El Diablitos
Come Hell Or High Water

For songwriting duo Joey Cobb and Katie Drew of White Flowers, one of the most exciting young bands in the UK right now, it was only on leaving London to return to their native Preston that the dark-hued dreampop of their debut album, Day By Day, began to crystalize.RECOMMENDEDIt's usually a pretty reassuring sentiment when a band declares that they "never really wanted to sound like this". It tells us everything we need to know about how the end product, stylistically, found them as much as they found it. And how the songs they make are natural and entirely of them. White Flowers' Katie Drew made a similar statement ahead of this, the debut album from a duo comprising her and fellow Prestonian Joey Cobb.Having discovered London's psyche scene while studying at arts college in the capital, the pair returned north to the bleak wastelands half of England frequently forgets exists. Evidently a good move, as the resulting record doesn't sound like most of London's psyche scene. Instead, it's somewhere between the opiate seduction of Goldfrapp, the understated but intense emotions of Cocteau Twins, and the dark undercurrent of Nadine Shah. You might not agree, but either way give it a play.

Funky Mother is Analog Son's fourth full-length album. Produced and mixed by Eddie Roberts (Guitarist for The New Mastersounds) is their most robust effort yet with a 12-song collection of instant classics composed by co-founders and longtime musical collaborators, Jordan Linit and Josh Fairman.This album differs in a couple of key manners. For one, Linit and Fairman have cultivated a steadfast crew of top-call musicians to round out their roster as opposed to the “Steely Dan” format the group has used with a rotating studio cast on the prior three albums. In addition to Linit on guitar and Fairman on bass, these musicians include: Devon Parker & Ashley Niven (vocals), Eric Luba (keyboards), George Horn (drums), Will Trask (percussion), Mike Chiesa (tenor saxophone), and Gabe Mervine (trumpet).

"Ah, come down, come down, brown sugarHow come you taste so good?Ah, come down, get down, brown sugarMovin' around, come on, movin' around"

Officiant au sein de groupes tels que Rose Mercie (SDZ, Jelodanti, Monofonus Press) ou La Ligne Claire (Bruit direct disques), Charlène Darling est une musicienne autodidacte qui compose tout autant une pop douce et chaleureuse que des balades glacées, ou bien un rock minimaliste et percussif. Après de nombreuses collaborations avec TG Gondard, élg et Oso El Roto, elle dévoile cet automne son premier album studio, “Saint-Guidon”, mariant ses racines lo-fi à des arrangements plus vastes et hétérogènes.

STONED PSYCHEDELIA !!!!!GARAGE punk under ACID !!!!Official Reissue of one of the WEIRDEST records ever released in FRANCE in the early 70’s.Fantastic sci-fi spaced out psych with astonishing lysergic fuzz distortions and drenched crazy electronic noise effects. WEIRD !!!///////////////////////////////////////////////////////////////////////////////////////Reedition officielle de l'un des albums psychédélique les plus déjantés jamais enregistré en France au début des années 70.Un mélange trippé et improbable de musique psychelique, d'arrangements électronique foutraque, et de distorsion à faire passer leurs contemporains pour les petits chanteurs à la croix de bois.Une musique possédée et dangereuse bien loin des clichés progressif du genre. Il est en effet bien question chez les montpellierain de ROB JO STAR BAND, de rock and roll, et même de proto punk tant leur musique de part sa violence et sa subversion préfigure déjà l'avènement du mouvement punk. Le ROB JO STAR BAND définissait lui même cet album expérimental comme une sorte de "Messe pour le temps présent à l'intention des freaks et des junkies". Pierre Henri appréciera la comparaison...

Brand new !