Maurizio Baroni
Ennio Morricone - Discovery 1961 - 2017

Raw, brazen and totally intense, Fucked Up + Photocopied is a collection of frenetic flyers produced for the American punk scene between 1977 and 1985. Many were created by the musicians themselves and demonstrate the emphasis within the punk scene on individuality and the manic urge of its members to create things new.

With a style as distinctive and eclectic as a Beastie Boys album, Beastie Boys Book upends the typical music memoir. Alongside the band narrative you will find rare photos, original illustrations, a cookbook by chef Roy Choi, a graphic novel, a map of Beastie Boys’ New York, mixtape playlists, pieces by guest contributors, and many more surprises.

"Must read Best Books of the year" Financial Times‘Cuba: Music and Revolution: Original Album Cover Art of Cuban Music: Record Sleeve Designs of Revolutionary Cuba 1959-90 ’ is a stunning new deluxe 250-page large format hardback book compiled and edited by Gilles Peterson and Stuart Baker (Soul Jazz Records) that features many 100s of stunning and unique Cuban record sleeve designs made since the Cuban Revolution led by Fidel Castro in 1959. These album covers have rarely been seen (nor heard) outside of Cuba and show a rich previously hidden history of both music and design.‘Cuba: Music and Revolution’ is the first ever book about Cuban record sleeve design and has been five years in the making, made in full co-operation with the Cuban government. The record sleeve designs reflect both the rich cultural Latin musical legacy of Cuba, as well as the political and aesthetic influence of revolutionary Communism, which manifests itself both in the music created on the island and the artwork of the designs included here.Cuban music is the source of much Latin music in the 20th century. Salsa, the all-encompassing Latin music that came out of New York in the 1970s, and soon spread across Colombia, Venezuela, Puerto Rico, the Dominican Republic and elsewhere, owes all of its success to the Cuban music on which it is fundamentally based.These record sleeves help document the dramatic change in Cuba’s identity from that of 1950s tourist paradise to socialist state. Following the Cuban Revolution in 1959, the United States imposed a trade embargo which exists to this day, and as a consequence the many 100s of Cuban records featured here have rarely been seen outside of Cuba.The book is edited and compiled by Gilles Peterson, BBC broadcaster, record label owner, DJ, record collector, founder of Worldwide FM and Stuart Baker, founder of Soul Jazz Records. Together they have edited two earlier critically-acclaimed music and design books ‘Freedom, Rhythm and Sound – Revolutionary Jazz Cover Art 1965-83’ and ‘Bossa Nova and The Rise of Brazilian Music in the 1960s’.In conjunction with the deluxe book, Soul Jazz Records will be releasing an album also compiled by Gilles Peterson and Stuart Baker, charting the rise of Cuban music in the 1970s and featuring many of the artists who appear in this book.----------------------------------------------------------------------------------------------------------

Le Discopathe est heureux de vous proposer à l'occasion des fêtes de fin d'année sa carte cadeau !Choisissez le montant désirez et faites en profiter un proche, il pourra ainsi si rendre en magasin ou bien sur notre site internet et s'offrir grace à elle la musique qui le fait rêver. Simple d'utilisation, son destinataire recevra sa carte accompagnée d'un code lui permettant de bénéficier (sur www.lediscopathe.com ou bien en magasin) du montant dont vous l'aurez crédité. Vous avez des questions ? Aucun soucis contactez nous ou passez directement nous voir à la boutique .Cette carte cadeau peut être créditée à l’achat d’un montant de 25, 50 ou 100 euros selon vos désirsElle ne peut donner lieu à aucun rendu de monnaie mais peut être complétée par tout autre moyen de paiement accepté par les magasins.

8 x 11 inches, 34 pages, Saddle stitched. Black and white with occasional color cover, 60lb white offsetLove Injection Issue 60 cover in loving memory of Francis Mirai Nishida by Mike Lau, Connie Byun, Thoma Hall, featuring: Q&A with Robert Hood by Turtle Bugg & illustrations by Glenford Nuñez, Q&A with DJ Swisha by Nick Boyd & Photos by Chad Hilliard, Chosen Family: A Halloquium Conversation featuring Ash Lauryn, Ari Robey-Lawerence and Gavilan Rayna Russom (Part I), "Carving Out A Space: Why DIY Compilations Proliferated During The Pandemic" by Nina Posner, Q&A with Anthony Nicholson by Jitwam, Q&A with P. Leone by Paul Raffaele, "My First Gig At Better Days" by Bruce Forest, Q&A with Michael Holman by Justin Strauss (Part II), the inaugural "Mix Moments" ft Tony Yotzi by DJ Voices, "Music & Spirituality #5" by Hiromi Kiba, Love Notes From A Displaced New Yorker by Nathaniel Jay, "Spaces & Places: Updates" by Love Injection Staff and Editor's Letter by Love Injection Staff

“weeds change the colour of water”…is a speculative effort, one dreamt to collect ideas, interpretations, and interactions. By listening patiently, we may come to recognise some pattern in the tangle that surrounds and involves us – a spot to sense that, like a weed, we are insecurely tethered amid choppy and changing waters, which now, more than usual, have us flailing and adrift.It is associated to "Wound Without a Tear" a compilation by Daisart Records of “Australian” Ambient and Experimental Music; an area so often overlooked and misunderstood because it does not easily fall into historical context. However, the fifteen years (1993-2008) the collection cites–a period of early 90s post-rave ethereality defined by pleasure-centred spaces (chill-out rooms) and the personal computer’s emergence as a popular tool for file-sharing and secondary-living in the 00s–is befitting !