEEEEEEEEEEEEEED! By Adam X excerpt from Under One Sky, Oct '92- Love Notes From A Displaced New Yorker by Nathaniel Jay- "Spaces & Places: Re-opening" by Love Injection Staff

OFFICIAL UNDERGROUND RESISTANCE MERCHANDISEScreen printed UR logo (black print), on Russell Hooded Sweatshirt.Kangaroo pocket with Double layer hood.50% combed ring spun cotton / 50% polyester. 295gsm.

Now in paperback, the definitive visual history of Motown, the Detroit-based record company that became a music powerhouse.The music of Motown defined an era. From the Jackson 5 and Diana Ross to Stevie Wonder and Smokey Robinson, Berry Gordy and his right-hand man, Barney Ales, built the most successful independent record label in the world. Not only did Motown represent the most iconic recording artists of its time and produce countless global hits―it created a cultural institution that redefined pop and gave us the vision of a new America: vibrant, innovative, and racially equal.This new paperback edition of the first official visual history of the label includes a dazzling array of images, and unprecedented access to the archives of the makers and stars of Motown. Extensive specially commissioned photography of treasures extracted from the Motown archives, as well as the personal collections of Barney Ales and Motown stars, lends new insight into the lives of the legends. Motown also draws on interviews with key players from the label’s colorful history, including Motown founder Berry Gordy; Barney Ales; Smokey Robinson; Mary Wilson, founding member of the Supremes; and many more.1000+ illustrations

Raw, brazen and totally intense, Fucked Up + Photocopied is a collection of frenetic flyers produced for the American punk scene between 1977 and 1985. Many were created by the musicians themselves and demonstrate the emphasis within the punk scene on individuality and the manic urge of its members to create things new.

Ce volume est la première oeuvre majeure entièrement consacrée à la discographie du grand compositeur italien Ennio Morricone. Pour sa publication, le collectionneur, auteur et expert en cinéma, Maurizio Baroni, a puisé dans ses propres archives pour donner vie à une riche sélection de documents et d'images mettant en valeur plus de cinquante ans de carrière. Avec des contributions de Dario Argento, Bernardo Bertolucci, Liliana Cavani, Lisa Gastoni, Franco Nero, Quentin Tarantino et bien d'autres.

"Must read Best Books of the year" Financial Times‘Cuba: Music and Revolution: Original Album Cover Art of Cuban Music: Record Sleeve Designs of Revolutionary Cuba 1959-90 ’ is a stunning new deluxe 250-page large format hardback book compiled and edited by Gilles Peterson and Stuart Baker (Soul Jazz Records) that features many 100s of stunning and unique Cuban record sleeve designs made since the Cuban Revolution led by Fidel Castro in 1959. These album covers have rarely been seen (nor heard) outside of Cuba and show a rich previously hidden history of both music and design.‘Cuba: Music and Revolution’ is the first ever book about Cuban record sleeve design and has been five years in the making, made in full co-operation with the Cuban government. The record sleeve designs reflect both the rich cultural Latin musical legacy of Cuba, as well as the political and aesthetic influence of revolutionary Communism, which manifests itself both in the music created on the island and the artwork of the designs included here.Cuban music is the source of much Latin music in the 20th century. Salsa, the all-encompassing Latin music that came out of New York in the 1970s, and soon spread across Colombia, Venezuela, Puerto Rico, the Dominican Republic and elsewhere, owes all of its success to the Cuban music on which it is fundamentally based.These record sleeves help document the dramatic change in Cuba’s identity from that of 1950s tourist paradise to socialist state. Following the Cuban Revolution in 1959, the United States imposed a trade embargo which exists to this day, and as a consequence the many 100s of Cuban records featured here have rarely been seen outside of Cuba.The book is edited and compiled by Gilles Peterson, BBC broadcaster, record label owner, DJ, record collector, founder of Worldwide FM and Stuart Baker, founder of Soul Jazz Records. Together they have edited two earlier critically-acclaimed music and design books ‘Freedom, Rhythm and Sound – Revolutionary Jazz Cover Art 1965-83’ and ‘Bossa Nova and The Rise of Brazilian Music in the 1960s’.In conjunction with the deluxe book, Soul Jazz Records will be releasing an album also compiled by Gilles Peterson and Stuart Baker, charting the rise of Cuban music in the 1970s and featuring many of the artists who appear in this book.----------------------------------------------------------------------------------------------------------

