Chester Thompson (2)
Powerhouse

Latin Jazz originally released in 1958Leo Quica With The Earl Hagen Orchestra – Caliente / Oh Leola

Previously unreleased SPIRITUAL JAZZ from NORWAY recorded in ASKER CHURCH in the mid-seventies. Playful rhythmical jazz with MODAL and LATIN influences with band members from THAT’S WHY, RUPHUS & EN TIEMPO.Jan Simonsen Quintet was an active mid-seventies, Norwegian jazz group, drawing up influences from Herbie Hancock to McCoy Tyner the group’s very rhythmical approach fell positive with the crowd and landed them regular gigs at the famous Club7 venue in Oslo, the group also performed at Molde Jazz 1976. In Winter that same year the group recorded these four tracks to reel using Asker church for maximum reverb effect and broadened acoustics. Jan Simonsen on keys, Svein Hansen flute and percussions, Trond Mathisen sax and percussions, Kristian Røstad bass and Thor Bendiksen drums. Jazzaggression is pleased to present these 4 tracks on vinyl for the first time, with one bonus track (digital). Vinyl comes in special heavy paste-on sleeve with a printed inner sleeve containing full story and photos. Limited to 500 copies!

REPRESS!! Although he is still completely unknown to Western audiences, for Ethiopians, Tlahoun Gèssèssè (pronounced Guèssèssè) is THE VOICE.The first-ever pan-Ethiopian star, he has embodied such nonstop unanimity since the end of the 1950s that is a role-model and a point of reference.

Marek Pędziwiatr has been part of the scene for over a decade now. He has gained recognition thanks to projects such as EABS and Błoto & Jaubi. Still, he has never emphasized his name through the prism of these bands, betting instead on collective work. The time has come now for Marek to present his debut album entitled Marianna, featuring him alone as Latarnik performing in a piano solo formula.Being sought after for years as a producer for other artists and as a composer and keyboardist for his own bands, he put his solo work on hold. In between all these activities, "Latarnik" was emerging slowly in Marek's head. Under his new alias, along with the Pakistani band Jaubi, he recorded one of the most important albums of 2021, Nafs at Peace, recognised by Pitchfork, The Guardian, DownBeat and Bandcamp.Latarnik, repeatedly awarded in Jazz Forum magazine's polls as Poland's greatest synth virtuoso, decided to reveal himself to listeners from a completely different angle. Influenced by the sound of solo recordings by Thelonious Monk, Ahmad Jamal, McCoy Tyner and Emahoy Tsegué-Maryam Guèbrou, he gave up electronics in order to record (in an intimate way) a debut album commemorating his great-grandmother, using a hundred-year-old Steinway & Sons grand piano and analogue tape.The encounter with the main character begins in Maradtken (now Maradki), a place hard to find on the map, yet offering a very interesting story of remembrance and passing. In the early Iron Age a fortified settlement built by the people of the West Baltic Barrow culture was located there and it was bustling with life for many more centuries. The village was partially destroyed in the 18th century after a cholera cemetery had been established there. Around 1800, on a small hill a remarkable mill was built that remained a focal point of residents' life up until the outbreak of the Second World War.Marianna was Masurian. She was born in 1898, under Prussian rule, into a Polish- and German-speaking family. She spent her youth among Evangelicals being a devout Catholic herself, at the same time practicing traditional folk rites. She could cure people, she collected herbs, prepared potions and cast spells against illnesses. She had her own philosophy of life based on folk wisdom, which constituted a decalogue of her own, but she also relied on the extraordinary protection of the "Most Holy Mother of God". Marianna passed away at the age of 88, shortly before Marek was born. He only knew her from family stories which he then encapsulated in the emotional piano compositions on the album. Marianna is no longer with us, nor is the wooden mill in Maradki. In spite of this, the remembrance and peculiar recipes for life live on in the family, just as the afterimages of history in the old photographs from Maradtken have survived. Her story is universal: one of identity and wandering, of terror, the trauma of war, and perpetual scarcity. It is the story of an entire generation to which Marianna belonged passed on to us by our grandparents.

FINN LOXBO / KARIN JOHANSSON - "VENT" - LPVENT - Omlott MLR022New Duo LP from Finn Loxbo (Guitar, Electronics, voice) and Karin Johansson (Piano, Accordion)Artwork by EKTA.in a rain forest of moments. the eye hears what the ear sees. through each moment of karin johansson’s and finn loxbo’s music runs the firm conviction that all points and layers of sound – in true democratic spirit, carry the same weight. or lightness. as precise as scattered bird calls may be crucial to the totality and the outcome of the drama as a whole, as cautiously do they take care of the phrased line by being extremely exact with the gaps and the charged rest, where that very thing appears in just the right moment. an archetypical weave of strings being pulled and plucked further into our audible and visible listening. as a natural relief, the metal tongues from the accordion emerge and end up in new weightless states together with electronics and space. to suddenly whirl on in a dance for prepared piano and guitar that later just disappears out in the impossible where everything before was possible for thirty-one minutes and one second.Sten Sandell, stockholm may 2018