Nimbus Quartet
Fo' On Da Flo'

7.1Pretty Sneaky

Amsterdam Stuff ! Highly effective, acidic, raw stomping Techno package ! Juan SANCHEZ4x4 Series Part 3Fiedeltwo Germany

Matir Gaan is a collaboration between young Bengali migrant, Mohammed After Hussain and Italian electronic artist, Andrea Rusconi (aka Paq). The resulting album delightfully combines the ancient folk songs of Md After's homeland with Paq's cosmic synth exotica.Mohammed After Hussain escaped Bangladesh in 2015 and arrived in Italy in 2017 after a long and dangerous journey across the Mediterranean from the violence he found in Libya. In Italy he found safety and hospitality as an asylum seeker in Rimini's Associazione Ardea, where Andrea is involved with 'Ardea Recordings' - a project aiming to create an archive of songs, stories and sounds by some of the people who spent some time with Ardea's refugee programme.Md After was invited to sing and play the folk and village songs he knew on the harmonium and pakhawaj (two headed drum) while Andrea immersed himself in the songs providing a bed of warm Crumar synth and Veena drones to create a finished album of totally uniquela renditions of the mystic Baul folk songs known so well by people across the Bangla speaking regions of India.The Bauls are a famous group of wandering minstrels from the region of Bengal whose culture is derived from the teachings of the early Sufi mystics and Hindu Fakhirs. The Baul devotees are considered to be mad, or possessed, with the love of God. While transcending religion the Baul compositions celebrate celestial and earthly love and expound the key philosophy of “Deha tatta” or truth in the body, epitomised by the aphorism “whatever is in the universe is in the body”. They reach for divinity here in this world and they seek to access it through music and dance. They seek spirituality in the music, they live fo r the music, wandering from village to village offering ecstatic sound waves in exchange for sustenance. Their presence remains an important part of village life in Bangladesh, and this is why Md After knows the songs despite the fact he would not consider himself part of the Baul ascetic tradition.We hope you'll enjoy this wonderfully psychedelic album, with its unique interpretations of these ancient mystic songs from the earth.Comes with a printed inner sleeve featuring sleeve notes and lyric translations by Brian P. Heilman

Switching RhetoricsFirst-ever vinyl edition of Shora & Merzbow’s split release Switching Rhetorics, originally published on CD in 2001, with remastered audio and updated artwork.Following the release of their acclaimed first record Shaping The Random in June 2000, Shora spent the next year touring and gigging around Europe, eventually reconvening in the studio in the summer of 2001 to record four tracks for a collaborative project with Japanese noise-meister Merzbow, a pairing initiated by Bisect Bleep Industries. The band’s sound had by that point coalesced into a tighter and arguably even more hard-hitting affair, however no less puzzling. The blistering first three tracks exude formidable confidence, embracing Dazzling Killmen-styled noise-rock and apocalyptic black metal alike, while maintaining all of Shora’s eloquent singularity. The drumming particularly shines ­throughout, with its multidirectional eruptions of seemingly pure kinetic energy. As its title suggests, the record’s grandiose and repetitive closing piece “To Further Confines” is a clear indication of the Swiss band’s desire to keep challenging itself and looking ahead. Completed with Merzbow’s extended psychedelic digital noise études, Switching Rhetorics is an era-defining record of genuinely great artistry.

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