Jean Carne Adrian Younge Ali Shaheed Muhammad
Jazz Is Dead 12 (Colored Vinyl)

The Psychedelic Freaks is a new alias of Horatio Luna's. The aptly titled debut LP 'Passing Through The Doorways Of Your Mind' is an introspective 70s fusion space odyssey.An Afrobeat, Psychedelic jazz, funk fusion experience inspired by the Miles Davis's electric era. Influenced by the genius of Fela Kuti, Miles Davis, Frank Zappa, Dave Holland, Paul Jackson, Carol Kaye, Jimmy Hendrix, James Brown, and Alice Coltrane.Special thanks to Mandarin Dreams for putting a guitar in my hands and On-Ly for putting a wah pedal in front of it.

Vāsuki Sound launches with its first release - the concept album 'Third Culture' by Michael Diamond.By virtue of his residency at one of the UK’s longest-running nights 'Simple', supporting the likes of Ben UFO, Batu, Ross From Friends, and Daniel Avery, Michael Diamond draws heavily from the sounds of the contemporary UK underground. At the same time, being the latest addition to Brownswood Music’s Future Bubblers family, Michael’s love for jazz and harmony is loud and clear. The consummation of these two influences is his debut concept album ‘Third Culture’ - an LP that coalesces the very best of the jazz and electronic worlds into one seamless composition spanning ethereal jazz-breaks, introspective two-step, sax-driven power ambient and world-building, story-telling electronica.

Matthew Halsall unveils new band and announces ‘Salute to the Sun’ his new album on Gondwana Records. Spiritual jazz at its best. Already a classic. Limited edition Double Black vinyl, printed on reverse board with Gold foil artwork plus double printed reverse board inner sleeves including download code. Cover Artwork by Daniel Halsall with design and layout by Ian Anderson of The Designers Republic. Half-speed mastered for superior sound.Comes packaged in a resealable, re-usable Polypropylene anti-static, acid-free, crystal clear sleeve for maximum protection.Composer, trumpeter, producer, DJ and founder of Gondwana Records, Matthew Halsall has always worn many hats. But at the heart of everything that he does Halsall is first and foremost an artist and a musician. A trumpeter whose unflashy, soulful playing radiates a thoughtful beauty and a composer and band-leader who has created his own rich sound world. A sound that draws on the heritage of British jazz, the spiritual jazz of Alice Coltrane and Pharoah Sanders, as well as world music and electronica influences, and even modern art and architecture, to create something uniquely his own. A music that is rooted in Northern England but draws on global inspirations.Salute to the Sun is his first album as a leader since Into Forever (2015) and marks the debut of his new band. A hand-picked ensemble featuring some of Manchester’s finest young musicians: Matt Cliffe flute & saxophone, Maddie Herbert harp, Liviu Gheorghe piano, Alan Taylor drums and Jack McCarthy percussion as well as long-time Halsall collaborator, bassist, Gavin Barras who has been at the heart of Halsall’s bands for over a decade. For Matthew it was important to have a band based locally and able, pre-Covid, to meet and play each week, and who also performed a sold-out monthly basement session at Yes in Manchester. The album draws energy from these sessions and inspiration from themes and ideas that have inspired Halsall through the years (on albums such as Oneness, Fletcher Moss Park and When the World Was One) ideas of ecology, the environment and harmony with nature.

Grant GREENIdle Moments (reissue)

Ulla roots her style in improvised jazz and blues on a very welcome follow-up to her entry for our Documenting Sound series, and the sublime ‘Tumbling Towards A Wall’ LPUlla offers more precious room to breathe and space to think on ‘Limitless Frame’, dispensing a broader palette of instrumentation to evoke finer, ephemeral feels with a more timeless appeal. Her sound appears more porous to influence from strains of wistful jazz and blues here, vacillating and morphing her dreamlike ambient purview between parts of signature, aleatoric ambient pads and rustling room recordings, along with more classicist or traditionalist turns of guitars, sax and keys that call to mind K. Leimer via The Remote Viewer. It’s a perhaps surprising change in the winds of her music, and one we’re very happy to follow.In the artist’s own words “I made this music as a way to hug myself” and listeners can trust that hug will extend to them, too. She spends the first half of the record wrapping us up in clouds of pads, processed strums and fractured melodies, whisked to a gentle peak in the keening swoon of ‘Chest of Drawers’ around the middle, while the second half unravels into gorgeous loner arrangements. She captures the most wistful sensations akin to Annie Hogan’s parlour keys on ‘Something Inside My Body’, and crystalline trickles of guitars in ‘Clearly The Memory’, with the softly pealing wind of ‘Walk Alone’ calling to mind Loren Connors and Daniel Carter’s ‘The Departing of A Dream.’