DJ Sotofett Osaruxo
Hebi / Haru

LP first time release (OG 2010) for RSD 2021 !

These tracks were recorded by Kevin Low and Fiona Carlin in Kevin’s bedroom in Gayfield Square, Edinburgh, in 1986. Me and my dad, Kevin, dug out a huge bunch of his tapes over the lockdown (about 80 of the them at first). Some were…better than others, however, the Gayfield Square demos were the pick of the lot. Previously Kevin and Fiona were part of the Post Punk / indie band ‘Wild Indians’, whose first release “Stolen Courage” had come out in 1983 – released on Flexi Disc via the Edinburgh fanzine Deadbeat. Throughout the mid-1980s they performed across Edinburgh’s clubs, including at the Hoochie Coochie Club (name checked on track 7), where they played alongside bands and close friends Pop Wallpaper and Visitors. The band went on to release two 12” singles, “Love of My Life” in 1984 and “Penniless” in 1986.After the band broke up Kevin sold his guitar amp and 7inch collection, Fiona her saxophone and they went out and got themselves a Yamaha RX-5 drum machine, Yamaha QX7 sequencer and a Yamaha DX-100. These bedroom tracks are the fruits of their first venture with this hardware, combining their experimentation with synthetic sounds (mostly the DX-100’s famous pre-sets) with a post-punk vocal style.These eight tracks are also, in part, the fruit of the “Enterprise Allowance scheme” - a policy venture of Margaret Thatcher’s UK government that gave unemployment claimants access to an extra £40 to top up the basic dole money. Following Thatcher’s election victories in 1979 and 1983, the policy sought to reduce the figures of mass unemployment which hung over Britain well into the 1980s. This policy, according to Kevin, helped to keep up the credit payments. He notes that, “when Fiona and I turned up at the DHSS office with the sure-fire money-making plan of making a business as a ‘song-writing’ duo they signed us up. However, I still think they thought we said, sign writing as they were filling out the form.”Kevin and Fiona stopped making music together shortly after these tracks were recorded so unfortunately, they never saw the light of day…until now!Fiona went on to work in Film and Television sound. Kevin became a photographer, working mostly in theatre. He is now an artist/painter working in Glasgow.

Mehr and Sher Ali’s seminal Qawwali session from 1992.With roots in both India and Pakistan, Qawwali conveys the message of Sufi poetry through religious song and is performed by a group — the Qawwal — of 3 to 13 professional male musicians.Mehr Ali and his brother Sher Ali belong, like Nusrat Fateh Ali Khan, to the Qawwali school known as Panjabi ang. One of the surprising features of their approach is the simultaneous use of several languages (one verse might be in Farsi, another in Arabic, part of another in Punjabi and the last in Urdu) for obvious purposes of communication, arising no doubt from the particular history and geography of the Punjab.

Edition of 100. Professionally duplicated in Quebec, Canada.Programmer is an exploration of the obscure but iconic sound of the Solton Programmer 24. A synthesizer referred to by some as the “Ultimate Italo Disco Machine”.Vancouver’s CORBEN pairs this strange and beautiful machine with a Mellotron and a Roland SVC-350 vocoder to great effect. The result is a haunting and dream-like suite of music that lends itself well to solitude and other inward-facing experiences.