Large format (12" x 12") plexi-bound deluxe book, 180 page, 100s of killer sleeves!--------------------------------------------------------------------------------------------------------Soul Jazz Records are proud to present this amazing collection of sleeves from the deepest, deepest jazz music ever - compiled by Gilles Peterson and Stuart Baker (Soul Jazz Records).This is a unique collection of cover artwork of revolutionary jazz music between 1965-83. Martin Luther King, Malcolm X and the civil rights movement of the 1960s loom large as self-determination, economic power and musical freedom led to jazz artists finding new paths – both musical and economic.Years before the D-I-Y cultural revolution of punk, Sun Ra, John Coltrane, Pharoah Sanders, Don Cherry, Ornette Coleman, the Art Ensemble of Chicago and others ‘took control’ of their own work by recording, releasing and distributing their own music themselves.The record sleeves of this era are as iconic and historically unique as the music itself and a striking reflection of the time; pre-desktop publishing, pre-internet these small-run (sometimes as low as 500 copies), self-made sleeves are graphically bold and radical.‘Freedom, Rhythm and Sound’ is the first ever collection of this fascinating goldmine of album art, which represents the first wave of inspired independent production within popular music.‘Freedom, Rhythm and Sound’ includes a large introduction contextualising the music and artwork as well as features on many of the people involved. Alongside the musicians mentioned above these include Rashied Ali, Steve Reid, Mary Lou Williams, Horace Tapscott, Lloyd McNeil, Tribe, The Last Poets, The Pharoahs, Philip Cohran, Black Artists Group and many others.

With a style as distinctive and eclectic as a Beastie Boys album, Beastie Boys Book upends the typical music memoir. Alongside the band narrative you will find rare photos, original illustrations, a cookbook by chef Roy Choi, a graphic novel, a map of Beastie Boys’ New York, mixtape playlists, pieces by guest contributors, and many more surprises.

In the heyday of low-budget television and scrappy genre filmmaking, producers who needed a soundtrack for their commercial entertainments could reach for a selection of library music: LPs of stock recordings whose contents fit any mood required. Though at the time, the use of such records was mostly a cost-cutting maneuver for productions that couldn’t afford to hire their own composer, the industry soon took on its own life: library publishers became major financial successes, and much of the work they released was truly extraordinary. In fact, many of these anonymous or pseudonymous scores-on-demand were crafted by the some of the greatest musical minds of the late 20th century—expert musicians and innovative composers who reveled in the freedoms offered, paradoxically, by this most corporate of fields.Unusual Sounds is a deep dive into a musical universe that has, until now, been accessible only to producers and record collectors; a celebration of this strange industry and an examination of its unique place at the nexus of art and commerce. Featuring original art by Robert Beatty and an introduction by George A. Romero—whose use of library music in Night of the Living Dead changed film history— Unusual Sounds is mandatory reading for anyone interested in this enigmatic field and its hidden but pervasive cultural influence.David Hollander is an artist, filmmaker and collector. He is a co-founder of CineMarfa, a film festival dedicated to showcasing rare and unseen films in Marfa, Texas. He lives in San Antonio.332 Pages8 inches x 10.5 InchesSoftcover with FlapsISBN: 978-1-944860-12-7

En 1977 des milliers d'artistes, écrivains, militants et universitaires se sont retrouvés à Lagos pour le deuxième festival des arts et de la culture africains et noirs. A travers de nombreux documents d'archive cette publication analyse la portée mondiale de cet évènement qui a révélé la force culturelle de toute une communauté et a permis des rencontres artistiques durables.Anglais352 pages

