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Dan Snaith's 27-track Fabriclive bounty just keeps on giving. Following the likes of "Face To Face" come two more outstanding dancefloor tracks. Rough around the edges, off-the-grid, visceral yet touching, "Hey Drum" hypnotises with an almost militant feel before suddenly switching into an outrageously uplifting breakdown while "The Truth" taps into the roots of Chicago with a footloose kickdrum and warm fluctuating synths. Both absolutely kill it - which you probably already knew anyway. Most of us have been counting down the day for this vinyl release since we first heard the Fabriclive mix.

They may have expanded their musical horizons in recent years, delivering albums packed with glossier productions, soulful songs and revivalist boogie gems, but it was with funk-fuelled, party-starting breakbeat workouts that they started their career. This seven inch single boasts two killer cuts from their 2005 debut album, Boogie Angst. A-side 'Money In The Bag (K&S Remix)' brilliantly joins the dots between cowbell-driven funk, squelchy 1980s electro and hip-hop, in the process delivering a timeless slab of dancefloor hedonism. 'C'mon People (7" Edit)' is more straightforward - but no less incendiary - slab of mid-noughties funk breaks goodness laden with ear-catching samples.

For the fifth anniversary of Buraka Som Sistema's 2016 farewell show in their hometown of Lisbon, Portugal - and the 15th anniversary of their debut EP - we're celebrating this important milestone by releasing 'Buraka 4 Ever', an album created from the recordings of this legendary concert where the band's most iconic songs were last performed in front of a roaring live audience.

Second volume of Jamaican doo wop & R&B records taken from the late 50s and early 60s. These records represent a period in which soundsystems were just starting to dominate the island, with Duke Reid and Sir Coxsone stepping up their rivalry by beginning to make and release their own records rather than rely on US imports for use in their dances. Many of these records are definitely more-or-less imitations of the American records, as the uniquely Jamaican ska sound was yet to take hold - however many of the future stars of ska, rocksteady and reggae were beginning to cut their teeth in the industry on these records, incl. Prince Buster, Derrick Harriott and more, and provide a unique view into the fledgling independent record industry culture in Jamaica that would prove to be unbelievably prolific and unparalleled for an island of it's size.

Avant que l’album 2 n’attire sur le crooner canadien Mac DeMarco l’attention mondiale, l’étincelle était déjà présente sur son premier EP Rock and Roll Night Club sorti en mars 2012. Depuis dix ans, Mac Demarco est l’antithèse du songwriter stéréotypé. Faisant fi des moments sérieusement sombres de Rock and Roll Night Club, il fait le plein de moments fantaisistes et de spontanéité juvénile tout en offrant les commentaires délectables et subtils dont il est coutumier. Son trait le plus impressionnant est sa capacité indéniable et instinctive à composer de morceaux de jangle pop magiques. Ses jams étonnants lui ont valu des éloges qui n’ont cessé de croître au fil de sa discographie ; sa musique faisant l’objet de nombreuses comparaisons, mais de manière nomade, sans évoquer une origine distincte, si ce n’est Mac lui-même. Le pressage à l’occasion du 10e anniversaire de Rock and Roll Night Club comprend les 12 enregistrements originaux – y compris les titres bonus « Only You » et « Me and Mine » – pressés sur un vinyle en édition limitée, avec de toutes nouvelles notes écrites par DeMarco évoquant le temps qu’il a passé à écrire et à enregistrer ce qui allait devenir l’introduction au monde de l’un des auteurs-compositeurs les plus influents de l’indie. Pressage sur vinyle crème et marron.