James Bangura
Shadow Boxing EP

FINEST MINIMAL PIECES BY PLASTIKMAN/ MARC HOULE/ HEARTHROB/ RUN STOP RESTORE

After Jonas Kopp’s well-received debut album ‘Beyond the Hypnosis’, released on Tresor Records in November 2014, the Argentinian returns to the label with a powerful and club-oriented EP, ‘HHH’.

NOTTE BRIGANTE is back in the longplayer spheres, unearthing for mother earth nine tracks by French producer, musician and PMR label runner ASSID, that spellbind under the entitlement “Connaissance des Lois Cosmiques“.An utterly surprising, dark-ish fever dance of many styles, synth-ages, tribal zones, and cosmic flashes! Ingredients, that ASSID sucked up from his many musical adventures. As Trackmark he is active since 1998 and self-released four longplayers that glitch abstract through the electronic galaxies. He is also part of the Strasbourg, France based band The John Merricks, living the psychedelic dream in unity with lo-fi swing, dub, electronic, Acid rock and all that noise. When he feels like going fully electric, he joins his buddy Doudouboy and invents as Electric Muezzin abstract dub, that thrills all delays and echoes of creation.With “Connaissance des Lois Cosmiques “, the man from the Drôme department in the Auvergne-Rhône-Alpes region of France distributes an amalgamation of all his different artistic avenues. You get dubbed. You get cosmic. You get waved into a darkness, that is illuminated by psychedelic drifts, but at the end it’s just a trip!

Salutations features twelve pieces of new music from artists near and dear to RVNG’s sphere, including Isik Kural, Satomimagae, vhvl, Visible Cloaks, Sign Libra, Dialect, Batu, Anna Homler, Diatom Deli, Emily A. Sprague, Rachika Nayar and Nina Keith, and Wayne Phoenix. The vinyl edition expands on the spirit of correspondence with poetry readings by Zoe Brezsny, Ivanna Baranova, Tessa Bolsover, Jessica Rae Elsaesser, and Luciá Hinojosa Gaxiola, assembled by Breszny and RVNG.Salutations signals a series of meetings, greetings, group assemblies and exercises along the invisible plane created through correspondence. This is the inaugural compilation of new music from RVNG, inspired in part by a collaboration with Adult Swim. The question of how similar we are arises in the simple form of contact, and how we choose to embrace the potential of that moment and one another. Through correspondence, we connect, communicate, and form community. At first, correspondents with one another, and through the processes of collaboration and transmission, we correspond to parallel and intersecting collective cores.This eternal network, perhaps informed (consciously or subconsciously) by some celestial or spiritual force, becomes a portal to practice social responsibility and an access point to a wider, inclusive universe of information. In turn, the network becomes a human phenomenon, as well as a potent demonstration of art and collectivism. As the world heals, and evolves through future changes, having t his network in place provides a vessel to and grow / glow beyond our corporeal state.On behalf of Salutations, a portion of the proceeds from this release will benefit A.B.O. Comix, a collective of creators and activists who work to amplify the voices of LGBTQ prisoners through art, and link them with freeworld penpal

So, how long have you been waiting for this one to drop? The answer really depends on two things - whether you've just been waiting for new long form material from the UK IDM legends Autechre, or whether you've been waiting for Autechre to put a proper album together that stays true to the principles and format of a 'proper album', as this does.Either way let's just say Sign has been some time in the making, and it's definitely a case of payoff for patience. For the most part it's the waves of space age melody that really stand out, tracks like 'Esc Desc' seem to fill the room with bands of sci-fi harmony. Of course there's plenty of glitch and bleep here, too - the stepping 'Au14' is a case in point - alongside rumbling, bass-heavy business like 'Si100', where playful drips of percussion create a juxtaposition of innocence and menace.