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Le Tioko-Tioko
Le Tioko-TiokoLe Tioko-TiokoLe Tioko-TiokoLe Tioko-TiokoLe Tioko-TiokoLe Tioko-TiokoLe Tioko-Tioko

Catno

MRP-092 SASFR-002

Formats

1x Vinyl LP Album Reissue

Country

US

Release date

Aug 21, 2015

Idrissa SOUMAORO / L'ECLIPSE DE L'IJA Le Tioko Tioko Mr Bongo

Seldom heard record from Bamako and not just your average Malian LP, Crazy organ and gutiar solos here.., hypnotic grooves layered with great Malian vocals..Quite unique!

Media: Mi
Sleeve: M

29€*

*Taxes included, shipping price excluded

Tracked and send in specified vinyle packaging with plastic sleeve protection and stickers. Rip Samples from vinyl, pics and Discount on www.lediscopathe.com. Please feel free to ask informations about our products and sell conditions. We ship vinyles world wide from our shop based in Montpellier (France). Come to visit us. Le Discopathe propose news and 2nd hands vinyls, collectors, rare and classic records from past 70 years

A1

Fama Allah (Grand Dieu)

9:03

A2

Djama (La Société)

4:55

A3

Beni Inikanko (Chacun Son Idéal)

4:07

B1

Nissodia (Joie de L'Optimisme)

8:20

B2

Ben (De L'Entente á L'Unité)

4:55

B3

Bimoko (L'Homme de Nos Jours)

5:15

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In 1970, Kevin and David met whilst they were working in the Labour Exchange Office on Aytoun St, Manchester. Both played guitar and had been searching for other musicians who played atmospheric music. Kevin had been playing in small clubs in Manchester and David performed in a few local bands. One evening, they jammed together at Kevin’s family home, and quickly realized that their playing blended together to form the basis of the sound they had been looking for. In the late ‘70s, the music scene in Manchester was bursting with new bands and music.However, Kevin and David had little in common with the local acts, being disciples of a more meditative approach. They followed a path of their own, reaching for an otherworldly sound that they heard from artists like John Martyn, David Crosby, Erik Satie, Terry Riley, Eberhard Weber, Alice Coltrane, and Ralph Towner. They experimented combining their acoustic guitars and David’s bass with various effects pedals and techniques to try and achieve a warm and expansive sound that rides the line between ambient, jazz, and psychedelic folk Music.Towards 1981, they had written eleven songs and accompanied a few with Moog synthesizer laid down by Rob Baxter. All were recorded on cassette decks in their simple home studios. They named this collection of music “Light Patterns”, after a poem Kevin had written. With Light Patterns complete, they set out to find a label to represent their music. They started playing a few gigs in Manchester; Band On The Wall, the Gallery, and other venues, such as Rotters which local promoter Alan Wise had organized. They set up with small amps along with their effects and played as though they were back at home. As Kevin remarks, “It was unusual, to say the least, to play such venues in a low volume chilled out way. However, people listened, often in shocked curiosity, and some even asked for tapes.”Peter Jenner, of Blackhill Enterprises, eventually picked up the album for his new label, “Sheet”. Peter had managed lots of experimental bands and solo artists, including Pink Floyd in their early Syd Barrett days. He always favored outsiders! The tapes were taken to Strawberry Recording Studios in Manchester, who were surprised when Kevin and David walked in with just a couple of home-produced cassette tapes. Fortunately, they liked them and agreed to master the album. It was then sent to Portland Recording Studios in London for final mastering to vinyl. George Peckham, aka “Porky”, did the pressing with a personal message in the deadwax; “Kaftans, Candles and be Cool Man”. The artwork for the album cover was done by the late Barney Bubbles, a truly visionary artist.After the album’s release, the pair continued to play together regularly until David moved away from the city. Kevin still resides near Manchester in the rolling hills outside of the city. He continues to experiment with dreamy music in his loft, and we are set to share a selection of his ethereal archival and current compositions in the coming months. David lives a quiet life in a small coastal town in the South, he likes to sail and is an avid cricket fan. We’re excited to make Light Patterns accessible again for the first time in nearly 40 years, remastered from the original tapes. As the original press release said, “Put the album on, lie back and enter the land of no floors”.
Regan began writing 100 Acres of Sycamore whilst living on the island of Majorca. Regarding the album's composition Regan stated: “I think if you could bottle a bit of the atmosphere and put it into the record, it's there. In saying that, I think it's spliced with walking in the woods in Ireland.”The album was recorded to tape using analogue methods, with Regan noting, “I just love the sound of it, I love the process. I love the idea that there's a master tape. It's a very potent thing.” Regan and co-producer Sean Read recorded using the same console that The White Stripes used to record their fourth studio album, “Elephant”.Regarding the stylistic differences between 100 Acres of Sycamore and his previous album, The Shadow Of An Empire, Regan noted, “The last album was kind of like a chrysalis and this is the butterfly. I think sometimes that everyone has to remember that you don't get 'this' without 'that'. This album wouldn't have happened without the last record. The second one wouldn't have happened without the first one. I think sometimes after the first record there might have been a feeling that, because I was on to a good thing, to just repeat it but I wasn't interested in that. It's very important for me to do what feels right at the time.” Regan also noted, "My previous record, The Shadow Of An Empire was me looking out of a window at the world. With this one, it’s a clear look in.”Fionn Regan is a unique poetic voice in music and has been consistently critically acclaimed. Over the course of six sublime albums Regan has been nominated for the Mercury Music Prize as well as the Choice, Meteor and Shortlist awards. His song “Abacus” was sampled by Bon Iver on his GRAMMY® Nominated album, 22, A million. Regan was recently made an ‘Honorary Member’ of the Trinity College Dublin Literary Society, its chairman saying, “In his music, Mr. Regan has done more than many artists to erode the boundaries between music and literature, with his lyrics always possessing the most beautiful poetry." regan also appeared beside celebrated actor Cillian Murphy in the music video for his song “The Meetings of the Waters” which has now had over 50 million streams worldwide.

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