Open today: 13:00 - 23:00

Various
Traces D'Arfi

Traces D'Arfi
Traces D'ArfiTraces D'Arfi

Artists

Various

Catno

AM 280 T

Formats

1x Vinyl LP Album

Country

France

Release date

Jan 1, 1980

Genres

Jazz

Le discoapthe ARFI Montpellier

Avec la participation de :
Arfi, Fabrice Alibaux (Multi-instruments), Jean Bolcato (basse), Maurice Merle (saxophone), Louis Sclavis (clarinette), Patrick Vollat (piano), Steve Waring (voix), Jean Mereu (trompette), Alain Rellay (saxophone), Hervé Remond (basse), Christian Rollet (batterie), Guy Villerd (saxophone)

Media: VG+i
Sleeve: VG+

24.9€*

*Taxes included, shipping price excluded

Underated compilation from 80's french Lyon Jazz scene. One stick on the front otherwise very nice condition. Please feel free to ask informations about our products and sell conditions. We ship vinyles world wide from our shop based in Montpellier (France). Come to visit us. Le Discopathe propose news and 2nd hands vinyls, collectors, rare and classic records from past 70 years.

A1

Alain Rellay - Air-Mutable: Présence Oculte Du Passé / Communication, Adaption, Tension

5:30

A2

Guy Villerd - Élan, Violence

4:20

A3

Patrick Vollat - Air-Mutable: Vitesse, Tension

3:22

A4

Steve Waring - Présence / Déphasage

4:08

A5

Maurice Merle - Sensibilité, Ouverture Et Primarité

1:16

B1

Patrick Vollat - Recherche / Destruction

7:23

B2

Jean Mereu - Cardinal-Feu: Lyrisme, Création, Élan

5:03

B3

Jean Mereu - DS-VI: Lyrisme, Intériorité / Ténèbres

5:43

Other items you may like:

Ahemaa Nwomkro, which means queens of Nwomkro, are Victoria Osei and Theresa Owusuaa. Nwomkro is an old Ashanti musical style, which played an influential role in the origin of the typical more roots-like Highlife style of Kumasi, the cultural capital of Ghana in the middle of the jungle.On this release the two singers have teamed up with the young generation of Highlife muicians of Kumasi. On guitar is Akule Pepe, who served for years in the group of Highlife legend Alex Konadu, the most on demand band in its time. The two songs are a rare example of how good pure Nwomkro gets together with typical Highlife.
MOONLIGHT LOVE AFFAIR est une histoire d'amour sans frontières. C'est une démonstration que dans un monde ultra digitalisé, il est inévitable que l'on ait besoin d'interactions organiques. C'est ce que Parov Stelar fait à la perfection sur cet album. Il mêle les deux univers et ne fait aucun compromis.Avec ce nouvel album, Parov Stelar complète une nouvelle phase de son art avec une honnêteté radicale et il signe une nouvelle fois la pochette de son album.
Oh! Friends of good nature!A thousand welcomes of great warmth from Ka Safar! And that, at a truthfully splendorous time, for hither, by crying throws comes the birthing of our own very first long playing reference, named ‘Ancient Tribal Hearts’. And beyond even that, as echoed by the Brace Heads upon the Great Iberian Deer, through her smouldering grace and benevolence, arrives our bounty, to you,dear listener!Ancient Tribal Hearts: An age in the making - such as the great pyramid’s themselves! From the seminal morning of the first Ka Safarian sunrise, to the falling of this past Hunter's Moon, a lowly tuneful scribe burned oil those many nights at his great tablet made of precious and magical metals, forging hieroglyphic pathways where the Ka Safarians would gather, and from thence, make their unanimous and untold journeys onward, outward, inward, allward...The transit to Pangea is set!Oh! Blessed friends!Pray, let us now step aboard this wondrous ship!Ka is the Spirit, and Safar is the Journey.Your devoted scribe,Humanji Di’Pangea
One of Andy Narell's most exciting and unpredictable albums, Light in Your Eyes ranges from the exuberant to the quietly introspective. Narell, who embraces electric keyboards and acoustic piano in addition to his main instrument the steel pans, is undeniably inspired on everything from the driving post-bop number "A Stitch in Time" to the poetic, South American-influenced "The Strayaway Child" to the somewhat Joe Sample-ish title song. World music has long been one of the charismatic Narell's strong points, and on this fine CD, he looks to locations ranging from Africa to South America to Trinidad (where the steel pans originated) for inspiration.
First ever reissue of highly sought after french jazz funk fusion nugget from Alain Bellaïche featuring, Jerry Goodman (Mahavishnu Orchestra), John Hicks (Strata-East) & Fabiano (Fabiano Orchestra).A Frenchman who is returning (but who we seem to discover!) from the USA is something unusual. Everything seemed to start out well for Alain Bellaïche: Born in Tunis, childhood in Cannes, studies at the Ecole des Beaux-Arts in Paris, his first folk concerts folk in youngsters’ houses and clubs where everyone was well behaved …Then, in 1973, he left for the States. Bellaïche would settled for around ten years, with, as a soundtrack, the two albums that he would record there. Metropolitain, which was the fruit of his collaboration with the Heldon guitarist Alain Renaud, and Sea Fluorescent. In the catalogue of Asylum, David Geffen’s first label, Bellaïche’s music was listed alongside that of the Byrds, Tom Waits, Joni Mitchell, and Bob Dylan.In a Rock & Folk, interview Bellaïche expressed his regrets as to the prudence of French musicians: “I never had a group… perhaps the guys here are not motivated to play this kind of music”. We should note that the influences of our expatriate were, for example, Led Zeppelin, John McLaughlin, Weather Report, Herbie Hancock, The Spencer Davis Group…Bellaïche, a multi-faceted and iconoclastic musician, composed Sea Fluorescent just following his desires: from a cosmic ballad (St Andrea), to West Coast funk (California), dreamlike Spanish influences (Spanish Roots), optimistic blues (Foolin’ Myself), a solar track (I’m Angry, Sun Blues) … And the Frenchman was in good company: Jean-François Fabiano (from Fabiano Orchestra) on drums and percussions, Jerry Mahavishnu Goodman on violin on Got My Place In That Country, Wornell Jones on bass or John Hicks whose cascades of notes bring Reggae & Western closer to the ‘reassembled’ jazz that the pianist was playing at the time…When, finally, after the fabulous declinations of the title track of the album, we hear a bonus on which Bellaïche sings in French, it is time for a Chacha émotionnel on which offers this horrible confession: “I’m not from around here, I come from a backward country”. Thanks to Souffle Continu, France is finally catching up.Remastered from the master tapes.Restored artwork + 12 page booklet.Licensed from Alain Bellaïche.

This website uses cookies to offer you the best online experience. By continuing to use our website, you agree to the use of cookies.