Patrizia Saronni
Perchè Dovrei / E Poi

The re-appraisal of early Seefeel has been long overdue. We're not entirely sure why this hasn't happened before, but to put things into context this is the first time Ch-Vox has been available on vinyl since it debuted in 1996, sidling up alongside the band's other outings dating back to 1994, all of which came about through involvement with Sheffield and global electronic music institution, Warp Records.Ch-Vox actually landed on Rephlex, the imprint founded by Warp regular Richard D James, AKA Aphex Twin, and Grant Wilson-Claridge. Taking us further into the chill-out rooms, Sunday morning comedowns and midweek meditative moods of UK rave, in many ways Ch-Vox is more complex in concept than its predecessor, Succour, helping establish an early framework for what we now know as drone.

It’s spring again, and this uplifting little masterpiece may just be the perfect soundtrack for it: Looks Like You’ve Already Won (MA 64) – the long awaited second album from Boston’s pop duo Ashby, following up their critically acclaimed 2001 debut Power Ballads (“Luxurious, intelligent pop” – Q Magazine).Ashby have expanded their sound quite significantly – with intricate multi-layered arrangements, a shimmering widescreen production and great contributions from an array of guest musicians, incl. Brazilian arranger Zé Luis (Bebel Gilberto, Brazilian Girls). The album’s ten tracks were recorded in Boston, New York City and Los Angeles.Richly layered horn arrangements are a trademark throughout the album courtesy of New York City wunderkind arranger Jeremy Adelman. The atmospheric instrumentation is offset by hard hitting funky drums played by multi-instrumentalist Bill Cowie, one half of the duo. The icing on the cake is Evelyn Pope’s pure, understated and floating voice that somehow manages to sound light and deep at the same time.And Ashby’s greatest signature are, of course, still simply beautiful melodies.Check it out, folks! And you’ve already won…

Max D's latest LP is the first full length album on 1432 R. It's a milestone from the Future Times boss, who's been holding it down in his creative corner of electronic music for over a decade. The album opens fast and fierce with I Think Our Souls Are Other People, a storm of live percussion and widescreen drone. And then from track to track, it strips itself down, mellows itself out, and rides on hypnotic loops. Many Any Dolo Brush is something of a cameo from Max’s Dolo Percussion moniker, giving way to the first of three field recording miniatures that glue the album together and provide a sort of romantic center. Fly Around The Room is a true half-time float, with a melody that sits in your ear while drums zip past. Shoutout Seefeel, a 130 mind cleanser, is full of the namesake shoe gaze and thick hovering techno drums. Lullabiological features the keyboards of 1432 R's own Dawit Eklund, wandering off the deep end like some dream that can't be shaken. Cuz It's The Way rounds out the work with a groove made for the dance floor. Max D and 1432 R: we are always on some hopeful shit.

Top french press. Original poster is missing thought !

Killer Vibes !