Open today: 16:00 - 23:00

Thelma Cooper Daisy Mae And Her Hepcats
Thelma Cooper And Daisy Mae And Her Hepcats

Thelma Cooper And Daisy Mae And Her Hepcats
Thelma Cooper And Daisy Mae And Her HepcatsThelma Cooper And Daisy Mae And Her HepcatsThelma Cooper And Daisy Mae And Her Hepcats

Catno

KK 822

Formats

1x Vinyl LP Album Compilation Mono

Country

UK

Release date

Jan 1, 1988

Genres

Blues

Media: VG+i
Sleeve: VG+

18€*

*Taxes included, shipping price excluded

Please feel free to ask informations about our products and sell conditions. We ship vinyles world wide from our shop based in Montpellier (France). Come to visit us. Le Discopathe propose news and 2nd hands vinyls, collectors, rare and classic records from past 70 years.

A1

Thelma Cooper - I Need A Man

A2

Thelma Cooper - Let's Try Again

A3

Thelma Cooper - Ooh Daddy

A4

Thelma Cooper - Cute Poppa

A5

Thelma Cooper - Talk To Me Daddy

A6

Thelma Cooper - Down By The Woodshed

A7

Daisy Mae And Her Hepcats - Fanny Duncan

B1

Daisy Mae And Her Hepcats - Fanny Duncan

B2

Daisy Mae And Her Hepcats - Lonesome Playgirl

B3

Daisy Mae And Her Hepcats - Want Me A Man

B4

Daisy Mae And Her Hepcats - Stuff You Got To Watch

B5

Daisy Mae And Her Hepcats - Woman Trouble

B6

Daisy Mae And Her Hepcats - Hop Scotch

B7

Daisy Mae And Her Hepcats - Frosty's Groove

Other items you may like:

This album is a tribute to Pastor Wylie Champion, whi died while we were in the process of releasing this , his first record, and his wife, Mother Champion, who died a few months earlier.We met Pastor Champion a few years ago while we were putting together another release, The Time for Peace Is Now: Gospel Music About Us. We found him in a collection of YouTube videos from the37th Street Baptist Church in Oakland, California, put together by the pastor there, Bishop Dr. W.C. McClinton. There was quite a lot of talent in those videos, and among them was Pastor Champion whom we liked so much that we decided to make a record with him.Pastor Champion wasn’t like any other pastor you’ve ever met. As an itinerant preacher, a carpenter, and a father of five, he made a name for himself traveling up and down the California coast with his electric guitar. He traveled alone and he played alone, well into his seventies. The easiest way to describe him would be as an outsider gospel artist. Other than these bare facts, we never learned much about him—except that he was also the brother of the well-known soul singer Bettye Swann. In fact, most of what we knew about him we got from his sister’s Wikipedia page.We decided that because we met Champion through the 37th Street Baptist Church, we would record him there too. We recorded him live on a two-track Nagra reel to reel, as we wanted the album to be analog in the style of traditional gospel recordings. Over the course of two evenings (when the workday was done), Champion taught his band—musicians who had never played together before—a handful of songs, a small selection of the nearly 2,000 fragments of songs and sermons that he regularly performed. We listened in as they all got more familiar with the material and each other over time. At some point, we mentioned to Champion that he would have to be interviewed by someone to write notes for the album. He wasn’t too pleased with this idea, saying he’d had a hard life and he didn’t want to talk about it. Over the next few months, we kept asking Champion to talk to someone about his life. He told us that he didn’t want to talk about growing up in Louisiana, his mother being accosted by the Klan, or that his father was a gambler. He didn’t want to talk about being jailed for 90 days for using a whites only bathroom, being in gangs or having a street name. We told him that was fine—he could talk about what he wanted to talk about. And he told us that he didn’t want to talk about anything.You know, there are times when you make a record where it’s already made in your mind before you start. But then in the end, the record you thought you were making is not the record you made. We spent years puzzling over this one, trying to figure out what it was saying, who it was for, and how to get people to pay attention to it.But Champion knew that this record wasn’t going to be for everyone. He didn’t really care. The important part for him was just getting the message out there in the same way that he always had, travelling alone with his electric guitar. “I want to say what I mean,” he said, “be practical, precise, to the point, and, at the same time, diplomatic.” In other words, he just wanted to be a good man. "
An ex-member of some of Japan’s best underground groups of the last few decades (Miminokoto, LSD March and Usurabi among them), guitarist Masami Kawaguchi presents one of his most singular visions in new album ‘Self Portrait’. It's a collection of dynamic rock behemoths, encompassing gorgeous, folky blues to wind-blown post-rock.
EALZ! Records & brand new label A.D.S team up to pay tribute to the mysterious bluesman and producer : Cleo Page.Born in Louisiana, this L.A.-based musician worked with the great Johnny Otis, hang out on Central Avenue’s clubs and possibly jammed with top West Coast bluesmen like Jessie Allen, Pete “guitar” Lewis, Jimmy Nolen, Lafayette Thomas.Curley Page for some, Sly Williams for others, difficult to follow his career and in definitive, little is known about him despite his “big deal” recently approved by blues specialists : Cleo Page IS the man who wrote and recorded the original Boot Hill, a blues classic covered many times up until now.Cleo Page who lived in California since 14 years-old has been crossing Blues, Rhythm & Blues and proto-Rock'n'Roll in a personal way. He will run his own labels in the heart of Watts just after the 1965 riots. Those tragic events deeply influenced his laid-back groovy sounds, powerful guitar playing, organ-driven garage Blues with strong political and social messages. Somewhere between the first electric recordings of Howlin' Wolf and… Black Diamond Heavies!You're about to discover 12 rare tracks probably recorded between late ‘60s and early ‘70s. This brand new release includes the ultra-rare track "Black Man part. 1 & 2".Material reissued here for the first time in an arty/artisanal trifold Vinyl LP and a bonus Vinyl 7inch
Rino Lapin Almy ‎– Laissent Le Bon Temps RoulerRare 80's french Folk from South of France.

This website uses cookies to offer you the best online experience. By continuing to use our website, you agree to the use of cookies.