American Chocolate
Don't Bug Me

International Anthem Recording Company are on a roll with this powerful, spiritual vocal jazz on the most amazing rhythm! Backed with a stripped back drums version. Massive recommendation from us!

City of Mirrors is a bold new collection of music from Chicago-based alt-Latinx band Dos Santos, which is comprised of bandleader / singer / lyricst / guitarist / keyboardist Alex Chavez, drummer Daniel Villarreal, percussionist Peter “Maestro” Vale, bassist Jaime Garza, and guitarist/multi-instrumentalist/vocalist Nathan Karagianis.Cinematic in its journey, the album was produced by multimedia artist and long-time friend of the band Elliot Bergman (NOMO, Wild Belle), and reflects sounds from across the Americas combined with Chavez’s compelling poetic narratives. Its 13 tracks consolidate the band’s unique identities, creative and cultural roots, and their penchant for honoring traditional Latinx music with contemporary compositional expressions and production techniques.

Second Album, originally released on 2012 on digital & CdsHip Hop Beats with Funk,soul,jazzy and trippy sounds...MSG Records collaborated to greek producer for LTD 2020 edition,under exclusive manuscript agreement between Kill Emil & MSG Records. Kill Emil is a Hip Hop-Downtempo producer from Athens, Greece. He constructs his sound mainly by using samples while layering electronics on top of them results into something unique.Using a mixed technique of analog samplers and midi controllers in his showcases he manipulates sound with the purpose of creating a personal audio tale for each and everyone, separately, to define and take part in

As the final chapter in the initial run of Jazz Is Dead releases, Remixes JID010 continues the creative catharsis of an exhilarating new chapter in jazz music. Adrian Younge & Ali Shaheed Muhammad tapped nine iconic creators to reimagine their personal favorites from Jazz Is Dead’s catalogue to-date, who created striking new versions of songs by Marcos Valle, Roy Ayers, Gary Bartz, Azymuth, João Donato, Doug Carn, Brian Jackson and The Midnight Hour. Holding the line taut like a bass string, Younge & Muhammad only invited those special musical alchemists who have previously participated in Jazz Is Dead happenings, or those who are slated to share that stage soon: Cut Chemist, DJ Spinna, Georgie Anne Muldrow, Akili, Shigeto, Pink Siiffu, Dibiase, Natureboy Flako, and Kaidi Tathum. It’s a family affair.The album blasts off with Kaidi Tathum’s reinvention of Marcos Valle’s wistful beachside stroll, transforming “Gotta Love Again” into a strutting, pulsating excursion equally at home in the club and headphones. Building off of Valle’s mellifluous vocalizations, Tathum harnesses the composition’s polyrhythms to build a soulful, jazz-house track that floats over ethereal synths and stutter-steps to a propulsive beat entirely unimaginable, yet true to the spirit of the optimistic and effortless original.On his remix of Gary Bartz’s “Soulsea” Cut Chemist taps into the big-beat atmospherics of his old running partner, DJ Shadow, to craft a moody, echo-laden, percussive down-tempo saxophone meditation. Creating drama over bombastic beats, Cut Chemist layers Bartz’s searching sax refrains over sparse keyboard bars. Brian Jackson’s mellow masterpiece dedicated to the recently departed jazz vocalist, “Nancy Wilson”, receives an epic overhaul by producer Shigeto with help from harpist Ahya Simone and DJ Dez Andres. More than tripling the original’s duration while adding layers of new sounds, Shigeto’s remix weaves in and out of movements that alternately showcase Jackson’s soulful flute work, Simone’s sparkling harp and Andres’ bubbling percussion. Imagine if Dorthy Ashby and Hermeto Pascoal dropped in on Miles’ In A Silent Way sessions...It might have been a foregone conclusion that Adrian Younge & Ali Shaheed Muhammad would give their Jazz Is Dead series the remix treatment, but that doesn’t mean this is your average remix album. Just like Younge and Muhammad fused their aesthetic with the musical masters they invited to collaborate with for Jazz Is Dead, the DJs, producers and musicians tasked with remixing songs from the catalogue tapped into the same jazz ethos, resulting in imaginative and sometimes radically reimagined versions of the originals.