Né de l'union entre la scène des clubs bohèmes de Austin et un goût prononcé pour les substances hallucinogènes, le groupe 13th Floor Elevator est formé en 1965 par la parolier Tommy Hall et un chanteur du coin, Roky Erickson. Quatre ans, trois albums et beaucoup de trips sous LSD plus tard, l'aventure prend fin sous le feu de querelles internes, d'un management douteux et de quelques internements psychiatriques. Dans ce court laps de temps cependant, avant les hippies, avant les punks, ce groupe d'outsiders de génie aura réussi à faire monter sur scène une forme de rock psychédélique. Avec de nombreuses affiches de leurs concerts au graphisme mémorables, des photos de concert et quelques images d'archives, ce livre raconte leur histoire.328 pages, 278 imagesISBN: 978-1-944860-11-0

Duo of Slipmat Le Discopathe (White or Black or both - Please confirm color in your order)

Black Slipmat for records player

Black Slipmat for records player

A BOOK OF THE YEAR 2019 MOJO AND VINYL FACTORY"Extraordinary" Mojo"Make Some Space fulfils its own remit, creating an enduring legacy for TRC and encouraging other creators to live out their own dream" The Observer"A thoughtful, political paen to that precious sense of transformative belonging that club and musical spaces can provide" The Wire"This book makes us feel like we can do it too" Gilles PetersonThere’s an Edwardian confectionery factory in Hackney which doubles up as a time machine. 'Make Some Space' invites us through the front door of London's Total Refreshment Centre to meet a revolving cast of characters who created an accidental incubator of London’s new jazz renaissance.The book combines Johnny Rotten’s politics teacher, new London jazz icons Shabaka Hutchings, Nubya Garcia and members of Ezra Collective, alongside Bob Marley, The Comet Is Coming, the Thompson Twins’ delay pedal, Wiley, and the 1912 Hackney mayor.Emma Warren invites us to remember the venues and community centres that generated culture, and asks us to protect the few that remain.136pp page privately pressed paperback with new and exclusive photographs, detailing the colourful histories behind Total Refreshment Centre and London's new jazz explosion.“In this loving tribute to Total Refreshment Centre and the birth of the new London jazz scene we have an inspiring testimony to how community spaces can make culture come alive – and make the people that use them come alive, too. In a rapidly gentrifying city, it's a rare and beautiful thing.” Dan Hancox, 'Inner City Pressure: The Story of Grime'“Make Some Space captures TRC’s cooperative anarchy with such verve it leaves no doubt about the relationship between spaces and creativity and why this is vital for culture to thrive” Lloyd Bradley, author of 'Sounds Like London' and 'Bass Culture'

8 x 11 inches, 34 pages, Saddle stitched. Black and white with occasional color cover, 60lb white offsetLove Injection Issue 60 cover in loving memory of Francis Mirai Nishida by Mike Lau, Connie Byun, Thoma Hall, featuring: Q&A with Robert Hood by Turtle Bugg & illustrations by Glenford Nuñez, Q&A with DJ Swisha by Nick Boyd & Photos by Chad Hilliard, Chosen Family: A Halloquium Conversation featuring Ash Lauryn, Ari Robey-Lawerence and Gavilan Rayna Russom (Part I), "Carving Out A Space: Why DIY Compilations Proliferated During The Pandemic" by Nina Posner, Q&A with Anthony Nicholson by Jitwam, Q&A with P. Leone by Paul Raffaele, "My First Gig At Better Days" by Bruce Forest, Q&A with Michael Holman by Justin Strauss (Part II), the inaugural "Mix Moments" ft Tony Yotzi by DJ Voices, "Music & Spirituality #5" by Hiromi Kiba, Love Notes From A Displaced New Yorker by Nathaniel Jay, "Spaces & Places: Updates" by Love Injection Staff and Editor's Letter by Love Injection Staff

“weeds change the colour of water”…is a speculative effort, one dreamt to collect ideas, interpretations, and interactions. By listening patiently, we may come to recognise some pattern in the tangle that surrounds and involves us – a spot to sense that, like a weed, we are insecurely tethered amid choppy and changing waters, which now, more than usual, have us flailing and adrift.It is associated to "Wound Without a Tear" a compilation by Daisart Records of “Australian” Ambient and Experimental Music; an area so often overlooked and misunderstood because it does not easily fall into historical context. However, the fifteen years (1993-2008) the collection cites–a period of early 90s post-rave ethereality defined by pleasure-centred spaces (chill-out rooms) and the personal computer’s emergence as a popular tool for file-sharing and secondary-living in the 00s–is befitting !

