Heiko Laux
Klockworks 17

Raï is the music of a youth hungover from Algeria's recent independence. It became a space for a liberated, transgressive dialogue that told the social truths of its time -- an up-front yet poetic voice that covers the taboos and frustrations of daily life, expressing emotion without detour. This voice is heard at weddings, cabarets, in the nightclubs of the Oranese coast, and casually on the street... With the boom of the audio cassette, an avalanche of raï tapes were produced in Oran and diffused all over the world. Both women and men sang and listened to the new sound, as raï is intimately tied to parties, alcohol and the night. With the spontaneous improvisation of its singers as the main part of each song, raï keeps reinventing itself. In this style, Cheb Hasni, along with Cheb Nasro, incarnates a second generation of musicians. With the "love raï", or sentimental raï, Hasni sings about love, passion and its setbacks -- moving away from the bittersweet daily chronicles of the first chebs and chebates. Having recorded nearly 150 cassettes, Cheb Hasni remains one of the most prolific and talented raï singers of his generation. Almost thirty years after his death, this three-volume compilation of rare tracks from his cassette releases on the Oriental Music Production label is a tribute to the lasting legacy of Cheb Hasni -- ya raï! The second volume of three is presented here.CHEB HASNIVol 1Outre National

Since 2019, a dark cloud has loomed over our region, as many have feared the return of the most weaponised duo in Avon.A trail of scorched chambers in their wake, their witnesses still fail to rub the imprints from their retina, drown the wailing from their heads and scrape a metallic taste from their mouths.But finally, our iron tongued padre, Franco Franco, and his crypto-bard, Kinlaw, throw down their second slab, 'Mega Dopo Mega'.Charging straight over the top into 'Com'èèè??', 'CGI World' shells down on us with a white-hot salvo. Round after round, our ringmaster spits cybernated venom as his consort thrashes us with relentless, barbed sonics.Pausing just briefly on 'Tetsuo 2019' to heave up a lung full of filings - they press on into data driven mania and cyber-chotic battle cries.By 'Distretto Nono', their probe lifts off - before exiting in a cacophony of AI laughter, beamed straight from the shell.They're back, and this time it's personal...'

FINEST MINIMAL PIECES BY PLASTIKMAN/ MARC HOULE/ HEARTHROB/ RUN STOP RESTORE

Comet Records presents from Afrobeat pioneer Tony Allen, N.E.P.A Reissue LP Vinyl remastered and coming in an heavy Deluxe Tip-On Jacket.In 1979, Tony Allen decided to leave Fela Kuti & Africa 70 and moved to London in 1982. Originally Released in 1984 on Earthworks Records, this reissue holds an extra track previously unreleased on vinyl called “Olokun”. N.E.P.A (Never Expect Power Always) is a searing critique of the Nigerian Electric Power Authority, an organisation that governed the use of electricity in Nigeria.It starts out with the title track, with a definite Afro-beat punch. Electro-claps stand as part of the percussion line, adding to a more modern look at what Afro-beat was becoming.This is followed by an even further modernized piece of Afro-beat, as the title track is given a dub mix. “When One Road Close” has a similar pace, and is similarly followed by a dub remix, complete with the necessary space-effects reverb.And to make this reissue extra special the track “Olokun” was never released on vinyl before.Blending the nascent rise of electronica into Afrobeat production, it’s tighter than any Fela album and became a definitive project in shaping Allen’s future sound. Whether it’s the electro beats or the punchier, multilayered arrangement, it instantly stands out in Allen’s vast and expansive discography.

A1 128 / A2 130 / B1 127 / B2 130