Verckys L'Orchestre Veve
Verckys Et L'Orchestre Veve

Created in 2006, SETENTA, the Latin Soul Band from Paris, spreads a unique mix over the world scene.After sparkling debuts with their first albums Funky Tumbao (Hot Casa Records 2010), Latin Piece Of Soul (Hot Casa Records 2013), Paris to Nueva York (Latin Big Note 2016), following successful live experiences and strong links developed with New York and Joe BATAAN, the Latin soul legend, the French seven-piece combo is back with his modern definition of Latin music.Composed and arranged collectively, this new opus mixes up Latin, Funk, Pop and Jazz, with the same percussive and strong vocal section, sung in Spanish, English, Creole and Yoruba, (cf. their arrangement of the traditionnal Rezo a Obatala). They also salute the great Camilo Azuquita with a rework of "Guajiro Bacan" (Ramon "Saoco" Perez), which they bring as a pledge of allegiance to the Latin Soul genre.SETENTA spreads love, peace and positive energy all over the world, breaking rules and claiming We Latin Like That.

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Hurray for the Riff Raff's latest album The Navigator is the follow up to the landmark 2014 release Small Town Heroes on ATO Records. It's a concept album largely about gentrification and its protagonist's navigation of "her gender identity, her sexual identity, class, and race and culture and everything" as her community begins to disappear. Like a song-cycle from an imaginary Off-Broadway musical, The Navigator rises from the ashes of loneliness and striving, honky tonks and long walks by the river of urban dreams. From the wistful melancholy of Life to Save, to the stubborn resignation of Nothing’s Gonna Change That Girl, Segarra’s voice speaks with a husky weariness that coexists with a naïve curiosity. It’s the voice of a rebel who wanted everyone to think she was so tough, and nobody could take her down, but at the same time was yearning for love and magic, some kind of an awakening. With its 12 tracks and its Travelers, Sages, and Sirens, The Navigator comes straight at you from the intersection of apocalypse and hope. This album rides Patti Smith’s high horse while straddling Chrissie Hynde’s thin line between love and hate.