Klein Zage
Feed The Dog

Let's face it, no one really knows where they're going, so the best we can do is enjoy the ride - a sentiment captured perfectly by the high altitude ambient of 'Flights',Double Geography's new release on the Growing Bin.Embracing the unpredictable, Duncan Thornley married melodic fragments with semi-generative computer process and random filter interactions, an aleatory approach to music therapy during the existential funk of the first Lockdown. The unhurried melodies, weightless within plumes of reverb and delay, conjure the feeling of long distance air travel with All Nippon - that pensive delirium stimulated by varying air pressure, broken sleep and the most welcome pause in your everyday life. Remote snippets of news reports, street noise and conversation, plundered from cassette dictaphone and a Spanish language tape the artist found in the loft sit low in the mix, the barely audible sound of the pilot and passenger, extras in your everyday experience.Contemplative and comforting, 'Flights' is a gentle reminder to be present, delivered with a rare beauty.

Beauty.

On the A side Venezuelian / Bruxelles based artist Bear Bones, Lay Low (well known for his shamanic unstoppable live acts) brings us a faster than usual track. Turbo exotic beats, distorted bass and psychedelic waves. Lick that toad and enjoy the flight !On the B side we celebrate the come back of High Wolf who was focused on his Black Zone Myth Chant alias those last years. After worldwide tours and more than 20 releases on labels like Not not fun, Sun Ark, Leaving Records or Consternation, Maxime P. woke up the wolf for some heavy looping beats. Is it slomo dub infused tribal house or the weirdest hardtechno you ever heard ? Only your legs have the answer.

Looking back to a great year, we find David K from the Freak'n'Chic posse being one of the most successful newcomers in 2006. Freak'n'Chic stands for a kicking mix of techno and acid sounds, which are blended with some house. DJ friendly, very danceable but still demanding, with elements of deep house and minimal house. This is also the direction of David's current tracks "Tender and Sugar" and "Mayann". Whereas "Tender and Sugar" seems straighter, darker and more minimal, and the fat but simple beat is the driving element, "Mayann" comes along with strong reerences to "Âme" and its synth sounds remind of "Rej" or productions of "Pasta Boys" from Italy, without denying David K's "Freak’n’Chic" handwriting. The spheric layers and weird percussion sounds make "Mayann" a real tech house monster. Is this a late highlight in 2006 or the first hit of the next year? Besides his releases, David K will give his live debut at the CocoonClub at the end of december.

First ever reissue of highly sought after french jazz funk fusion nugget from Alain Bellaïche featuring, Jerry Goodman (Mahavishnu Orchestra), John Hicks (Strata-East) & Fabiano (Fabiano Orchestra).A Frenchman who is returning (but who we seem to discover!) from the USA is something unusual. Everything seemed to start out well for Alain Bellaïche: Born in Tunis, childhood in Cannes, studies at the Ecole des Beaux-Arts in Paris, his first folk concerts folk in youngsters’ houses and clubs where everyone was well behaved …Then, in 1973, he left for the States. Bellaïche would settled for around ten years, with, as a soundtrack, the two albums that he would record there. Metropolitain, which was the fruit of his collaboration with the Heldon guitarist Alain Renaud, and Sea Fluorescent. In the catalogue of Asylum, David Geffen’s first label, Bellaïche’s music was listed alongside that of the Byrds, Tom Waits, Joni Mitchell, and Bob Dylan.In a Rock & Folk, interview Bellaïche expressed his regrets as to the prudence of French musicians: “I never had a group… perhaps the guys here are not motivated to play this kind of music”. We should note that the influences of our expatriate were, for example, Led Zeppelin, John McLaughlin, Weather Report, Herbie Hancock, The Spencer Davis Group…Bellaïche, a multi-faceted and iconoclastic musician, composed Sea Fluorescent just following his desires: from a cosmic ballad (St Andrea), to West Coast funk (California), dreamlike Spanish influences (Spanish Roots), optimistic blues (Foolin’ Myself), a solar track (I’m Angry, Sun Blues) … And the Frenchman was in good company: Jean-François Fabiano (from Fabiano Orchestra) on drums and percussions, Jerry Mahavishnu Goodman on violin on Got My Place In That Country, Wornell Jones on bass or John Hicks whose cascades of notes bring Reggae & Western closer to the ‘reassembled’ jazz that the pianist was playing at the time…When, finally, after the fabulous declinations of the title track of the album, we hear a bonus on which Bellaïche sings in French, it is time for a Chacha émotionnel on which offers this horrible confession: “I’m not from around here, I come from a backward country”. Thanks to Souffle Continu, France is finally catching up.Remastered from the master tapes.Restored artwork + 12 page booklet.Licensed from Alain Bellaïche.

Ahead of a second volume of the highly anticipated 'Outro Tempo' compilation, Music From Memory drops this teaser EP with the never before heard cassette madness of São Paulo’s Bruhahá Babélico and Individual Industry’s ethereal electro pop on the flip!