Rare Pleasure
Superfine Feeling

21-year old South East Londoner Tom Misch announces his first solo EP "Reverie" released 15th July through his own label Beyond The Groove. Following on from his successful mixtape Beat Tape 2, Tom's new EP is an intrepid and invigorating adventure in sound, bursting with inventiveness.Taking the musical ingredients of J Dilla style beats, John Mayer- esque guitar lines, and free jazz - then putting them all through his very own musical blender. "Reverie" is the most definitive moment of his career to date, foreign and colorful arrangements will entice even the most casual listener.Tom's music has found him an eclectic array of supporters - from one of YouTube's biggest dance music channels, Majestic Casual, to the likes of Zane Lowe, Annie Mac, Huw Stephens, Clara Amfo and Jaden Smith. Plus there's the fact that Tom has earned the reputation as one of the best UK producers following remixes and reworks for the likes of Lianne La Havas, Mos Def and Busta Rhymes.The EP is written and performed by Tom Misch, and includes collaborations from fast-rising wordsmith Loyle Carner as well as Laura Misch.

En 1967, le monde occidental vit son Summer of Love alors qu'au même moment, le Nigeria sombre dans la guerre civile et voit naître une musique engagée et inédite. Porté par Fela Kuti, l'afrobeat, qui fusionne du funk, du jazz, de la musique d'Afrique occidentale, de la musique traditionnelle nigériane et des rythmes yorubas, s'engage en politique et secoue les consciences. Ce nouveau rock nigérian vaut à ses auteurs de nombreux séjours en prison, mais il participe aussi à la naissance d'un Nigeria moderne. Deux volumes édités par le label Nowagain racontent les débuts de cette histoire, de 72 à 77, et un CD en compile les meilleurs morceaux.

“One of the finest soul and funk releases of the past 18 months.” Clash Magazine“Soothing, atmospheric, disquieting.” MOJO Magazine“Wonderful deep grooves.” ShindigThere is something simultaneously both brand-new and retro about 'All News Is Good News’ - the debut album from Melbourne's instrumental soul group Surprise Chef. It sounds like something dreamt up by lo-fi cousins of David Axelrod and Janko Nilovic, with dramatic Library-music-eqsue cinematic arrangements echoing both light and dark, delving into moments of dissonance and positivity. There is a meticulous education of 1970’s soul on display that touches on the legacies of the great composer / producers, yet at the same time this is a truly contemporary record that could have only been made now.The first limited pressing of 'All News Is Good News’ was released on the band's own 'College Of Knowledge' imprint in November 2019. It slipped rapidly into the collective consciousness of underground music lovers around the world, with all copies selling out within a week and becoming a firm favourite at Mr Bongo HQ in the process. We felt Surprise Chef had made something very special, a future-classic, and that needed to be heard well beyond those lucky enough to have bagged those limited first copies.Formed at the end of 2017, Surprise Chef have grown within the fertile, creative, and supportive Melbourne music scene. Whilst the band is comprised of four core members, the album features friends and family as guest instrumentalists on flute, saxophone, vibraphone, congas, and assorted percussion; all adeptly recorded by engineer Henry Jenkins from the band Karate Boogaloo. The warm-raw-authenticity of the album was captured in the recordings live to tape over a handful of sessions in the band’s home studio in Melbourne’s inner-northern suburb of Coburg. As band member Lachlan Stuckey explains “All of the music we record is tracked live to tape, simply because so many of the records we love most were made that way".The results are a captivating journey of instrumental cinematic-soul that will connect with the hardened Axelrod, Truth & Soul, El Michels Affair, and Daptone's fans, as well as the open-minded first-time listener. We are very excited to share this first slice of Surprise Chef’s world, with plenty more magic from these guys coming around the corner very soon.

Spacial Pop et Indie Rock sur cet ep d'une rare douceur ! Fan de douceurs c'est pour vousLOS RETROSRetrospectStones Throw US

Deep diggers and Afro lovers have long been locked into Benin-based West African funk fusionists Orchestre Poly-Rhythmo de Cotonou. The group started laying down their rhythmic madness as far back as the late 60s when they were formed by leader Clement Melome, and still drop new heat today. This new collection from Acid Jazz's Albarika Store series is a collection of some of their most legendary jams from over the years. Standouts are many but include 'Gbeti Ma Djro', 'Segla' and the legendary 'It's A Vanity' - add them all up and you have some of the most essential Afro-funk to have ever been written.

Dark Entries has a surprise delivery! Malebox brings us six previously unreleased funk-fueled jams from the archives of the cybernetic disco titan himself, Patrick Cowley. Best known for his chart-topping disco anthems, Cowley left us with an incredible body of work before his tragic death in 1982 due to AIDS-related illness. Since 2009, Dark Entries has been working with Cowley’s friends and family to uncover the singular artist’s lesser-known sides, including his soundtracks for gay pornographic films on compilation albums School Daze, Muscle Up, and Afternooners.But Malebox gives us more of the Cowley we know and love: churning disco-funk and hi-NRG tracks that are spacey and sleazy, gritty and sublime. Recorded from 1979-1981, these six tracks illuminate what was one of Patrick’s most creatively exciting periods. “If You Feel It” and “Love Me Hot” were both early Paul Parker demos; the former is a peak hour hi-NRG bomb,while the latter dips into Cowley’s zoned-out space disco sound. Jeanie Tracy’s soulful vocals feature on the demo version of “Low Down Dirty Rhythm”, which was later re-recorded by Sarah Dash. The slower, less-varnished rendition here hits with a wild psychedelic edge. Meanwhile, Patrick’s gifts for careful orchestration and infectious melodies shine on “Floating” and “Love and Passion”, which were likely demo tracks for Loverde. The songs on Malebox display the vitality and inventiveness of a brilliant composer taken from us too soon.Malebox sleeve design was by Gwenaël Rattke, and features a hyper-color retro collage. Also included is an air mail envelope containing a letter from Patrick Cowley to French disco producer Pierre Jaubert as well as liner notes and hand-written lyrics. Malebox will be released on November 12th , which is the 40th anniversary of Patrick’s passing.