Little Roy
Stepping In Royalty

Second label from The Jamaican Rub a dub queen Jah 9 ! Essential Album

Ahead of a second volume of the highly anticipated 'Outro Tempo' compilation, Music From Memory drops this teaser EP with the never before heard cassette madness of São Paulo’s Bruhahá Babélico and Individual Industry’s ethereal electro pop on the flip!

Elossa Records sixth release “Back in the Waves” is the debut album by DJ Nada.The album contains six instrumental and three vocal tracks. It combines wavy synthesizers with dusty jazz and soul samples. Nada’s hip hop background is strongly present, and the album contains heavy aesthetics of house, nu-soul and modern funk as well.DJ Nada is known for his previous hip hop productions (e.g. Gracias, Pavel) and he has been active in the DJ scene in Helsinki for 15 years, involved in clubs such as “Yo! Kuudes Linja Raps”, “Disco Hi-Life”, “High Hopes” and “No Way Out”

Theo Parrish's 2001 re-imagining of Recloose and Dwele's "Can't Take It" - renamed "I Can Take It" - remains one of the highlights of his illustrious career to date. A near 17-minute exploration of dusty, jazz-flecked deep house in his inimitable style, accompanied by Dwele's impeccably soulful vocals and some killer Rhodes action, it's arguably the one Theo record you need in your life. Happily, he's decided to repress the original 12", making it available to those unprepared to pay silly princes online. The often-forgotten B-side, "Sawala Sayale", is almost as good, delivering 10 minutes of relentless African drums, tribal chants and restless drum machine handclaps.

Jacobus Derwort started exploring sonic soundscapes listening to his short-wave world receiver at the age of 12. There he would hear music from Africa, China, Japan, Indonesia, South America and beyond. He started playing guitar, piano, percussion and saxophone.He met Hanyo van Oosterom in 1978 and they started the legendary cult rock band, 'The Jones'. Derwort was playing the sax, van Oosterom the drums. They started conducting sound experiments in Hanyo’s small cellar in the Dutch village of Krimpen aan den IJssel.In the early eighties they made their first cassette, 'The Kallikatsou'. Hanyo started the ambient collective CHI in 1983. Jacobus was the first musician to join CHI. Together, they went to the magic rock “The Kallikatsou” on the island of Patmos, Greece. Here, Hanyo had stayed for months in a cave for some deep soul-searching. He heard the sound of CHI in the silence of the night like a message from out of space. Being together at the Kallikatsou they shaped the foundation of CHI, making handmade flutes from local bamboo and conducting field recordings ofwater, crickets, owls, goats, wind, etc...Back home they asked Willem Cramer to join CHI, and later Michel Banabila. They released a legendary ambient cassette, 'The Original Recordings', in 1983 which soon became a collectors item. CHI stopped in 1987 (and still now nobody knows exactly why). Willem Cramer and Michel Banabila started the world music collective 'East Meets West' in 1989. Hanyo and Jacobus kept recording ambient soundscapes.Jacobus was working on his 'Bamboo' recordings. Hanyo recorded the first tracks for 'The Kallikatsou Experience'. Neither album was ever released. They returned a few times together to The Kallikatsou, but there the history seems to end...…until decades later when Astral Industries located them after a long search, inspired by Rod Modell (Deepchord). The result was the vinyl release of CHI – The Original Recordings in February 2016. The album received great reviews and sold out in a few weeks.This inspired Hanyo and Jacobus to work on an old plan: remixing the old bamboo recordings. Most tracks were made in the eighties before and after CHI. Original tape recordings using mainly analogue sounds, percussion, samples and (of course)bamboo flutes and manipulated clarinets. Hanyo added some new recordings and remixed the old tapes in his Numoonlab Studio in Rotterdam. The result was 'The Bamboo Recordings', a timeless collection of ambient soundscapes.THE CHI FACTORY is the next step of CHI into the future. It will involve many future ambient collaborations. The next release will be 'The Kallikatsou Recordings'(Astral Industries 2016 TBA). Also bringing back the original line-up of CHI for new recordings is part of the plan. Who knows what may happen next.The Bamboo Recordings have been produced and remixed by Hanyo vanOosterom. Original recordings by Jacobus Derwort.Jacobus Derwort: bamboo flutes, clarinet, guitar, samples, loops, saxophone,percussion, field recordings.Hanyo van Oosterom: piano, bass, guitar, percussion, flute, samples and drones.The Bamboo Recordings contain voice samples from around the world,including Tibetan monks, Sufi chanting, a Hopi elder, a Hopi woman, Fulani storytellers, a Japanese girl singing, Spanish and Greek children, excerpts from Gratitude For The Gaze by Nikos Eliou and much more...

So, how long have you been waiting for this one to drop? The answer really depends on two things - whether you've just been waiting for new long form material from the UK IDM legends Autechre, or whether you've been waiting for Autechre to put a proper album together that stays true to the principles and format of a 'proper album', as this does.Either way let's just say Sign has been some time in the making, and it's definitely a case of payoff for patience. For the most part it's the waves of space age melody that really stand out, tracks like 'Esc Desc' seem to fill the room with bands of sci-fi harmony. Of course there's plenty of glitch and bleep here, too - the stepping 'Au14' is a case in point - alongside rumbling, bass-heavy business like 'Si100', where playful drips of percussion create a juxtaposition of innocence and menace.