Makaya McCraven
Where We Come From (Chicago X London Mixtape)

Michel Legrand's cult soundtrack for Jacques Deray's 1969 classic 'La Piscine' gets reissued with three bonus tracks making their vinyl debut. Featuring newly remastered audio, gatefold sleeve designed by Eric Adrian Lee and Liner notes by Jeremy Allen (The Guardian, The Quietus).The RSD Edition will also include Michel Legrand's super rare and funky 7" OST for Deray's 1972 film 'Un Homme Est Mort'.

November 2016, 10 years of OTPMD. Vincent Bertholet, still resolute, finally realises his old dream of a'real' orchestra. And thus was born the project to expand the known horizon. The orchestra became XXL by assembling accomplices from the first hour, who had never really disappeared from view, and an English string section met along the way.From now on, they will be 14 on stage. An anniversary tour, prestigious stages and makeshift squats, unrestrained agitation as in the first days, and a larger chorus, more percussive than ever. The multi-headed Hydra gives voice in concert and the frail stages that host it groan under its weight. Nevertheless, it is in the studio that the foundation of a new adventure is forged. Back to England, in the imposing and magnificent building that houses Real World Studios. After Rotorotor (2014), John Parish is again at the controls.It's called Sauvage Formes, a shrewd title, because everything here is as geometric as it is organic. The incisive rhythms, doubled in XXL, trademark of the pack, mingle with the unusually melancholy brass. The guitar riffs express themselves in minimalistic cascades, and since the number of strings has tripled, they allow themselves the luxury of entwining with each other, like a carnal embrace without epilogue. The voices, more numerous than usual, recite, chant, lead the dance and poeticise, sometimes in French, sometimes in English, and, in the same spirit, the chorus takes the opportunity to shape the pediment of hymns to elsewhere.These 8 songs as beautiful as they are adventurous, it seems to be a story of a voyage, a torn logbook. On the horizon however, neither boat, nor rickety plane, neither map nor compass. Is it because the continent that is mentioned in these texts and melodies is not a known place, but rather a dream world, a land of asylum for rebels and the insubordinate, for the daring and the benevolent

You need to hear this at least once in your life. Miles DAVISSketches Of Spain (reissue)DOL

TIP! After almost two years from the LP "Morphé", Pellegrino returns with a single of his Zodyaco ensemble project and its distinctive musical identity between Mediterranean mysticism and Latin splendour. Quimere, title of the single, are a metaphor for an inexpressible desire, an impossible dream, two interpretations of a song in the shadow of the sun that warms up Naples at the sunset of its summer, that invisible wall that divides souls, or perhaps an impossible love suspended between the stars and their reflections on the sea. QuimerePellegrino Zodyaco

Musician, composer, bandleader and musical rubik’s cube, Laurent Bardainne is a saxophonist who trained at The Paris Conservatory.He’s collaborated with Pharrell Williams, Cassius and Philippe Katerine to name just a few and presents here his latest project, ‘Tigre d’eau Douce’ Also co-founder of electro rock band Poni Hoax (Tigersushi Records), Limousine, a duet with Camelia Jordana and more recently Sabrina & Samantha for Ed Banger. This album, sees a return to his first love of jazz, The Tigre d’eau Douce, represents a species doomed to disappear. So using melodies, chants and solos as an escape guide, his tenor saxophone takes us to a higher place,one where John Coltrane and the great figures of jazz reside. These LP tracks bounce between the grooves and soul of the 1970’s, wherepercussion and saxophone pave the way. ‘Marvin’ allows the fluffy keys of the Hammond organ to open out into a pensive melody that feels familiar. Carrying on the journey, the tough asphalt of hip hop is visited on tracks like ‘Bachibouzouk’ and ‘Felin M chant’, whereas more tropical themes are explored on tracks like ‘Kinshasa’.