Red Hot Chili Peppers
Californication

'Headsoup' Is A New Compilation That Deepens The Legend Of Mysterious Swedish Psych Collective Goat Even Further. Collecting Rarities From Across Band's Celebrated Career, Including Standalone Singles, B-Sides, Digital Edits And Two Enormous Brand New Tracks, It's A Globetrotting Acid Trip Of A Record That's Even Bigger In Its Scope Than Their Acclaimed Studio Lps.From The Incendiary Heavy Psych Of Their Earliest Work, Like Debut B-Side 'The Sun And Moon', To The Serene 'Requiem'-Era Alternate Take 'Union Of Mind And Soul', To The Simmering Menace Of Their Latest Material, It's A Record As Multifaceted As Goat Themselves, Packed With Detours In Every Conceivable Direction.Taking In Jazz-Flute Solos, Pounding Afrobeat Rhythms, Ferocious Desert Blues, Drifting Ethio-Jazz, This Is, As The Name Of Goat's First Album Made Clear, 'World Music' In Its Most Complete Form, A Sound Unrestrained By Genre Boundaries. Yet The Band Are Anything But Lazy Appropriators. They Approach Their Forebears With Upmost Reverence, Articulating A Celebratory Cultural Cross-Pollination. And What About These Two New Tracks? 'Fill My Mouth' Is A Scuzzy Psychedelic Funk Knockout, The Sleaziest Thing The Band Have Ever Recorded. 'Queen Of The Underground', Meanwhile, Is Truly Herculean, A Swaggering Psychedelic Powerhouse Of The Very Highest Order.Sometimes Dark And Heavy, At Others Joyous And Beautiful, Like Goat Themselves 'Headsoup' Is Mysterious, And Constantly Shapeshifting, Difficult To Properly Pin Down But Constantly Enthralling. Almost A Decade Since They First Emerged From The Depths Of Scandinavia, There Is Still No Other Band On Earth That Sounds Quite Like Them. Comes In Cyan Blue Vinyl With 7"Single!

Après “Vertigo”, premier album sorti en 2018, revoilà les parisiens de BLOW avec le bien nommé “Shake The Disease”. Produit par Crayon, cet album est une collection de morceaux plus épurés, plus organiques. Si leurs méthodes d'enregistrement et la vie en studio ont changé, on retrouve la même équipe à l'écriture et à la composition : Quentin aux textes, Thomas à la basse, et Jean à la guitare.Pour celles et ceux qui auraient un besoin d'étiquettes et de traçabilité, citons des sources qui nourrissent le groupe depuis des années : Pink Floyd, Moderat, Darkside, Jungle, les Beatles, Weather Report, Anderson Paak, Flying Lotus, Jai Paul. Ces sources sont multiples. Rien d'anormal pour un groupe curieux et attaché à la diversité. Pour l'image, les mots, on pense à ceux de Ian Curtis, de Jim Morrison.

Quite rare 1st french press in top condition.

Best known as a DJ, this is Sofie self-produced debut LP : leftfield pop songs inspired by life & heartbreak..."Sofie was one of the original members of Boiler Room and its host. She is a resident DJ on NTS Radio, and worked at Stones Throw for four years, bringing several artists to the label including Knxwledge, Mndsgn and Stimulator Jones. As a DJ, she played on lineups with the likes of Teebs and Dam-Funk, and in 2016, she curated the compilation Sofie’s SOS Tape for Stones Throw, which includes the track “Abeja”, her collaboration with Mndsgn."

Whereas the band’s debut album ‘Popular Music’ was broadly political, the new album takes a more personal approach with beguilingly honest and brave lyrics that are bold in both sound and feeling, whilst also retaining the core DNA of their previous material.Going on to speak about the album Mez says “A Picture of Good Health is not a collage of work but rather a snapshot of time; our time and the time of those around us. It’s political, but in a personal way. It’s a body of work that explores and examines the bands inner-selves through a precise period; a period that has brought pain, loneliness, blood, guts, single parenthood, depression and the need for survival and love. It is the sense and need for belonging that is the resounding endnote!”

For their first outing, new London-based reissue label Foam On A Wave resurface the remarkable debut album from one of the UK's foremost artists of 'ambient techno', Ultramarine's 'Folk'. Like the surrealist collage of the sleeve designed by Benoît Hennebert, Ultramarine weave together unique instrumentation and sonic influences into rich, ethereal soundscapes, now fully remastered for its 30th anniversary.Ian Cooper and Paul Hammond admitted they weren't totally sure what they were doing when they signed a record deal with the famously bohemian label Les Disques du Crépuscule and found themselves on their way to Brussels. There, over a two week stint, the Essex duo recorded the album - drawing on a kaleidoscopic palette influenced by both the Canterbury scene's jazz-infused psychedelia, as well as the contemporary Benelux scene, with particular nods to the likes of Benjamin Lew, The Durutti Column and Anna Domino. Conceived at a time when technology began reshaping the process of recording and production, the band's interest in fusing the organic and the electronic is apparent, and one that has remained with them throughout their career.'Folk' both sits apart from and serves as a precursor to the 'pastoral techno' sound Ultramarine went on to pioneer. Following US and European tours alongside Orbital and Bjork, a few more albums and collaborations with the likes of Robert Wyatt and Kevin Ayers, plus remixes for and by Everything But The Girl, Carl Craig, Luke Slater and more, they folded the project for a number of years. Last year the band returned to their inaugural imprint with the ethereal 'Signals Into Space'. Albeit somewhat sparser, more sedate, it is in some ways a coming full-circle to the jazz-laden, analogue sound of their debut, which makes reissuing 'Folk' feel all the more timely.