Various
En Direct Du Congo

More than simply being band, Addict Ameba is a wide Italian collective that makes brotherhood the weapon to live music together crossing all cultural boundaries. The driving force lies in the heterogeneous background of its members and the relative familiarity with different folkloric areas. The original and ambitious arrangements make the result a delicious soup! In this first work, their personal Afro-latin-beat reveals a sincere meeting between African and Central American traditions… for this reason they are against the drift of continents! The collective is connected to Al Doum and the Faryds, sharing some of their members, the same music label and the Guscio Studio where the album has been cooked thanks to the wisdom of the great master pirate. You can travel halfway between the Atlantic continents, where a gritty guitar deploys a solid knowledge of the stronger Latin-rock - you know the “Santana of Piola” is on board! - but it absorbs Funky and Tuareg riffs too, as well as brilliant psych deviations. Heavy horns abound with solutions and influences, blowing arias of Ethio-jazz or Cuban-Salsa crossings, such as Calypso and Caribbean progressions. However, it’s the rhythmic sailors section that supports all the dynamics of the sound with impeccable qualities of polyrhythm, sending seas of bodies into ecstasy; maybe they learn this rowing on a boat? Panamor represents "a profound union between living beings and objects in an increasingly divided World”. Such pirates of love!

Sorie Kondi, Chief Boima (INTL BLK) and Will LV join forces once more for another essential dose of Freetown freestyle.Following on from their ‘Salone’ album in 2016 and the massive single ‘Yeanoh’, the new recordings further hone the group’s unique fusions of Sorie Kondi’s inimitable vocals and the kondi thumb piano with intricate dancefloor electronics. The album was gradually recorded over a period of four years with Sorie on the road in Belgium, Spain and Canary Islands with the main production collaboration between Boima in Los Angeles and Will in London. The result is a varied and colourful set of tracks infusing Boima and Will’s wide-ranging dancefloor influences. Infectious first single ‘She Doesn’t Love You’ features guest vocalist Mariama Jalloh speaking home truths about rejection while future 4/4 dancefloor anthem ‘It’s God’s World..’ features a mighty bassline from prolific L.A. musician / producer Sweatson Klank. ‘The Sweetness Is Gone’ ramps up the dub and sound system energy while ‘How Will It Be For Me In This World’ sparkles on a bed of electronic textures and kondi lines.

A collection of 12 taarab songs from 1960s coastal Kenya by Yaseen Mohamed (Mac & Party). Musically rich and unique for its time and place, this compilation is a treasure trove of songs and a feast for your ear.Yaseen’s arrangements drew influences from Indian and Egyptian film music, rhythm and blues, jazz and Latin music. Sung with a characteristic, dark voice, Yaseen’s Swahili poetry was layered over rich percussion patterns, accompanied by the distinctive sound of the Clavioline (a proto-synth) and amplified taishokoto, a novelty harp instrument of Japanese origin that Yaseen helped popularise in Kenya in the 1940s. On many songs he is accompanied by his wife Mimi on vocals.Compiled from the elusive Mzuri catalogue, originally released in Kenya in the 60’s, the LP comes with extensive liner-notes describing the life of Yaseen,his musical background and the early days of the Kenyan record industry.