Soki Ohale The Ceejays
Dance On People

Sorti en 1980 sur le propre label de Beverly Glenn-Copeland avec la participation de son collaborateur de longue date Doug Riley, “At Last!” doit son nom au fait que Glenn a mis beaucoup de temps à retourner en studio et à sortir de la nouvelle musique (ses précédents enregistrements remontaient à 1970) ! Cet EP ultra-rare révèle Glenn dans des modes funk, soul et rock profonds. Il fait partie d’une campagne de réédition en cours célébrant la production diversifiée de ce musicien légendaire et activiste transgenre.Beverly Glenn-Copeland - At Last!

The Accra-born pianist and frontman, ROB, only released a few albums in small quantities, yet two of them are among the most sought-after records from 70’s Africa. This was the first.So what do we know? After learning his craft in Benin and playing with the likes of Orchestre Poly-Rythmo de Cotonou, ROB returned to Accra to write his own material and find a sound.Hooked on the driving funk and raw soul of stars such as James Brown and Otis Redding, he would often imitate his heroes on his father’s piano during school holidays.The title track sets the pace with a JBs-like rhythm, ROB almost shamanic with his sparse yet commanding vocal. The organ and wahwah guitar spin us out before those imperious horns bring us back in.And what better way to close this set than with ‘More’, swept up in a call and response between Rob and his backing singers as a ‘Blow Your Head’ synth flares and the brass blasts. Good times guaranteed.As the man himself says, “Funky music is in my blood. What you hear is the coming out of my mind.” No one sounds like Rob, because there is no one like Rob.Replica original artwork. All songs licensed from Essiebons, except 'More' licensed courtesy of Analog Africa.

Must have classic in great condition. French press of the hit combination between wonderful singer & guitarist George Benson and legend Quincy Jones. Released in the summer of 1980, Give Me the Night was produced by Quincy Jones and released on Jones's start-up label Qwest Records, in conjunction with Warner Bros. Records. It charted at number one on both the Top Soul Albums and Jazz Albums Chart as well as number three on the Billboard Pop Albums charts.The album's success was due mainly to its lead single, also titled "Give Me the Night," which rose all the way to the number one single on the Soul Singles chart. Another selection on the album, "Moody's Mood," was recorded with R&B singer Patti Austin. Certified Platinum by the RIAA,[3] Give Me the Night was the only album Quincy Jones produced for Benson.This album won Benson three Grammy Awards in 1981; Best Male R&B Vocal Performance, while "Moody's Mood" received Best Jazz Vocal Performance, Male and "Off Broadway" received Best R&B Instrumental Performance. Quincy Jones and Jerry Hey also won the Grammy Award for Best Instrumental Arrangement for the song "Dinorah, Dinorah."

It’s one of the best kept secrets of the Indonesian archipelago.Hidden away on a pop album inspired by The Police, lies ‘Licik’, a deep vocoder funk workout lasting over nine minutes. It’s the first recorded Indonesian song to use the vocoder in such a way.‘Licik’ is a hauntingly unique track and a testament to the quality of some of the best music the archipelago has to offer. Friends 82, consisting of Delly Rollies, Norman Rachman and the vocoder wizard Harry Sabar, wrote and recorded the track on the spot back in 1981.The B-side pays tribute to the original song, with a re-contextualisation of the original by Jakarta-born, Bali-based multi-instrumentalist Dea Barandana.Fully licensed from the songwriter and living legend Harry Sabar.The record comes in a custom die cut sleeve with printed inner sleeve and a four page insert with extensive liner notes and photos.