Omar-S
The Lost Albatross

The fifth opus of the Worst Records library could appear as an audiobook for transcendental meditations. If the idea of trance-induced state is no surprise in the music we deliver to the world, this new album by Ricco goes beyond. The pair formed by Gil.Barte, head of Kump Records, and HLM38, in charge of house Notte Brigante, dare to offer a sinuous collection of mantras melted in light, silver dust anddarkness. Each track navigates through ritualistic slow beats, drum'n'bass-ish half tempo incantations and other mystic hybrid forms not so far from Kode 9esque or Shakletonists reminiscences, just to name a few. The titles evoke a spiritual diagonal, from biblical to Islamic worlds and arcanes, passing through Persian tradition and obscure references hard to decipher. Several interludes, leading to the final Prelude, stand as resting rooms to drown the listener into purifying darkambient, where glitches of enlightenment and distants sounds from nature slowly disappear in divine drones. You now hold in your hands a keyholder to somewhere else, a sonic ally through everyday chaos, and spells to protect the soul. Let yourself loose in enchantment.

Japanese dub mad Masakazu Nagai aka Mighty Massa has an almost 30 year career behind him by now. He's produced plenty of silky dubs in that time and here he revisits one from way back in 1995, 'Climb The Mountain Top.' He serve sit up as a freshly tweaked 2022 mix with oodles of reverb, while allowing the original melodies to shine as bright as ever over digi-dub beats. On the flip is a more deep and melon twisting 'Dubwise' version for those hazier sessions.

Cult London/Tokyo tape label NCA venture Molinaro’s solo debut for the label after a split with Black Void Smith and his future jazz / broken beat 12”s on ApronWe can’t full make out the silhouette of this one, but the demo showreel / montage promises something a little off-centre from his previous turns; a bit more frayed around the edges, with grubbing drums and littered with samples in a mutant sci-fi soundtrack vein. NCA gear always flies out so trust your instincts and think quick.

This EP – taking 4 years in the making – marks the first ever 12” release of the elusive downtempo italo-boogie tune “Guarda l’Amore”, sung by the mysterious italian duo Gianni & Donatella, only previously available on the impossibly rare 1987 “Disco Italia” compilation LP, released on the tiny italian “Disco In” label.Our archives diggin’ job proved to be incredibly fruitful, to the point that we’ve unearthed four *previously unreleased* demo tracks sung by tracks author Walter Canducci along with Gianni, supposed to be part of an LP release that ultimately never saw the light of the day….until now, and guess what – they’re jaw-dropping!Starting with the slap-bass funk bomb “Si, No”, then going into the late-night love maker “Amore Mio”, topping it all with the mellow beach vibes-infused “Come Allora”. On top of that, you’ll also get an alternate “Guarda l’Amore” demo version.We will never know how these lo-fi demos would sound if the original project of Gianni & Donatella singing on all tracks succeeded, but the only existing recorded evidence can sure give a feel of this unique italo-boogie studio project, that has a space in the most respected DJ bags only.

Serious history business: 'Some Justice' was the first time Micky Finn and Aphrodite joined forces and launched a partnership that would change drum & bass history. Prior to them linking, Urban Shakedown comprised of Aphrodite and Claudio Giussani who had a run of fantastically euphoric hardcore crossover records during that golden rave era. 'Some Justice' landed in 91 and the instantly goosebumping vocal cut 'Burnin' Passion' landed in 93. Both of them enjoyed these touch-ups in 94, which still sound fantastic today. Feel the burn.

This is one of the best long-lost treasure from the 80s – and it's one long composition filled with raw sounds from the jungle, natural objects and electronic treatment. The idea to evoke a deep journey in the Amazon rainforest has affected various musicians in the history of popular and experimental music, but comparing to other works this rare Amazonia 6891, released only on cassette in 1986, appears as totally original and extreme in his conception. Here, the interest in ethnomusicology of the expert Walter Maioli (mind of Aktuala and Futuro Antico projects) is linked to a precise and comprehensive ecological, botanical, ethological and ethnographic perspective. In fact, starting from the sound recording of the ethnographer Pit Piccinelli's collection of natural objects, the collected material for this work is re-elaborate in different times by the anthropologist and electronic pioneer Fred Gales and by Maioli him-self. The result of this multi-disciplinary approach its 'a long concrete poem of plant organisms, fields recordings of verses and calls of tropical animals futuristically mixed with electronic sounds, as already happened for the great experimental trials of Futuro Antico and Ariel Kalma's Osmose. Listen this imaginative collage look like to entering in a precious cabinet of antiquities and curiosity whose wonders of multi-coloured cellular fragments are shaped in the synthesis of a single universal sound matter. The merger between the wild jungle, the mysterious voices of the Indians and the oscillation of the electronic waves creates a spasmodic tension between amazing and heavenly moments that leaked also obscure paths and alien sequences. So, Amazonia 6891 it's a magic trip into the unknown wild, into abyss of creation of kaleidoscopic floras and faunas, simply a proposal for a synesthetic experience and multi-sensory.