Open today: 16:00 - 23:00

Psychotronic
PsychotronicPsychotronicPsychotronicPsychotronic

Catno

BLNK017

Formats

1x Vinyl 12" 45 RPM EP Reissue Remastered

Country

UK

Release date

May 2, 2022

Psychotronic Montpellier Le Discopathe

The doors are where the windows should be, and the windows are where the doors should be”. If you had been in one of the more open minded all night raves in the early 90s you are likely more than familiar with Earth Leakage Trip’s ‘No Idea’.

You could write several pages about the 'Psychotronic EP' and still not nail it as well as Discogs user covert_operative's description of 'urban, British psychedelic music.' The Acid House narrative is all about ecstasy, but for many, especially outside of London, there was a lot of LSD involved. Things were edgier, too, with parties in derelict, liminal spaces. By the time this record came out in 1991, the rave was properly diverging from its house music beginnings.

The Psychotronic EP was the first release on the legendary Moving Shadow label. Its lead track 'No Idea' is both the perfect entry point to the catalogue and something of an outlier. Neil Sanford had been writing music for a few years before playing some demos to Rob Playford in his car outside a nightclub in Wood Green. Simon Carter got involved, and the pair went to Playford's studio to manifest the madness they'd been sketching with rudimentary gear.

'No Idea's use of samples was wholly inspired and far more surreal than so many of the dark-side tracks that were to follow it. A friend of Neil's had given him a record called 'Happy Monsters' and the lead track, 'Adventures in the Land of Ooog,' lent the unforgettable children's vocals. Neil initially had his doubts. Had they gone too far? However, while working on the track, Rob Playford's girlfriend ran in shouting, "you HAVE to use that!" And so it came to be.

As a footnote, the track did prove to be strong medicine, with at least one documented account of a promoter having to be talked down by his friends after hearing it when psychedelically altered.

The Psychotronic EP is a truly visionary piece of work, standing poised on the edge of the rave's burgeoning future and entirely outside it. As such, it's never not been a cool record, as appealing to lysergic adventurers as it is to house heads, hardcore ravers, or experimental music pioneers. And it has now been lovingly reissued by Blank Mind, for which I'm eternally grateful, seeing as my copy is battered beyond belief.

Media: Mi
Sleeve: M

16€*

*Taxes included, shipping price excluded

Tracked and send in specified vinyle packaging with plastic sleeve protection and stickers. Rip Samples from vinyl, pics and Discount on www.lediscopathe.com. Please feel free to ask informations about our products and sell conditions. We ship vinyles world wide from our shop based in Montpellier (France). Come to visit us. Le Discopathe propose news and 2nd hands vinyls, collectors, rare and classic records from past 70 years

A1

Psychotronic

A2

Over 92

AA1

No Idea

Other items you may like:

We won't make the obvious joke about buses - you know, the one about waiting ages for an Autechre album and then two turn up pretty much at the same time. But we will say this. If Plus, the second of Sean Booth and Rob Brown's two albums to drop within a fortnight of each other after a lengthy absence, were a bus, it wouldn't be headed out on any recognisable route that we know about. You might find the odd bit of scenery that feels vaguely familiar - the tension-laden strings of 'ii pre esc' or the scrambled drum & bass machinations of 'X4', but in the pair's hands they are splintered and re-assembled very much in their own image, one foot in the frenetic exhortations of electro and the other deeply planted in the land of industrial experimentation. Closing track 'TM1 might bear a slight resemblance to the squelchy acid of Drexciya, for instance, but its occasionally four-to-the-floor beats stop and start with a wonderfully disorientating playfulness. Brave and original, as ever, this is not for the faint hearted but at the same time takes you places you never thought you'd encounter.
Adding a percussive and experimental edge to the current class of post-dubstep pioneers, Mount Kimbie, the duo of Dominic Maker and Kai Campos - are set to release their highly anticipated debut album 'Crooks & Lovers' on Scuba's Hotflush label in July. Mount Kimbie's first two EPs - 'Maybes' and 'Sketch On Glass' - seemed like explorations of spaces so private that all within earshot were instantly turned into voyeurs. The experience was less like listening to music and more like eavesdropping on the machinations of a lone mind - albeit a lone mind surrounded by and retreating from millions of other minds. Difficult to categorise, the lush EPs caused a commotion when released last year with 'Sketch On Glass' recently undergoing reworks from the likes of Faulty DL, SCB (Scuba's darker techno alias) and their sometime collaborator James Blake. With their own remixes (Foals and The xx) becoming hot property, Mount Kimbie have been a core part of the growing scene in London often associated with labels like Hyperdub and Hessle Audio. Dom and Kai met whilst at Southbank University, pushed together in a student halls that was previously a mental asylum - where the ceilings were still ridiculously high to stop patients hanging themselves: 'a cold, joyless, concrete building - the sort of building where you'd drop a pen and the sound would just go on and on in an echo.' Armed with found sound snips and a siege mentality, Kai and Dom set about turning London's ambience into rhythm, its chaos into coherence. Traces of influence remain - the hard-earned spaces of Burial and The Bug vie with the berserk melodrama of Xiu Xiu and Grouper's sad-eyed glow, D'Angelo's pervert soul gets cleansed in the intimacy of Phil Elvrum's Microphones, Angelo Badalamenti's swollen 'Twin Peaks' atmospheres find a cradle in Madlib's lax lope. The band's sound and response to the dubstep moment is very much their own. Sceneless and untethered from etiquette and genre codes, 'Crooks & Lovers' floats through dubstep and hip-hop, jazz, techno and ambient, post-rock, UK garage and film scores to startling effect.Mount Kimbie - who play as a live band - have announced a string of European festivals & shows for the summer.
YOSHThe Warning EPTime Is Now Germany
The charismatic Molina (Geena / Antinote) hits again on his well named Worldwide Zen label with a eight tracks album ! It has this exotic lover vibe, with delay, eighties synths and drums.
An absolute neck twister that majestically blends Acid House, UK Bleeps & West Coast Style Hip-Hop with refined, delicate & grimey production techniques. It’s a smile & groove attracting cross-over fit for House/Techno as well as R’n’B/Hip-Hop floors.

This website uses cookies to offer you the best online experience. By continuing to use our website, you agree to the use of cookies.