Sewavi Jacintho
Mlade Dua

When his mother brought Stanley Turrentine’s Salt Song LP back from a trip to Canada, Julien Lourau, then a teenager, was impressed by the scope of the sound and the groove of the saxophone. He was also charmed by the lush arrangements and funky sound of the record, typical of releases on the CTI label. Created by producer Creed Taylor, CTI left an imprint in the minds of 70s jazz fans much like Blue Note did in the 60s, and it even ended up releasing work by artists who started out on this mythical label such as Stanley Turrentine and Freddie Hubbard. The two even shared the same sound engineer, the great Rudy van Gelder.Yet CTI, though highly prolific during its 15 years of activity, has not benefitted from the same aura as its predecessor.“To breathe life into this album, I listened to a wealth of CTI releases and discovered some I had never heard before. I noticed, oddly, that many of today’s musicians know very little about CTI - a label unfairly considered as minor.”The choice of tracks was determined by Julien’s personal tastes, always keeping in mind a desire to help people discover them yet focusing on the joy of actually playing them too.“The album is made up of 9 pieces. Mathieu Débordes got everything down to the nearest note before we even attempted to play them. CTI didn’t hold back in fuelling their compositions with brass and violins, but I erased this aspect and pared things down to a bass, drums and two keyboards.”English drummer Jim Hart, someone Julien worked with during his London years, propels the group - from hard-bop polyrhythms with “drum & bass” inflections to a reworking of classic Red Clay.Sylvain Daniel on the bass and Arnaud Roulin on the analogue keys are two musicians close to the saxophonist, and that he met when they were students in 1999 while organising a master class at the Conservatoire de Nantes. Since then, they have become his esteemed companions.The collaboration with young pianist Léo Jassef began on this recording, where he also plays the Prophet 5. The dynamic and overlap of the many keyboards played by Arnaud and Léo bring the record a richness of timbre and harmony that the strings and brass provided on the CTI recordings.For the final track on the record, Julien called upon his friend of 30 years, guitarist Bojan Z, for a fresh, Gospel take on Love and Peace, a track recorded by Quincy Jones in 1969, which here, is dedicated to Bojan’s recently departed brother.“When it comes down to it, this album really is as I had imagined it, with, luckily, a few unexpected turns. I created a playlist I then claimed as my own. But in the end, I must admit that I would have loved to have composed some of these tracks.”

Strong VG+. Reunion is a 1982 album by The Temptations for Gordy Records. The album was released during the 1982 Temptations Reunion tour, which reunited David Ruffin and Eddie Kendricks with the Temptations after a decade-long absence. The album also features then-current Temptations Dennis Edwards, Glenn Leonard, Richard Street, and founding members Otis Williams and Melvin Franklin. Reunion featured the hit single "Standing on the Top", produced by and featuring Motown funk star Rick James, who had previously used the Temptations as the background vocalists for his 1981 hit "Super Freak".

The SUGARMAN 3What The World Needs NowDaptone USt’s been a full decade since the last Sugarman Three album, and a lot’s happened in that time. Daptone has risen from an upstart label to spearhead an underground funk movement. Its flagship act, Sharon Jones and the Dap-Kings, became a full-fledged success story, and Sugarman Three leader/saxophonist Neil Sugarman’s played with Amy Winehouse, Al Green and Jones’ Dap-Kings. This may account for the more relaxed vibe of What the World Needs Now compared with its 2002 predecessor Pure Cane Sugar. The revival mission’s already been accomplished, so the new disc doesn’t go out of its way to sound like a lost ‘70s funk nugget. The echo-drenched production of the earlier disc is gone, replaced by a no-frills live sound, and when they want some atmosphere, they bring in some friends to clap hands and shout in the background. Drummer Rudy Albin also sticks less tightly to the coiled-up funk backbeats he used to favor; allowing himself to open up and swing.

Tropical Fiesta - A Festac SouvenirB1 have a jump and is not playable. Instead play VG VG+ and is killer Soukous music from Gabon