Zig Zag
Zig Zag

Detroit's Ali Berger returns to FatCat Records' sub-label FCR with a follow up release entitled 'Keys The Door EP2'.After his 'Keys The Door EP1' that picked up support from the likes of Ben UFO, Artwork, Huerco S and Machine Woman, Michigan's Ali Berger returns to the FatCat Records off-shoot FCR which features releases from Cottam, DJJ and Project 223. Ali's previous releases on Clave House, Firm Tracks and Isaiah Tapes reflect his keen ear for slick, stripped back house productions that's gained the attention worldwide resulting in him being signed to FatCat and regularly featuring in clubs all over the US.'Grease Trap' kicks things off with a wavering acid line, robust melodies and outlandish oscillations before 'Heard' drops low-slung bass grooves, emotive leads and rhythmic tombs reminiscent of early Larry Heard productions. 'Hit Piece' introduces eccentric synth shoots, bubbling percussion and glistening rhythms until 'Keys The Door' rounds things off with a cheerful house cut fusing dreamy piano chords and a stimulating drum sequence.

The new album by B.Visible is a distinctive studio work, which captures the state of mind of searching for something, without actually knowing what. The only thing you can make sense of is that you aren’t currently satisfied, and you want a change in your life, even though you aren’t exactly sure of where you belong. This music is a quest, a search for a greater range of self-expression. B.Visible captured this very thought-provoking concept by focusing on what really matters, musically, and conceptually alike. He stayed true to his feelings, regardless of judgement or other people’s thoughts and opinions. In the end, it’s all about fulfilling creativity and exploring feelings without boundaries.“In Between Places”, demonstrates his remarkable talent for extending varied elements across the whole spectrum, allowing a wide range of influences to inspire, entertain and captivate the audience in a very special way. What makes “In Between Places” stand out is the fact that it shows the artist’s chops, without seeming to try to hard to do so. It’s organic and dynamic; technically accomplished, but also incredibly spontaneous and one-of-a-kind in its execution. The instrumental is perfectly balanced, allowing B.Visible’s expertly interwoven patterns of melody and rhythm to soar through the mix and come alive with raw and thrilling performance.Ultimately, “In Between Places” is a truly special album, which is rich in terms of sound design and textures. This record is a musical journey with a unique twist.

The next chapter in the Bristol Normcore saga is here !Following up that killerrrrrrr Katatonic Silentio record from last year, her productions now get the action-response with a slew of hardcore remixes from none other than – Our nearest and dearest: Kinlaw & Franco Franco, as well as top crew ZULI, Stenny, Walton and Herva – each bringing a proper oblique twist & turn to the original cuts, adding more flames to the burning embers of ‘Prisoner Of Self’. Industrial soundsystem weight, and cyberpunk riddims galore – proper energised gear, just what’s needed right now in these cold winter months.Served up in another mad-mad DIY sleeve – 200 copies only, each one locked in a cage, then vacuum-sealed for xtra measure, and served up with insert art.

OJAH feat Nik Tarp - Notting Hill sur Alchemy DubsFormat: limited hand-numbered 7" in hand-stamped sleeve