Le Super Biton National De Ségou
Le Super Biton National De Ségou

50 years on from the recording of Leo Nocentelli's Another Side album and it still resonates. To mark the occasion it gets a special first ever release on Light in the Attic featuring all new, unreleased and never before heard tunes. It was the guitarist's first ever album and it features Allen Toussaint, James Black and George Porter Jr. and Zigaboo Modeliste of The Meters. It was recorded at Cosimo Matassa's Jazz City Studio in New Orleans sometime in the early seventies but was somehow lost. It features some of his most tender and vulnerable sounds and is only being heard because it somehow survived Hurricane Katrina and was discovered 2000 miles away in Southern California.

Originally released on tape by Sound Reporters in 1986. Het Jacoba Prieel is a very weird compendium of imaginary soundscapes, in which every coordinate seems lost and totally deviated. Fred Gales, in collaboration with Walter Maioli and Pit Piccinelli, presents his idea of ​​a concrete organic music, a diary of signals and sound impressions inspired by the great tradition of primitive music, an extreme investigation of love on the primordial beauty of sound expression. Travelling into the properties of all matter of the sonic environment, the members of the legendary Sound Reporters generate, transform, mix, filter and modulate natural and electronic sounds in the magical analogical studio of the Utrecht Institute of Sonology. From a single movement of sound fragments are opened catalyst flows and circuits, flickering sequencers and oscillations of luminous channels. Futuristic tribalism, hypnotic fossil percussion, alien sounds, dreamlike trips in the jungle, echoes of rustling and rumbles otherworldly, rain waterfalls and shells in the pond, calls of animals and insects, heart beats and radar waves. Everything is just pure sound and surrounds us.

An absolutely legendary album from Lebanon by Issam Hajali’s group Ferkat Al Ard, “Oghneya” stands out as one of the great musical gems of the Arab world. A groundbreaking release from 1978 that represents the meeting point of Arab, jazz, folk and Brazilian styles with the talent of Ziad Rahbani, who did the albums arrangements. Filled with a variety of sounds and genres, from Baroque Pop to Psych-Folk to flashes of Bossa Nova, Tropicalia and MPB, “Oghneya” is like if Arthur Verocai took a trip to Beirut in the 70’s to record an album.Sadly there are two tracks from the original release of “Oghneya” that did not make it onto the reissue. “Ghfyara Ghaza” was replaced by the song “Juma’a 6 Hziran.” while “Huloul” was taken off without a replacement. This happened as a precondition from the band for this reissue to happen. We would have loved to include all tracks, but the decision ranged between having either a reissue like the one we put out or no reissue at all. Thus, an easy choice for us.credits

The Accra-born pianist and frontman, ROB, only released a few albums in small quantities, yet two of them are among the most sought-after records from 70’s Africa. This was the first.So what do we know? After learning his craft in Benin and playing with the likes of Orchestre Poly-Rythmo de Cotonou, ROB returned to Accra to write his own material and find a sound.Hooked on the driving funk and raw soul of stars such as James Brown and Otis Redding, he would often imitate his heroes on his father’s piano during school holidays.The title track sets the pace with a JBs-like rhythm, ROB almost shamanic with his sparse yet commanding vocal. The organ and wahwah guitar spin us out before those imperious horns bring us back in.And what better way to close this set than with ‘More’, swept up in a call and response between Rob and his backing singers as a ‘Blow Your Head’ synth flares and the brass blasts. Good times guaranteed.As the man himself says, “Funky music is in my blood. What you hear is the coming out of my mind.” No one sounds like Rob, because there is no one like Rob.Replica original artwork. All songs licensed from Essiebons, except 'More' licensed courtesy of Analog Africa.