Pearl And The Oysters
Coast 2 Coast

The latest reissue from chOOn!! is Giedrius Kuprevičius' Erotidijos, the sixth release from the label that specialises in obscure, archival and forgotten releases.Erotidijos translates from the Lithuanian to “Erotidies” - these were festivals held in honour of Eros, God of Love in Ancient Greece. They were organised every five years and were famous for their celebrations, decorations and luxury. Ritual games were played during the festivals, musicians and poets competed, worshipping Eros.Erotidijos is a haunting yet hypnotic tableaux Kuprevičius originally created for a Stanislovas Rubinovas theatre play staged in 1994 in Kaunas, Lithuania. The Lithuanian composer was one of the founding members of the pioneering electronic pop outfit Argo and has written dozens of scores for stage and film over the past several decades, imbuing his soundwork with a multitude of artful moods and emotive depth.The story of Erotidijos unfolds in both melancholic and serenely lush scenery, in turn mysterious and playful. Memories of places you’ve never been drift into frame, from bedroom womb into a foliage of phantasmal keys and gently psychotropic symphonies. A collection that glissandos between notes, place, and time.Erotidijos is guided by an intuitive, improvisational dream logic that threads the line between waking and sleeping revelations. It offers a hazy, voyeuristic lens into another world with dusty ambience and eccentric keyboard effects, warm synth pads and shimmering vistas serving as soft accents to the angelic murmur of giggling voices.As you listen, you are invited to apply your own interpretation of Erotidijos’ narrative of a new land, its climate, sounds, and geography. A contemplative, celestial electronic work in a gentle, often beautiful ambient style which breezily swings with exquisite analogue synth textures and infinity loops. Jazz spontaneity and organic pop impulses lift the meditative veil, ending with a climactic final scene: a sensuous reverie complete with shedding light and gently opening synapses.Available for the first time on vinyl, including over thirty minutes of music not featured on the original cassette release and produced in cooperation with Giedrius Kuprevičius for chOOn!!.

London via NYC Chupacabras has been making a name for himself through the years as a pillar of the underground. The story starts in Barcelona during the early-2000s DJing and becoming a resident at the famed Nitza Club, it's here Chupacabras came into contact with the likes of I-F, Legowelt, and Marco Passarani among others thus immersing himself in the sounds of Hague electro, Chicago House, Italo, and Detroit Techno.An integral part of the early L.I.E.S. Records crew we are pleased to release his latest ep, a four track Hague influenced affair. Slammin drums, raw acid lines and razor sharp synths and electro beats prevail through the ep, a must for the floor. Check!

Naarm (Melbourne) based collective Butter Sessions celebrate over a decade in business with an extensive glossary of talented friends and affiliates pressed on a three-part compilation series. The label has always held the community closest, as exemplified by the 20+ artists featured over the three releases. Each 12” presents a grand soundscape anchored into the tenebrous energy of the dancefloor, with its inquisitive electronics and fierce pulse. If there was a definition for the Butter Sessions sound of ten years in the making, the answer lies here.The final compilation in the series commences with Time, a masterful blend of mid-tempo digi-dub and two step. Mosam Howieson gifts us Influx, a thick and hazy wedge of techno and Canada’s D. Tiffany serves up the mechanic and restless techno on a knife's edge in Cast the Trance. Ben Fester delivers Tumbo Rumblin, a leftfield slice of intergalactic electronics. Meanwhile, Furious Frank presents the electro and acid charged Blue Light while Makeda plays with genre expectations with the experimental composition Fable. Finally, the record's conclusion is Doordrms by Ben Keynes; dipping in tempo with acid drops, resulting in thoughtful IDM nuances.

Coming to the table with a fresh mutant sound, Darker Than Wax is proud to welcome Leeds-based artist Captain Over to our sonic universe with his Deep Blue EP. A solo project from one of the minds behind the band Paper Tiger, Captain Over represents a firm focus on dancefloor experimentation, blending the sounds of grime, broken beat, house, and LA beat music to create an entirely new beast. Much like the chess-playing supercomputer of the same name, ‘Deep Blue’ occupies a space between electronic weight and the human touch, fusing together icy digital synths borrowed from grime with off- kilter grooves and jazzy motifs.Following a string of releases led by vocal tracks with grime MCs, ‘Deep Blue’ is the first fully instrumental offering from Captain Over, lending the artist a platform to make a strong statement about his creative vision and technical prowess. From the expansive arrangement of ‘4D’ to the duelling sci-fi synths on ‘Mind’s Eye’, the Deep Blue EP is a deeply creative yet functional record, signalling a bright future for the Captain Over project.

Sorang, the debut album of Yalta native Wulffius, represents his work over the last eight years. The playful creature on the cover, Stone Eater, is based on childhood sketches of the producer's father. The album's name alludes to the first collection of his father's poems, which took its name from a short story by Konstantin Paustovsky, a master of nature writing in Russian prose. Sorang is the name of the south wind that "blows once in centuries," and you can hear its unique warmth in these tracks. There is a sense of wholeness here, a palpable style and atmosphere that permeates the individual pieces.Wulffius creates what he refers to as "B-sides": something too strange to be danceable, with "complex ease" and rhythmical variety. The music has a charming serenity and beauty thanks to Wulffius' intuitive approach, which is childlike and whimsical in the best possible sense. By the way, Paustovsky wrote Sorang in an hour and a half at a speed writing competition. You can hear a similar spontaneity here, but make no mistake, this is the work of a master that has been crafted over a period of years. It all comes from experience.