Fred Gales
Het Jakoba Prieel

The Dap-Kings' electro-sax space warrior returns with a groove-heavy sequel to All My Relations. Vol. II: Baca Sewa, an expressive, transcendental voyage through the archives of his indigenous roots and beyond. Drawing on ancestral memories and family histories to wrap new flesh around the bones of history, this album is a bold, semi-autobiographical work that leads us deeper into the annals of family histories, mythology and the cultural imaginary.“Baca Sewa” is Cochemeaʼs original family name prior to Spanish colonization and the fracturing or erasure of ancient knowledge and ways. The melody for the title track was composed by Anthony Gastelum and features vocals and drumming by the Baca Sewa Singers- a group composed of several generations of family members. The album runs thick with sonic tributes and remembrances. “Chitoʼs Song” is a contemplative, ethereal tribute to a beloved uncle. “Curandera” conjures the memory of the irrepressible healing power of medicine women. “Black Pearl” recalls his great grandfather, heir to a legacy of indigenous peoples enslaved as pearl divers in the Sea of Cortez.Leading a 7-piece ensemble composed of New Yorkʼs top percussionists and members of Daptoneʼs rhythm section, Cochemea recombined ancient elements of drums, winds, and voice, creating his own world of emotional textures and rhythmic possibilities. His musical and spiritual synthesis is made possible through his deep reverence of the horn and of the music and traditions preceding him. Vol II: Baca Sewa - is an offering and continuation of Cochemeaʼs explorations, part of a musical process of cultural reclamation and healing through connection, relations, memory and imagination.

A slab of the very finest Techno from Mark Archer and a slice of heavy Acid from Scott Hallam.

Wini & Fefe ‎– Ago Kae MedzeLa Voix Du Kayas ‎– V K.K. ILIVinyl, LPTogo

Linda “Babe” Majika’s insanely brilliant Don’t Treat Me So Bad is a tight six tracks of blistering electro-flavoured bubblegum and synth-drizzled solar-powered machine-funk. It has become increasingly hard to find, with copies currently moving for over £200. But this is definitely a case of eye-watering price equalling heart-thumping quality.The enormous “Let’s Make A Deal” is probably the best known track here, and it’s definitely the best one if you ask us. Linda’s vocals drip with attitude over warm, breezy synths and an urgent, edgy electro beat to create a timeless club-ready bomb that sounds as fresh as ever. But the rest of the album is far from filler.Don’t Treat Me So Bad is the work of one badass woman who can hold her own, and then some.

Original soundtrack to a new British horror film by the pioneering UK electronic research lab responsible for Doctor Who and Quatermass.Astonishingly considering their 50 year career scoring for radio and television, this is the first time The Radiophonic Workshop have ever scored a feature film for theatrical release or collaborated on a major score together. They’ve risen to the challenge admirably, concocting a soundtrack that mixes pastoral flute with dread synth tones and bowed percussion that connects this to England’s hidden reverse of Coil as much as the masters of Italian Giallo soundtracks. Housed in a beautiful 6-panel sleeve designed by Julian House (Ghost Box Records/Children Of Alice), the soundtrack includes all the cues from the feature film as well as 9 bonus tracks. The soundtrack features sound elements and drones from the Delia Derbyshire archives, the pioneering producer of the original Doctor Who signature tune. These sound elements, discovered in boxes of tapes in the late composer’s attic, have been restored and used in the foundations of the sound track and sound design.Possum is the directorial debut of Matthew Holness (best known for co-writing and playing the title role in Garth Marenghi’s Darkplace). The film stars Sean Harris and Alun Armstrong, telling the story of a disgraced children’s puppeteer who returns to his childhood home and is forced to confront his wicked stepfather and the secrets that have tortured him his entire life.“This soundtrack a testament to the Radiophonic Workshop’s mastery of sound. At once unnerving, atmospheric, and deeply moving.” - Matthew Holness (Writer & Director)The Radiophonic Workshop maintain it amongst the most significant work of their career. “The unearthly sounds of this form of radiophonic music are well-suited to atmospheres of paranoia, fear and haunting. In the best tradition of horror and suspense, this soundtrack adds to the extraordinarily claustrophobic atmosphere between the two central characters with dark scampering and threatening moans."