Pochettes extérieures pour les disques 78 tours / 25 cm. Souple, épaisseur : 150 microns, matière : polyéthylène, couleur : transparent, dimensions 270 x 270 x 0,15 mm

Cette pochette offre une transparence cristalline et en même temps une haute résistance et souplesse. Ces pochettes sont idéales pour mettre en valeur vos disques. Fabrication française. Matière : polypropylène, dimensions : 322 x 322 x 0,09 mm

Pochette souple pour 45T. Matière : polyéthylène, couleur : transparent (mat, non brillant), dimensions 187 x 187 x 0,10 mm, épaisseur : 100 microns

Brosse en fibre de carbone, pour enlever la poussière sur les disques vinyles. Elle aide à décharger le disque de l'électricité statique. Veuillez mettre le disque sur un autre support que la feutrine (qui ne laisse pas passer l’électricité statique) et tenir un doigt sur le disque quand vous le brossez. Conditionnement : 1 pièce.

Centreur universel en plastique noir pour lire les singles 45T 7" sur l'axe de 33T. Diamètre : 38 mm, hauteur : 8 mm.

Hot collab between Virgil Abloh (Off-white, Nike, Louis Vuiton) and Omar S . Chicago born and raised Virgil Abloh and Detroit born and raised Omar S drop this great limited edition run of T's.

Blackboard JungleFANZINE #7original dubzine (in french only)Format 12inch / 30cmInterviews de Fedayi Pacha, Goldmaster Allstars, OBF Sound System, El Gran MomoDossiers: Deejay Style (the art of toasting), Reggae meets Hip Hop Uptown, Dub Poetry (word, sound & power)Articles: Youthie, Dub Machinist & Gary Clunk, Linval Thompson, Iration Steppas...Chroniques de LivresChroniques de Disques (Albums, Maxis, Singles)Dub newsRedacteur: Thomas McFly aka Dub InspectorIllustrations: Matteo Anselmo, Laska

Dubzine en direct de Toulouse ! 72 pages imprimées format disque 10' incluses dans une pochette vinyle sérigraphiée recto verso,avec interviews de Zion Train, Zenzile, Anthony B, Akashic Records, Isha Bel, dossier sur les rapports entre dub et science-fiction, articles sur le dub français, les sound systems féminins, les Last Poets, Lee Scratch Perry, Sista Awa, nombreuses chroniques de disques et fanzines, et bien plus encore...

Le Discopathe est heureux de vous proposer à l'occasion des fêtes de fin d'année sa carte cadeau !Choisissez le montant désirez et faites en profiter un proche, il pourra ainsi si rendre en magasin ou bien sur notre site internet et s'offrir grace à elle la musique qui le fait rêver.Simple d'utilisation, son destinataire ou vous même recevra sa carte accompagnée d'un code lui permettant de bénéficier (sur www.lediscopathe.com ou bien en magasin) du montant dont vous l'aurez crédité.Vous avez des questions ? Aucun soucis contactez nous ou passez directement nous voir à la boutique .Cette carte cadeau peut être créditée à l’achat d’un montant de 25, 50 ou 100 euros selon vos désirsElle ne peut donner lieu à aucun rendu de monnaie mais peut être complétée par tout autre moyen de paiement accepté par les magasins.

Le Discopathe est heureux de vous proposer à l'occasion des fêtes de fin d'année sa carte cadeau !Choisissez le montant désirez et faites en profiter un proche, il pourra ainsi si rendre en magasin ou bien sur notre site internet et s'offrir grace à elle la musique qui le fait rêver. Simple d'utilisation, son destinataire recevra sa carte accompagnée d'un code lui permettant de bénéficier (sur www.lediscopathe.com ou bien en magasin) du montant dont vous l'aurez crédité. Vous avez des questions ? Aucun soucis contactez nous ou passez directement nous voir à la boutique .Cette carte cadeau peut être créditée à l’achat d’un montant de 25, 50 ou 100 euros selon vos désirsElle ne peut donner lieu à aucun rendu de monnaie mais peut être complétée par tout autre moyen de paiement accepté par les magasins.