The Modern Jazz Quartet
Django

Called “the poet laureate of the apocalypse” by Pitchfork, Moor Mother is announcing ‘Jazz Codes'. Coming out on July 1, it is her second album for ANTI- and a companion to her celebrated 2021 release ’Black Encyclopedia of the Air‘.’Jazz Codes’ uses poetry as a starting point, but the collection moves toward more melody, more singing voices, more choruses and more complexity. In its warm, densely layered course through jazz, blues, soul, hip-hop, ’Jazz Codes’ sets the ear blissfully adrift and unhitches the mind from habit. Through her work, Ayewa illuminates the principles of her interdisciplinary collaborative practice Black Quantum Futurism, a theoretical framework for creating counter-chronologies and envisioning Black quantum womanist futures that rupture exclusionary versions of history and future through art, writing, music, and performance.Moor Mother - aka the songwriter, composer, vocalist, poet, and visual artist Camae Ayewa – is also a professor at the University of Southern California's Thornton School of Music. She released her debut album Fetish Bones in 2016 and has since put out an abundance of acclaimed music, both as a solo artist and in collaboration with other musicians who share her drive to dig up the untold. She is a member of many other groups including the free jazz group Irreversible Entanglements, 700 bliss and moor jewelry. She has also toured and recorded with The Art Ensemble of Chicago and Nicole Mitchell.

For his sophomore album, alto saxophonist Marcus Joseph, presents a project entitled Beyond The Dome, a body of work that explores themes of personal and external limitations, the idea of what binds us to who and where we are and the transcendence of perceived obstacles to become our authentic selves.

great personnel !

Lightning Bolt’s Ride the Skies sees a true classic from the band’s catalog back in print for the first time in a long time. Arguably the first album where the duo truly nailed their patented sound, Ride the Skies saw Lightning Bolt refine the auditory chaos of their self-titled debut into something much more concise and direct, bulking out pieces with more muscular sonics without sacrificing the sheer velocity and wild energy that made their first release so exhilarating.