Konkolo Orchestra
Blue G / That Good Thing (Single Edit)

Cet album est le 2ème de Bonbon Vodou. Il s'appelle "Cimetière Créole"en référence aux carrés de tombes plantées de Fleurs multicolores du cimetière marin de la baie de Saint Paul à l'île de la réunion.

Les Bantous De La Capitale - Best Of - Ndoundou - 60's Rumba from Congo.Created in august 1959 by former musicians from Orchestre T.P.O.K. Jazz and Orchestre Rock A Mambo,this band was one of the most famous Congolese rumba band in the early 60's.

When it comes to offering up re-mastered reissues of obscure Lebanese music, Wewantsounds has previous form. They've already delivered a new edition of Ziad Rahbani's "Abu Ali" LP and here serve up a fresh pressing of an album he produced: "Wahdon", a hard-to-find 1978 set by her mother, legendary Middle Eastern chanteuse Fairuz. It's a set of stark contrasts. While the A-side tracks indulge the more traditional side of Fairuz's output -think Lebanese vocals and instrumentation in the style of pop music from the region made in the period - the flipside cuts see her taking calculated risks. "Al Bosta" is a funk, soul and disco influenced club cut of the highest order, while "Wahdon" is a sumptuously symphonic soul slow jam straight from the top drawer.

Shina Williams ‘Agboju Logun’ was a ground-breaking fusion of afrobeat, electronics, boogie and disco. First released on Phonodisk in 1979 as part of the ‘African Dances’ album, then in 1984 as an alternative version on Rough Trade’s Earthwork off-shoot, it has gone on to attain cult-like status.So it remains a bit of a mystery how so little has been documented about the follow-up. Shina’s self-titled album was originally released on Help Records in 1980. It differs from the upfront afro-disco-funk of ‘African Dances’ as it diverts into deeper, hypnotic, afro-beat territory. Though listed as a six-track album, each side (composing of 3 tracks) is built-upon one continuous groove with call and response female & male vocals and instrumental solos coming and going as each side progresses. The results are raw, hypnotic, locked-in grooves, which sit perfectly on forward-thinking contemporary dancefloors.Official Mr Bongo reissue. Replica original artwork. LP only. Licensed from the family of Shina Wiliams.

Melbourne’s Left Ear Records return with an EP release extracted from a lost ’93 CD only album by famed Nigerian artist ‘Jay U Xperience’. Here, modern technology meshes with timeless African Rhythms and the heartfelt influences of New York City.Jay U Xperience is the pseudonym of acclaimed Nigerian musician Justus Nkwane.His first release ‘Enough Is Enough’ was a heavy blend of psychedelic rock and funk epitomising 1977 and yet foreshadows Justus’ experimental and genre-spanning inquisitiveness. Justus wouldn’t record another album until 1993 while living in New York City. Here he emerged with ‘Ancestral Call’, an album that he describes as a “once in a lifetime event”, something from his “inner spiritual guts”. Equipped with a Roland R-5 drum machine and a Roland U-20 synthesizer to extract melodies he was able to create tunes that encapsulated contemporary technology with timeless traditional African rhythms, creating a work that sounds just as relevant Today as it did then. Tracks like ‘Back To Motherland’ & ‘Ancestral Call’ personify this sound, while ‘Okokobioko’, is an onomatopoeic excursion in losing yourself to the rhythm, the EP is then rounded off with the title track ‘Abuja’, a ghostly striped back piece.