IPA-Boogie
Get The Music Now / Africa

Turkish Egyptian called Romano (aka Lior Romano), the man behind the internationally acclaimed sound of Baharat, debuts his first solo record on the Batov Records exclusive Middle Eastern Grooves 7” Series.Inspired by his roots and his upbringing, the record is a dialogue on a more personal level, representing a part of Lior so far unknown to the public. The music on this release is a thematic contrast to his previous Baharat releases, which are inspired by the liveliness of jamming together and creating a funky groove. Nevertheless, it delivers the same joyful intensity! The album, which was completed at the end of 2019, was created with the help of friend and producer Orel Tamuz and it’s a musical snapshot of very different aspects of Lior’s life and showcases his multicultural upbringing.Limited to 300 copies

Format: LP + bookletWhen she started her career just over a decade ago, Cleopatra Nikolic AKA Cleo Sol was considered a singer-for-hire within the international deep house community. Now, with the assistance of beat-maker Inflo, she's decided to strike out on her own via a quietly impressive solo debut that re-casts her as a genuinely fresh and exciting soul talent. Beginning with the layered acapella vocals and deep, jazzy grooves of stunning opener "One Love", the album sees her brilliantly deliver heartfelt and thoughtful lyrics over hazy backing tracks that brilliantly join the dots between jazz, neo-soul and R&B. While she's undoubtedly the star of the show, Inflo's stripped-back, partially acoustic and largely soft-focus production is also worthy of high praise.

Tanika CHARLESPapillon De Nuit: The Night ButterflyRecord Kicks

A.B. Crentsil is a heavyweight of Highlife music and the main vocalist of Sweet Talks, one of the most popular Ghanaian bands of the 1970’s. In 1992, musician Charles Amoah and producer Richie Osei Kuffour offered him the opportunity to explore a new popular sound: Bürger Highlife. Little did he know these studio sessions would give birth to the biggest song of his career.Charles Amoah, who had released his Sweet Vibrations LP in 1984 to great acclaim, extensively toured in Europe with bands such as Black Earth and Saraba, was eager to bring a new sound to Crentsil, an artist he had admired for years. Throughout the 1980’s, Highlife had been changing pretty radically, following the same evolution as Congolese Soukous, Caribbean Zouk and most popular black musicgenres of that era: Heavy use of drum machines, synths and digital technology was conveniently replacing big bands and expensiveanalog studios and equipments. Mostly recorded, produced or mixed in Germany, this new breed of electric Highlife dubbed ‘Bürger Highlife’ could be defined as a fusion of Disco, Jazz, Funk and Pop with the popular Highlife beats, rhythms and lyrics.According to A.B. Crentsil, the name was a reference to the ever present American cultural influence on Ghanaian musicians. CharlesAmoah has his own take: “I initially called this particular kind of Highlife ‘Ethno Pop’. Bürger is the German word for citizen, and that’s how Ghanaian musicians living and working in Germany were calling each other”.The music for both “Obi Baa Wiase'' and “Sika Be Ba” was entirely composed and played by Charles Amoah, using minimal equipment: aDX7 synth, a Korg M1, a Yamaha RX5 drum machine, and an Akai 1000 sampler. A.B. Crentsil provided the lyrics for both tunes on the spot. Obi Ba Wiase’s message is one of gratitude and faith: it says we should appreciate our life way more and follow the example of people who have a lot less but still praise God all day.Charles remembers fondly Crentsil’s larger than life personality: "A.B. slept a lot, he really loved sleeping. His lack of punctuality was easily dismissed by his wonderful sense of humour and it wasn't uncommon to find musicians rolling with laughter on the studio floor."Charles also remembers vividly the "Obi Baa Wiase" session: he could feel the magic in the air while working on the soon to be hit, andknew something special was happening. A.B. asked for a break in the middle of the session, which Charles adamantly refused until the song was finished and the magic fully captured.Success was not immediate, and Charles was first a little concerned by the lack of buzz following the immediate release of the Gyae MeLife Ma Me album. But a few months down the line, the situation took a new turn. "Obi Baa Wiase" was making its way into radio playlists,weddings and festive celebrations. It was covered by local bands, and soon most of Ghana and its European and American diasporas were hooked. It became A.B. Crentsil’s most requested song at live events for the following decades.As producer Richie Moore wrote on the album back cover : "A perfect integration of two musical geniuses, the result of which are thescintillating tracks of music on this record… so all you party fans go onto the floor and dance the body music"

Pricey but one of the best record of 2021... Inflo production. Very limited.

American Chocolate has but one solo entry on Discogs, and that is the 1974 EP M.I.A., which is the one and only release listed for the DTR label. It's the B-side from that two-track EP that is reissued here on its own 7", with an instrumental version on the flip. 'Don't Bug Me' is a gloriously sweet and heartwarming bit of soul-drenched boogie. The buttery smooth vocals make a deep impact, while the nimble disco-funk drums and rump-wiggling boogie bassline cannot fail to make you move. It's a warm, uplifting sound that will get any floor in a spin. The instrumental allows the chords and funky bass riffs a little more room to shine and make a different but just as strong impact.