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First Word Records is very pleased to present a brand new full-length album from Sarah Williams White! Emanating from the "hilly fields of Lewisham" in South London, Sarah Williams White is a singer songwriter, multi-instrumentalist and producer. Her sound is a unique blend of psych-soul, folktronica and experimental synth-pop.Sarah released her acclaimed debut album 'Of The New World' on First Word in 2015, which was written, produced and performed by Sarah from her home studio, with the assistance of drummer, engineer & husband, Timmy Rickard. Her projects have seen support from the likes of Lauren Laverne, Tom Ravenscroft, Nemone & Chris Hawkins (BBC 6 Music), Jamie Cullum (BBC Radio 2), FIP Radio, Clash & The Guardian, to name a few, and she's toured the UK with Dan Le Sac vs Scroobius Pip and Golden Rules (Lex). There have been additional collaborations with label-mate Quiet Dawn (on the 2021 compilation / EP 'A Family Affair') and with her brother, Paul White - a revered producer in his own right, with credits including Danny Brown and Sudan Archives.

Naarm (Melbourne) based collective Butter Sessions celebrate over a decade in business with an extensive glossary of talented friends and affiliates pressed on a three-part compilation series. The label has always held the community closest, as exemplified by the 20+ artists featured over the three releases. Each 12” presents a grand soundscape anchored into the tenebrous energy of the dancefloor, with its inquisitive electronics and fierce pulse. If there was a definition for the Butter Sessions sound of ten years in the making, the answer lies here.The final compilation in the series commences with Time, a masterful blend of mid-tempo digi-dub and two step. Mosam Howieson gifts us Influx, a thick and hazy wedge of techno and Canada’s D. Tiffany serves up the mechanic and restless techno on a knife's edge in Cast the Trance. Ben Fester delivers Tumbo Rumblin, a leftfield slice of intergalactic electronics. Meanwhile, Furious Frank presents the electro and acid charged Blue Light while Makeda plays with genre expectations with the experimental composition Fable. Finally, the record's conclusion is Doordrms by Ben Keynes; dipping in tempo with acid drops, resulting in thoughtful IDM nuances.

The latest reissue from chOOn!! is Giedrius Kuprevičius' Erotidijos, the sixth release from the label that specialises in obscure, archival and forgotten releases.Erotidijos translates from the Lithuanian to “Erotidies” - these were festivals held in honour of Eros, God of Love in Ancient Greece. They were organised every five years and were famous for their celebrations, decorations and luxury. Ritual games were played during the festivals, musicians and poets competed, worshipping Eros.Erotidijos is a haunting yet hypnotic tableaux Kuprevičius originally created for a Stanislovas Rubinovas theatre play staged in 1994 in Kaunas, Lithuania. The Lithuanian composer was one of the founding members of the pioneering electronic pop outfit Argo and has written dozens of scores for stage and film over the past several decades, imbuing his soundwork with a multitude of artful moods and emotive depth.The story of Erotidijos unfolds in both melancholic and serenely lush scenery, in turn mysterious and playful. Memories of places you’ve never been drift into frame, from bedroom womb into a foliage of phantasmal keys and gently psychotropic symphonies. A collection that glissandos between notes, place, and time.Erotidijos is guided by an intuitive, improvisational dream logic that threads the line between waking and sleeping revelations. It offers a hazy, voyeuristic lens into another world with dusty ambience and eccentric keyboard effects, warm synth pads and shimmering vistas serving as soft accents to the angelic murmur of giggling voices.As you listen, you are invited to apply your own interpretation of Erotidijos’ narrative of a new land, its climate, sounds, and geography. A contemplative, celestial electronic work in a gentle, often beautiful ambient style which breezily swings with exquisite analogue synth textures and infinity loops. Jazz spontaneity and organic pop impulses lift the meditative veil, ending with a climactic final scene: a sensuous reverie complete with shedding light and gently opening synapses.Available for the first time on vinyl, including over thirty minutes of music not featured on the original cassette release and produced in cooperation with Giedrius Kuprevičius for chOOn!!.

Seconde sortie annoncée pour les « New Generation Series » de Dubquake Records avec le tout premier EP d'une productrice proche du O.B.F crew : Esaïa. Habituée des sessions soundsystem, passionnée par la techno et les musiques électroniques au sens large, fascinée par les musiques de film, la jeune Genevoise s'est construite une identité sonore non étiquetable aux traits bass music appuyés. Le dub jamais très loin, Esaïa joue des drums, des nappes et des synthés pour toucher les corps et transmettre les émotions.Avec « Origin 4000 » elle présente un EP purement instrumental composé sur le thème de la ville. Soit six tracks qui s’imprègnent des écueils de la société urbaine, du rythme effréné de la vie dans les grandes citées et de l'impact de l'urbanisation sur la nature.Finalisé au cœur du Dubquake studio, mixé par Rico O.B.F, illustré par Kazy Usclef « Origin 4000 » ravira les adeptes du son hors case autant qu'il saura surprendre les inconditionnels de dub stepper !

JK Group are a powerhouse nu-jazz band fronted by Melbournesaxophonist Josh Kelly, best known for his work with future soul-jazzcollective, 30/70, and being the 2019 PBS Young Elder of Jazz.They sit in the crossover of raw, live jazz and electronic/danceproduction. At times synth-heavy, effected and soundscapey, while atother times hard hitting groove laden with spiritual jazz overtones andno-holds-barred improvising. Their sound nods respectfully to classicjazz traditions, whilst carving a path that unashamedly looks towards thefuture, embracing modern influences and production techniques.The album received a 5* review from Melbourne's own Mike Gurrieri, andhas garnered radio play on, BBC6, PBS, RRR, Worldwide FM, NTS and more.The debut LP 'The Young Ones' is due out on La Sape April 24th.(SAPE010)

Dublin duo Long Island Sound present their first ever full-length “Lost Connection LP”, a dreamy and dynamic expedition of breaks, electro, techno and house.Since breaking through in 2019, Dublin DJ/Producer duo Long Island Sound have cemented their roots in the Dublin scene. With an impressive back catalogue spanning the likes of Remmah, Body Fusion and Fabric Presents compilations, they now step up for their first full-length on their Signs Of Space imprint with the genre-bending “Lost Connection LP”. The album is brimming with emotion, seamlessly fluctuating through moments of intense euphoria, solitude and melancholy.‘Ataria’ opens the record with airy synths and rippling, phased percussion. A deep UK twinged sub bass is introduced with a subtle burst, soon followed by gated vocals and crisp highs that transcend listeners into the album’s euphoric space. Truly embodying the theme of SOS productions is the celestial ‘Dusk’. Using stretched out reverbs, a hypnotic riff and washed out percussion, the cut is eerie yet beautifully ethereal. ‘Fragments’ takes the title as the most energetic track on the record - a wild SH101 jam with a brooding bassline and breakbeat elements. Gliding leads glitter above the chaos, creating a deep and textural stomper. Next up is ‘Every Time I See Your Face’. While romantic and dreamy, this is undoubtedly an old-school hip-hop & electro-influenced cut. The kick and bass inject a grooving element, with a vocoder effect on the vocals and atmospheric percussion again inducing that element of space.On the flip is ‘Power’ - a bassline-driven production that ignites a swift change of pace. Dubby stabs combine with scattered percussion to create this 8-minute roller. The record crescendos with the trancey, techno-inspired ‘Turbulence’. Rhythmic chords bounce around driving percussion and distorted samples to create the record’s apex. Rounding off is title track ‘Lost Connection’ - an ambient, modular piece that uses sequences and layers to create the sensation of drifting before culminating in one final moment of relief as the album draws to a close.