Omar S x Virgil Abloh
Detroit - Chicago 2020 - T-Shirt (Large)

En 1977 des milliers d'artistes, écrivains, militants et universitaires se sont retrouvés à Lagos pour le deuxième festival des arts et de la culture africains et noirs. A travers de nombreux documents d'archive cette publication analyse la portée mondiale de cet évènement qui a révélé la force culturelle de toute une communauté et a permis des rencontres artistiques durables.Anglais352 pages

Now in paperback, the definitive visual history of Motown, the Detroit-based record company that became a music powerhouse.The music of Motown defined an era. From the Jackson 5 and Diana Ross to Stevie Wonder and Smokey Robinson, Berry Gordy and his right-hand man, Barney Ales, built the most successful independent record label in the world. Not only did Motown represent the most iconic recording artists of its time and produce countless global hits―it created a cultural institution that redefined pop and gave us the vision of a new America: vibrant, innovative, and racially equal.This new paperback edition of the first official visual history of the label includes a dazzling array of images, and unprecedented access to the archives of the makers and stars of Motown. Extensive specially commissioned photography of treasures extracted from the Motown archives, as well as the personal collections of Barney Ales and Motown stars, lends new insight into the lives of the legends. Motown also draws on interviews with key players from the label’s colorful history, including Motown founder Berry Gordy; Barney Ales; Smokey Robinson; Mary Wilson, founding member of the Supremes; and many more.1000+ illustrations

Specs:8 x 11” black and white printing with Pantone CMS 877C accents on front and back covers, 28 pages. Edition of 3,000.Contributors:Participating contributors and artists include Aaron Clark, Ari Robey-Lawrence, Ash Lauryn, Barbie Bertich, Cesar Toribio, Cy X, Gavilán Rayna Russom, Heidi Sabertooth, Hue Hallums, Kristin Malossi, Mauro Baiocco, Nathaniel Jay, Paul Raffaele, Rich Medina, Ron Like Hell, Ryan Smith, Tad Hayes, Terrence Edgerson, The Carry Nation. Designed by Paul Raffaele. Photos by Guarionex Rodriguez Jr.Features:- 10 Years of Wrecked: Q&A with Ron Like Hell & Ryan Smith by Kristin Malossi- Q&A with Rich Medina by Cesar Toribio- Q&A with Synth Library NYC ft. Cy X & Heidi Sabertooth- Bandcamp Charts June 2021- Chosen Family: A Halloquium Conversation Part II ft. Ash Lauryn, Gavilán Rayna Russom, Ari Robey-Lawrence- ACIEEEEEEEEEEEEEEED! By Adam X excerpt from Under One Sky, Oct '92- Love Notes From A Displaced New Yorker by Nathaniel Jay- "Spaces & Places: Re-opening" by Love Injection Staff

"Must read Best Books of the year" Financial Times‘Cuba: Music and Revolution: Original Album Cover Art of Cuban Music: Record Sleeve Designs of Revolutionary Cuba 1959-90 ’ is a stunning new deluxe 250-page large format hardback book compiled and edited by Gilles Peterson and Stuart Baker (Soul Jazz Records) that features many 100s of stunning and unique Cuban record sleeve designs made since the Cuban Revolution led by Fidel Castro in 1959. These album covers have rarely been seen (nor heard) outside of Cuba and show a rich previously hidden history of both music and design.‘Cuba: Music and Revolution’ is the first ever book about Cuban record sleeve design and has been five years in the making, made in full co-operation with the Cuban government. The record sleeve designs reflect both the rich cultural Latin musical legacy of Cuba, as well as the political and aesthetic influence of revolutionary Communism, which manifests itself both in the music created on the island and the artwork of the designs included here.Cuban music is the source of much Latin music in the 20th century. Salsa, the all-encompassing Latin music that came out of New York in the 1970s, and soon spread across Colombia, Venezuela, Puerto Rico, the Dominican Republic and elsewhere, owes all of its success to the Cuban music on which it is fundamentally based.These record sleeves help document the dramatic change in Cuba’s identity from that of 1950s tourist paradise to socialist state. Following the Cuban Revolution in 1959, the United States imposed a trade embargo which exists to this day, and as a consequence the many 100s of Cuban records featured here have rarely been seen outside of Cuba.The book is edited and compiled by Gilles Peterson, BBC broadcaster, record label owner, DJ, record collector, founder of Worldwide FM and Stuart Baker, founder of Soul Jazz Records. Together they have edited two earlier critically-acclaimed music and design books ‘Freedom, Rhythm and Sound – Revolutionary Jazz Cover Art 1965-83’ and ‘Bossa Nova and The Rise of Brazilian Music in the 1960s’.In conjunction with the deluxe book, Soul Jazz Records will be releasing an album also compiled by Gilles Peterson and Stuart Baker, charting the rise of Cuban music in the 1970s and featuring many of the artists who appear in this book.----------------------------------------------------------------------------------------------------------

Centreur universel en plastique noir pour lire les singles 45T 7" sur l'axe de 33T. Diamètre : 38 mm, hauteur : 8 mm.

Pochettes extérieures pour les disques 78 tours / 25 cm. Souple, épaisseur : 150 microns, matière : polyéthylène, couleur : transparent, dimensions 270 x 270 x 0,15 mm