Dez / Andrés
Tonight’s Function / People Of The World

NOOD5 features contributions from six friends of the Noods family, consisting of Berlin based techno iconoclast Ossia, shadowy Bristol producer fresh from a highly acclaimed EP on Berceuse Heroique, Pessimist, Timedance affiliate Cleyra, Milanese sound experimentalist Katatonic Silentio, Rio underground lynchpin and RBMA graduate Valesuchi and a collaboration from Dekmantel’s Epsilove and the elusive Ployer Fower.The record is a confident assertion of the station’s sonic ethos; filled with tense, dread-laden soundscapes that foreground the percussion and sub bass. Reverbs and delays are utilised in the true dub tradition, wringing out unconventional grooves from the negative space between the drums: it’s music for the head and the body.Originally intended to be released on our fifth birthday hence the name, fuck it — the pandemic slowed much down so have it on our sixth birthday instead.

New Omar S album featuring John F.M, Rick Wilhilte, Norm Talley and O B Ignitt. Omar-S always does things his own way and always hits hard, this time doubling up on that title with some of his tighest and brightest productions for - oooh - a good few weeks at least.This is wall-to-wall good shit, House bangers stripped bare, loads of space, endless hooks - basically undeniably deadly gear, especially on 'Mell'like Boom Boom In'dair!' with its completely fucking riotous hybrid of a squashed acid line and bounced snares, something like Wordy Rappinghood if it were re-worked by MMM and Theo Parrish.yasss.

After four technically and aesthetically impressive salvos of eclectic electronics, the 5-year anniversary compilation from Stroboscopic Artefacts reaches its terminus with this new release. Worrying about whether or not the series ‘goes out with a bang’ seems unnecessary, since the series has always felt pleasingly unconventional, and thus not too concerned with the conventional act of providing listeners with a grand finale. Simply put, this high-quality ‘retrospective’ series has been more about challenging the S.A. constellation of artists to forge new paths than it has been about nostalgically revisiting the past, and so it’s better to approach this last installment as a statement on the past informing the future. Donato Dozzy, Lucy, and the Sendai duo are the parties responsible for bringing us the final report of the series. Those already familiar with these artists’ past works for S.A. will understand immediately that these artists are not all cut from the same cloth, and those who didn’t know that will soon find out. As with the previous ‘anniversary’ records, the intent here is to synthesize significantly different sounds into a uniform or seamless listening experience, to the point where the record seems more like a genuine collaboration between the artists than a mere ‘sampler’ record offering eclecticism for its own sake. Donato Dozzy’s entry here is very much in keeping with the spirit of his S.A. release Terzo Giorno. It is as propulsive as any of the best techno music of past decades, exhibiting a marked indifference to the inessential and a knack for smashing together percussive atoms of a thick and bombastic quality. To do so without punishing speakers completely into submission or turning everything into a fatiguing mess is more difficult than it sounds, but Dozzy is certainly up to the task here.

Classic ! Finally remastered.