By continuing your navigation on this website, you accept the use of cookies for statistical purposes.

Rob Mazurek, Exploding Star Orchestra

LIVE AT ADLER PLANETARIUM

Rob Mazurek  &  Exploding Star Orchestra - LIVE AT ADLER PLANETARIUM | International Anthem Recording Company (LIVE AT ADLER PLANETARIUM) - main
Rob Mazurek  &  Exploding Star Orchestra - LIVE AT ADLER PLANETARIUM | International Anthem Recording Company (LIVE AT ADLER PLANETARIUM) - 1

A1

Dream Sleeper (Live)

A2

Black River (Live)

A3

White River (Live)

B1

Underneath the Star Dome (Live)

B2

Spiral Parable 1a (Live)

B3

6. Parable 3000 (Live)

30.9€
Add to basket

www.lediscopathe.com Tracked and send in specified vinyle packaging with plastic sleeve protection and stickers. Rip Samples from vinyl, pics and Discount on www.lediscopathe.com. Please feel free to ask informations about our products and sell conditions. We ship vinyles world wide from our shop based in Montpellier (France). Come to visit us. Le Discopathe propose news and 2nd hands vinyls, collectors, rare and classic records from past 70 years

*Taxes included, shipping price excluded

Add to wantlist

International Anthem Recording Company (LIVE AT ADLER PLANETARIUM)

1x Vinyl LP

Release date: Sep 27, 2024, United States of America

On March 24, 2023 Rob Mazurek assembled his endlessly psychedelic and explorative large ensemble Exploding Star Orchestra under the dome of Chicago’s Adler Planetarium to perform material from their recently released album Lightning Dreamers along with a number of new pieces.

A digital projection flashed an ever-changing stream of vividly colored, abstract shapes derived from Mazurek’s paintings and animations over the audience’s heads, while the Orchestra, which on this night numbered eight musicians besides its leader, transformed the stylistically disparate pieces from Lightning Dreamers into an enveloping maelstrom. Electric pianists Angelica Sanchez and Craig Taborn pushed layers of plush texture back and forth over the intricate, tripartite grooves of bassist Ingebrigt Håker Flaten and two drummers, Chad Taylor and Gerald Cleaver. Mazurek’s trumpets and wordless cries, Tomeka Reid’s cello and Nicole Mitchell’s flute and voice periodically surfaced out of the flow, issuing sharp, energetic statements, while Damon Locks’ proclamations flickered in and out of the mix like an erratic signal from some interstellar radio announcer. Together, they reimagined the brooding sound of Miles Davis’ Bitches Brew as a force for transcendent uplift.

At one point, Mitchell put down her flute, spoke into Mazurek’s ear and pointed up to toward the dome. As he looked up, his own horn came down, and for a moment, the two of them gazed with undisguised awe at the spectacle that the Orchestra had unleashed. In a time when so many forces conspire to bring people down, this concert was an invitation to look up and out past the horizon.