Various
V - 5 Years Of Artefacts Chapter One

Pascal Arbez aka Vitalic returns to his Clivage Music imprint with a collection of dancefloor bangers. While the infectious vocals and melodies on "Haute Dimension" and the moody "Danse Avec Moi" show that Vitalic has embraced pop music, these mainstream-facing contributions sit alongside wild acid burners like "Rave Against the System" and the grating, visceral industrial of "Boomer OK". While the dance floor remains Vitalic's focus, Dissidaence also shows that he's capable of a more nuanced approach: led by spaced out synths and a warm, pulsating bass on "Cosmic Renegade", Vitalic takes his cues from classic Italo to map out a brave new approach.

On the back of a lion, DJ City enters the sacred halls of Mankind in his ongoing pursuit of love and meaning. A dream within a dream, a vision of ecstasy. Nothing is holy, yet everything is holy!

Max D's latest LP is the first full length album on 1432 R. It's a milestone from the Future Times boss, who's been holding it down in his creative corner of electronic music for over a decade. The album opens fast and fierce with I Think Our Souls Are Other People, a storm of live percussion and widescreen drone. And then from track to track, it strips itself down, mellows itself out, and rides on hypnotic loops. Many Any Dolo Brush is something of a cameo from Max’s Dolo Percussion moniker, giving way to the first of three field recording miniatures that glue the album together and provide a sort of romantic center. Fly Around The Room is a true half-time float, with a melody that sits in your ear while drums zip past. Shoutout Seefeel, a 130 mind cleanser, is full of the namesake shoe gaze and thick hovering techno drums. Lullabiological features the keyboards of 1432 R's own Dawit Eklund, wandering off the deep end like some dream that can't be shaken. Cuz It's The Way rounds out the work with a groove made for the dance floor. Max D and 1432 R: we are always on some hopeful shit.

'One' is the debut album of Ben Klock. Controlling his output over the prior decade with care and accuracy, Ben only released a dozen EPs before this album, rather than falling for an inflationary release policy. Working with Ostgut Ton, Bpitch Ctrl, Memo and his own platform Klockworks only, he chose trust and longevity over quick visibility.