Open today: 16:00 - 23:00

André Bratten
Pax Americana

Pax Americana

Catno

STS356

Formats

1x Vinyl LP Album

Country

Europe

Release date

Jun 28, 2019

Pax Americana Andre Bratten André Bratten

In just five years, Bratten has established himself as a mercurial and uncompromising figure in modern-day electronics. After earning a reputation as a serious performer with a dark, cavalier side through his live shows and DJ sets on the European club scene, Bratten moved from the center of Oslo to the suburbs. The change of scenery had a positive effect on every aspect of his life, allowing him to focus on his young family and studio work. It took him a year to build his new studio in his garden, and then another year to patch all the hardware together again and relearn his music-making process. The first tracks to emerge from his suburban base surfaced last year on Smalltown Supersound as a series of three 12-inches. These are lush, driving funk cuts swaddled in curdled synthesis that find Bratten exploring a new way to conjure the spirit of the acts he loved in his early teens: Boards of Canada, Autechre, and the late Drexciya producer James Stinson’s The Other People Place and Transllusion projects.

Pax Americana presents three of the series’ softer tracks, alongside three new numbers which add a shade of menace to the record. Following his debut LP Be a Man You Ant released on Oslo label Full Pupp and his previous Smalltown Supersound releases “Math Ilium Ion” EP and Gode, Pax Americana presents Bratten using a pragmatic approach. He deliberately produced these track in an old-fashioned, analogue fashion, restricting himself to an 808, an old sequencer, a reel-to-reel tape and a vintage mixer that once belonged to ABBA in the 1980s. Bratten bought the desk from a rockabilly musician in Norway who’d acquired it from a Swedish TV station. Describing the bubblebath boogie of Pax Americana, he says: “I was trying to make a steady dance record without being swooshy. When I started listening to techno as a kid there wasn’t this melodic stuff, so the record is more of a vibe, a feeling.”

Across a handful of sketches, Bratten has sketched out an enchanted vision of the world – a kind of psychedelic dystopia – as he seeks to fuel his lifelong obsession with sound. “I’ve always been fascinated by how a sound can make you feel, without being something you can touch,” he says. “I’ve always been more interested in sounds than music.”

Media: Mi
Sleeve: M

22€*

*Taxes included, shipping price excluded

Tracked and send in specified vinyle packaging with plastic sleeve protection and stickers. Rip Samples from vinyl, pics and Discount on www.lediscopathe.com. Please feel free to ask informations about our products and sell conditions. We ship vinyles world wide from our shop based in Montpellier (France). Come to visit us. Le Discopathe propose news and 2nd hands vinyls, collectors, rare and classic records from past 70 years

A1

HS

A2

Pax Americana

A3

426

B1

Commonwealth

B2

Ranx

B3

Recreation 26B

Other items you may like:

deadly precise & optimised effective DJ tool Techno
DSDWHITE002Nicolas DUQUESo SweetDansu Discs
For the last decade, Argentina has become the epicenter of a musical explosion that characteristically blends folk music from the surrounding Andes and electronic beats. The artist arguably responsible for its emergence on a global platform is one named Chancha Via Circuito- a Buenos Aires native named Pedro Canale whose first album Rodante (2008) opened the floodgates by pushing the borders of Cumbia listeners weren't even aware existed. He's gone on to release other highly acclaimed albums such as Rio Arriba (2010), which Resident Advisor described as 'aural magical realism', and Amansara (2014), which catapulted him onto acclaimed international stages and received praises from Pitchfork to the New York Times.Four years later, in the midst of some very notable global turbulence, Chancha Via Circuito brings us his highly anticipated new album Bienaventuranza- a word that essentially means bliss. Replete with his signature touches of Andean instruments (think lots of flute and charango), the folkloric elements on this album blend fluidly with danceable and digestible electronic beats. He's been cooking this record slowly, with unprecedented amounts of care and in a much more collaborative manner than his past albums.Appearing on the album are heavy hitters in the digital cumbia scene, including Mateo Kingman, Kaleema, and Lido Pimienta, all of whom contribute their highly distinguishable sounds to the natural flow of the album. Most of these collaborations came about almost effortlessly. La Victoria is a track that blends cumbia, dancehall, and a bit of mysticism- carried by Lido Pimienta's luminous voice, Colombian Dancehall wizard Manu Ranks happened to be in town and slipped into the song naturally. Kawa Kawa came from an improv jam during rehearsal one day with Kaleema (Heidi Lewandowski) and Federico Estevez (percussionist in Chancha Via Circuito). Niño Hermoso, which is lyrically a fable, sounds the way it does because Pedro saw a video of Gianluz (Gianluca Zonzini), who he knows from dance classes, singing a Pocahontas song on Youtube.As dancefloor-friendly as it is mystical, Bienaventuranza is as Chancha as it gets- with elements from Cumbia to Dancehall to Andean Folk to Global house, crystal clear production, and collaborations that are evidently natural and genuine, the record holds true to the sound that Canale has played such a huge part in creating. Since the release of his last album, the digital folk scene has also grown exponentially. From a new generation of producers to more listeners in unassuming parts of the globe, Pedro has been humbled to see the sound develop- and proves with this album that he's grown swiftly alongside it.
Elossa Records sixth release “Back in the Waves” is the debut album by DJ Nada.The album contains six instrumental and three vocal tracks. It combines wavy synthesizers with dusty jazz and soul samples. Nada’s hip hop background is strongly present, and the album contains heavy aesthetics of house, nu-soul and modern funk as well.DJ Nada is known for his previous hip hop productions (e.g. Gracias, Pavel) and he has been active in the DJ scene in Helsinki for 15 years, involved in clubs such as “Yo! Kuudes Linja Raps”, “Disco Hi-Life”, “High Hopes” and “No Way Out”
Mov Clsr' is the third and final piece in a trilogy of releases, exploring the libraries of Spaceks recent hard drives. Encompassing House, Footwork, Techno, Garage and Broken Beat the legendary vocalist and producer has amassed a wealth of tracks created mostly on iPhone and iPad. South London to the core yet globally inspired, his off kilter swing and free flowing approach to music has always set him apart from the pack. From his work with J.Dilla (Eve/Dollar) to his collaboration with Mark Pritchard as one half of Africa Hitech, Steve Spaceks creative output has always been a million miles ahead.
Re-issue of the long out of print Virtual Geisha album by Japanese Telecom (aka Dopplereffekt / Der Zyklus) first released in 2001.clone.nl/item67220.htmlLimited edition is sold out. Comes now on regular black vinyl!Remastered and re-issued for the first time since its original release. Essential!!!Virtual Geisha is a further exploration of the culture and technologies from the land of the rising sun by Heinrich Mueller. This time the inspiration is more adult and Manga orientated and even goes a little more 'poppy' with Y.M.O insprired tracks. On Virtual Geisha there's also a first glimpse of the directions he'd take his other projects in the future on tracks like 'Enter Mrs. Suzuki' and 'Japanese Matrix'. While still keeping true to his Detroit Hi-Tech Machine Funk roots with Electro anthems like 'The Making Of Ultraman' and 'Beta Capsule'.The album comes with download code for bandcamp digitalrelease.

This website uses cookies to offer you the best online experience. By continuing to use our website, you agree to the use of cookies.