Colette Magny Dharma Lino Leonardi
Visage-Village

Jeff PARKERThe Relatives (reissue)Thrill Jockey US

Great dubby version ...

His monumental LP of solo soprano saxophone improvisations, recorded direct-cut and issued by Incus in 1978.Lovingly reissued by Treader — the CD is from PSI — using the original stampers, in a gorgeous hand-assembled sleeve, with glossy front and matt back, flaps out.Unmissable.‘Parker uses rapid tonguing techniques and circular breathing to create a sound all his own, marked by the simultaneous intonation of multiple notes. One hears a note as well as all the residual tones around it; each breath ends up sounding like a battle between the different registers of the horn. At various times, Parker’s saxophone sounds like dolphin speech, electronic tape squeals, or human murmurs; namely, anything but what it actually is. His language on the instrument is essential listening for anyone interested in acoustic experimental music’ (AllMusic).‘Eight years after Topography Of The Lungs, and two years after his Saxophone Solos, Monoceros was the most muscular statement of Evan Parker’s solo saxophone muse. Superbly recorded, it seemed to place the listener within the chaotic air flows of the saxophone’s own tubing. Philip Clark said: ‘Parker’s dialogue with the saxophone throws up so much that is unexpected, and indeed unknowable, that the problem he faces is how to keep pace with his own invention’’ (The Wire, Best Albums Of The Year).

Laminated Skies is the new album by Jason Moore aka Raw Poetic, produced alongside friend and frequent collaborator Earl Davis aka Damu the Fudgemunk and featuring guest musicians Pat "P" Fritz on guitar and Luke Stewart on bass. Sessions for ‘Laminated Skies’ took place in the sweltering summer heat in 2019 at Windom Road studio in Brentwood, Maryland; with Damu’s production adding a tapestry of instrumentation including live and programmed drums, strings, vibraphone, kalimba, melodica, vinyl scratching and synthesizers. Musically pulling from the genres that make hip hop; the multidimensional work also draws inspiration from Ralph Ellison’s novel The Invisible Man, spirituals, and their individual influences -, on which Jason says “I was an English major, Luke is a jazz bassist, Pat a classically trained guitarist, and Earl brought in a wealth of knowledge that funneled us through a direction that worked.”

South American Jazz & Bossanova flavours from 60s & 70s in Liguria, north west Italy. Melody sounds really close to Brazilian Portuguese and instrumental tracks smells of South American Jazz. Nonetheless, the sound landscape clearly reflects the Italian Library Music of the time. This mingling was made possible by the commercial and cultural interconnections during the discovery of the New World: the local Ligurian language was influenced by new stimuli from the new territories and vice-versa. Moreover, from the end of the Nineteenth Century, a strong migration of Italians involved South America, with numbers comparable to the Italian migration in the USA, but less known because less represented in films or narrative. As a result of these connections, these songs sound mellow, carioca and exotic, based on the phonetics of one of the most musical, folkloric and peculiar Italian dialects. The artwork project is a homage to lithographs and ADV that were inspired by the first tourist and migration trips departing from Genoa towards Rio De Janeiro. The lithographs were recovered by “L’Image” an existing art gallery in Alassio, a small town in Liguria. "Bossa Ligure" can be seen as a micro-genre and a different form and aesthetic of Brazilian music, which is unknown to many, but that we would like to make available with this collectanea. A musical and a cultural expression which reveals a strong influence and connection to the Brasileiro sound in an unexpected territory.