Sabat' Machines DJ Draai
On My Bike / Paddenstoel

The re-appraisal of early Seefeel has been long overdue. We're not entirely sure why this hasn't happened before, but to put things into context this is the first time Ch-Vox has been available on vinyl since it debuted in 1996, sidling up alongside the band's other outings dating back to 1994, all of which came about through involvement with Sheffield and global electronic music institution, Warp Records.Ch-Vox actually landed on Rephlex, the imprint founded by Warp regular Richard D James, AKA Aphex Twin, and Grant Wilson-Claridge. Taking us further into the chill-out rooms, Sunday morning comedowns and midweek meditative moods of UK rave, in many ways Ch-Vox is more complex in concept than its predecessor, Succour, helping establish an early framework for what we now know as drone.

Whilst a certain Parisian electronic duo were still (probably impossibly chic) toddlers, French band/production Space had worked out that making lots of hooky synth disco and wearing Space suits in public at all times were a potent pop combination, one that enabled them to sell 12 million records across 4 albums from 1977-81, before imploding in the time honoured fashion of lawsuits and bitter recrimination all round.Space was the brain child of French producer JP Iliescuo. He assembled a crack band of French session musicians for (at the time) a previously unheard cosmic-disco-synth combination. The unforgettable melodies came from talented young composer Didier Marouani (also known as Ecama). The musicianship from Roland Romanelli and Jannick Top, Joe Hammer and Madeline Bell.Fast forward over 4 decades and for our debut release we at Array Recordings are proud to present our first release which captures the essence of those 4 albums, and the breadth and diversity of their sound in one 14 track extravaganza. All remastered to present a new sonic experience."Magic Fly" sounds as fresh and other-worldly now as it did then with it's irresistible hookline, whilst at another end of the spectrum, "Carry On Turn Me On" remains Space's most genuine contribution to the disco pantheon, with it's orgasmic vocals and floor destroying, organic groove."Running In the City" and "Air Force" is the sound of forgotten futures past, "Flying Nightmare" a cosmic funk odyssey. "Deliverance" remains one of the few Disco tracks to feature a full male voice choir and "Deeper Zone" ushers in the sound of the 80's.The band were not short on conventional pop moments, "Save Your Love For Me", an epic, over blown euro-synth pad belter, full of genuinely synthetic emotion. "Symphony" is grand, positive and catchy as. The band also knew how to preserve (and intensify) the emotion at the slower tempos. "Just Blue" is a gradual funk odyssey and a perfectly plastic soul. The haunting, dystopic "Velvet Rape" draws the work to an menacing closeThe compilation is a fitting tribute to one of Europe's great forgotten innovators.

Après avoir demandé à Chloé Thévenin de collaborer à la bande originale de son spectacle « Static Shot » (2020), Maud Le Pladec a de nouveau fait appel a la productrice et DJ. Une nouvelle création ambitieuse, militante et féministe réalisée pour la saison 2021 de Montpellier Danse. La danseuse et chorégraphe, accompagnée de six danseurs, explore par la danse et le chant les non-dits, la marginalisation et la représentation des femmes musiciennes du Moyen Âge à nos jours en convoquant des figures historiques et contemporaines telles que Kassia de Constantinople, Barbara Strozzi, Giovanna Marini et Clara Schuman…Avec ce nouvel EP, sorti sur son label Lumière Noire, Chloé dévoile une facette plus abstraite et cérébrale de son travail avec ces trois titres retravaillés : engagés et aventureux, mais tout aussi excitants.

Naarm (Melbourne) based collective Butter Sessions celebrate over a decade in business with an extensive glossary of talented friends and affiliates pressed on a three-part compilation series. The label has always held the community closest, as exemplified by the 20+ artists featured over the three releases. Each 12” presents a grand soundscape anchored into the tenebrous energy of the dancefloor, with its inquisitive electronics and fierce pulse. If there was a definition for the Butter Sessions sound of ten years in the making, the answer lies here.The final compilation in the series commences with Time, a masterful blend of mid-tempo digi-dub and two step. Mosam Howieson gifts us Influx, a thick and hazy wedge of techno and Canada’s D. Tiffany serves up the mechanic and restless techno on a knife's edge in Cast the Trance. Ben Fester delivers Tumbo Rumblin, a leftfield slice of intergalactic electronics. Meanwhile, Furious Frank presents the electro and acid charged Blue Light while Makeda plays with genre expectations with the experimental composition Fable. Finally, the record's conclusion is Doordrms by Ben Keynes; dipping in tempo with acid drops, resulting in thoughtful IDM nuances.

On their self-titled debut album Etienne Jaumet and Fabrizio Rat, both trained pianists, re-invent their favourite instrument to make us hear it in a totally new way. While the former creates unusual sounds thanks to the rhythmic machines that accompany his piano, the latter uses this classical and romantic instrument par excellence to explore the techno sphere."The basic idea of our duo is to confront the harmonic richness of the piano and the synthesizer through rhythm. To explore our interactions through live music. To develop new atmospheres thanks to the evocative power of unusual sounds. Somewhere between ambient and sound experimentation…'