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The Cautionary Tales Of Mark Oliver Everett

The Cautionary Tales Of Mark Oliver Everett
The Cautionary Tales Of Mark Oliver EverettThe Cautionary Tales Of Mark Oliver EverettThe Cautionary Tales Of Mark Oliver EverettThe Cautionary Tales Of Mark Oliver EverettThe Cautionary Tales Of Mark Oliver EverettThe Cautionary Tales Of Mark Oliver EverettThe Cautionary Tales Of Mark Oliver EverettThe Cautionary Tales Of Mark Oliver EverettThe Cautionary Tales Of Mark Oliver EverettThe Cautionary Tales Of Mark Oliver EverettThe Cautionary Tales Of Mark Oliver EverettThe Cautionary Tales Of Mark Oliver EverettThe Cautionary Tales Of Mark Oliver EverettThe Cautionary Tales Of Mark Oliver EverettThe Cautionary Tales Of Mark Oliver EverettThe Cautionary Tales Of Mark Oliver EverettThe Cautionary Tales Of Mark Oliver EverettThe Cautionary Tales Of Mark Oliver EverettThe Cautionary Tales Of Mark Oliver Everett

Artists

Eels

Catno

EWORKS1147LP

Formats

1x Vinyl LP Album1x Vinyl LP1x All Media Deluxe Edition

Release date

Apr 1, 2014

Media: Mi
Sleeve: M

18€*

*Taxes included, shipping price excluded

Tracked and send in specified vinyle packaging with plastic sleeve protection and stickers. Rip Samples from vinyl, pics and Discount on www.lediscopathe.com. Please feel free to ask informations about our products and sell conditions. We ship vinyles world wide from our shop based in Montpellier (France). Come to visit us. Le Discopathe propose news and 2nd hands vinyls, collectors, rare and classic records from past 70 years

A1

Where I'm At

A2

Parallels

A3

Lockdown Hurricane

A4

Agatha Chang

A5

A Swallow In The Sun

A6

Where I'm From

A7

Series Of Misunderstandings

B1

Kindred Spirit

B2

Gentlemen's Choice

B3

Dead Reckoning

B4

Answers

B5

Mistakes Of My Youth

B6

Where I'm Going

C1

To Dig It

C2

Lonesome Lockdown Hurricane

C3

Bow Out

C4

A Good Deal

C5

Good Morning Bright Eyes

C6

Millicent Don't Blame Yourself

C7

Thanks I Guess

D1

On The Ropes (Live WNYC)

D2

Accident Prone (Live WNYC)

D3

I'm Your Brave Little Soldier (Live WNYC)

D4

Fresh Feeling (Live KCRW)

D5

Trouble With Dreams (Live KCRW)

D6

Oh Well (Live KCRW)

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"Les Muhamed Ali du monde du spectacle" peut-on lire sur le verso de la jaquette de l'album. L'orchestre Les Mangelepa développe un son hybride fait de Rumba et de sonorité Soukous/Highlife plus moderne. Une belle copie pour les amateurs du genre.
Osondi owendi. What is cherished by some is despised by others. One man’s meat is another man’s poison. Different strokes for different folks. To each their own. Osondi owendi.It’s a conventional aphorism in the Igbo language but if you utter the word “osondi owendi” in Nigeria today, the first thing that comes to anybody’s mind is the cucumber-cool highlife music maestro Chief Stephen Osita Osadebe and his legendary album that takes its name from the adage. Released in 1984, Osondi Owendi was instantly received as Osadebe’s magnum opus, the crowning event of an exalted career stretching back to the early years of highlife’s emergence as Nigeria’s predominant popular music.Stephen Osadebe first appeared on the music scene in 1958 as a spry, twenty-two year-old vocalist in the Empire Rhythm Skies Orchestra, directed by bandleader Steven Amechi. With his dapper suits, urbane Nat King Cole-influenced vocal stylings and jaunty, uptempo, calypso-scented dance tunes, he personified the frisky spirit and anxious aspirations of a young, educated generation that had come of age in the wake of the Second World War, in a Nigeria that was rapidly shaking off British colonization and marching towards an independent future. 1959 would be the year that he truly made his mark in the business with his debut solo single “Lagos Life Na So So Enjoyment.” A giddy exhortation of the music, sex, fun and freedom availed by life in the big city, the song became a sensation and an anthem, and Stephen Osadebe became the leader of his own popular dance band, the Nigerian Sound Makers.Osadebe would ride this wave of acclaim through most of the nineteen sixties, but a change in direction would be called for at the dawn of the seventies. As Nigeria emerged from a devastating civil war, so did a new generation of youth inspired by rock and funk, confrontational sounds reflective of a more violent, less idealistic era. All of the sudden, the idioms of the post-WWII dance orchestras that nurtured Osadebe’s cohort seemed quaint, the stuff of nostalgia. Osadebe needed to evolve to respond to the new tumultuous, turned-up times.His response? He cooled it down.Abetted by a new crop of fire-blooded young players, Osadebe slowed his music to a mellow, meditative tempo, brought forward the lumbering, Afro Cuban-accented bass and percussion, from the rockers he borrowed searing lead lines on the electric guitar. Over this musical bedrock, doesn’t so much as sing as he dreamily muses, coos, sighs aphorisms, words of wisdom and inspiration. “When one listens to my music, all I say appears meaningful,” Osadebe explained his lyrical approach, “at times they are in the form of proverbs which provoke much thought afterwards.” The result is a blend that is both rollicking and soothingly languid. Osadebe christened the style Oyolima—a tranquil, otherworldly state of total relaxation and pleasure. Osondi Owendi represents oyolima at its finest, and possibly Nigerian highlife in epitome.Osondi owendi. What is cherished by some is despised by others. In some way, the album’s title constitutes a paradox. Because Osondi Owendi is a record that it’s almost impossible to imagine being despised by anybody.
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