Webster Lewis Quintet
Live At Kongsberg Jazz 1971

Allegedly Coltrane’s favourite singer, Andy Bey recorded as vocalist for Max Roach (“Members, don’t git weary”), Horace Silver (“Won’t you open up your senses”), Gary Bartz (“Celestial blues”) and Stanley Clarke in the late sixties/early seventies, released one solo album, and then disappeared from view for over 20 years. "Shades of Bey" (originally released in 1998) showcases his four-octave range, the intimacy of love songs and raw power of the blues on a mixture of standards (“Pretty girl”, “Some other time”), Latin (“O cantador”, “Drume negrita”), modern (Nick Drake’s “River man”), and a couple of original tunes. Available for the first time on vinyl, it features Andy on vocals and on piano, and appearances from Gary Bartz and Geri AllenAndy Bey's bass-baritone voice has aged over the last thirty-odd years, but it's aged well; he now sings in a husky drawl that sounds all the more warm and intimate for being a bit ragged around the edges. When he goes into falsetto, as on "Midnight Blue," athe sound is so dark that you don't recognize it as falsetto at first. This album peaks early on with "Like a Lover," a wistful love song with only the gentlest, sparest guitar accompaniment. But there are many other beautiful moments, the best of which always come on the slow numbers: the Billy Strayhorn classic "Pretty Girl," on which Bey sounds like Billy Eckstine with a weathered patina to his voice, and the surprising Nick Drake cover, the moody and intense "River Man." His vocal version of Thelonious Monk's "Straight, No Chaser" is fun, but it tends to expose the limitations of his range; however, he makes the uptempo "Believin' It" work beautifully -- Geri Allen's edgy, modernist piano contrasts nicely with Bey's effusive, bop-inflected delivery. (allmusic)

Hot and groovy jazzfunk that turns every dancefloor into a simmering witch cauldron on Side A, meeting silky soul pop ballads on Side B. A catchy and memorable affair that will give you goosebumps as long as you are a fan of funk and soul on the threshold from the 1970s to the golden era of pop, the 80s. For fans of Lionel Richie, Stevie Wonder, The Four Tops, The Temptations, Stanley Clarke, Hot Chocolate and the likes. It's the first album of the later Blues legend Mel Waiters. DETAILS: Swirling synthesizers drag your mind into space, the slapped bass guitar throbs like a frantic pulse and there are hissing percussions that back up the slick drum sound. Here we go, straight forward into the 1980 album by the MEL PRODUCTION BAND, a private release that reaches high prices if a copy ever appears for sale somewhere and that comes as a product of it’s time. This is club music made for discos, soul pop that has all the great trademarks, as those tunes that would storm the charts only a few years later, it heads into two different directions with two steaming, yet slick power funk songs successing the intro on side A and three soul pop ballads on the flipside. While these B Side tracks invite you to dive into an ocean of lush melodies and complex arrangements that form accessible and especially memorable tunes with overwhelming vocal performances, the three jazzfunk compositions on the A side make you jump up from your seats and dance your soul out. The slapped bass guitar can be found in all three tracks, the vocals are a mix between singing and shouting in a joyful, euphoric way. Mostly simple phrases get repeated over and over again to create something like a disco mantra for everybody who is in for a wild dance. It is all glitter here and and a never ending party. You still find musical greatness in these dance songs, for the performance is just wild and the musicians are up on par with the greatest of their genre, tight and determined, still passionate in their playing and they truly love their music, their funk. So, this is a beast first and then turns into a beauty for side two. Since the original private press simply never ever turns up these days, this new reissue on EVERLAND MUSIC is more than welcome to rediscover this rare gem. Take your time to listen and take your time to dance for this album is a great occasion for both. The sound on this record is clean and slick, but vibrant. The music has the real feeling, everything is handmade and you can hear it. Even the synthesizer carpet sounds like coming from the gifted hands of a real keyboard wizard. A blast to spin on your turntable.

Touching Bass continue to prise open a distinct, exciting lane for themselves as a label home for forward-thinking, soulful music with the progressive second album (and third project) from Danish/Tanzanian trio, Athletic Progression — Jonas Cook (keys), Jonathan J. Ludvigsen (drums) and Justo Gambula (bass).'cloud high in dreams, but heavy in the air' sees the Aarhus-based band dive deeper into their intricately fused world of experimental, groove-based music. Recorded over the course of one week in Copenhagen in 2019, bringing together songs that had been marinating and evolving during their live shows, they finally felt ready to eternalise them in the studio. The rest of the album was written in in the studio, turning iphone memos of ideas from soundchecks into songs and improvising. The album serves as a time machine snapshotting processes and different times of Jonas, Justo and Jonathan's lives both personally and as a group, a current expression of past experiences.The album is mixed by Eric Lau (KOKOROKO, Yussef Dayes, Mansur Brown) and celebrates freedom and spontaneity at its core, beautifully capturing those playful moments where jams become songs. The title (which comes from Brother Portrait’s verse on “Extended Technique”) echoes that playfulness, while also contemplating on the realities of life and its important decisions.Sonic touchpoints include the space-leaning electronics of Brainfeeder’s Flying Lotus and Thundercat, the glowing dexterity of JD Beck & Domi and BadBadNotGood and jazz-fusion’s boundless nature, with rapper/poet Brother Portrait supplying the feels of London.Like all of our favourites they’re a band best experienced live, blessed with an uncanny ability to make three instruments sound fuller than most. As a result, they’re already familiar faces on Danish national television, have sold out multiple shows both at home and in Europe (supporting Moses Boyd and Alfa Mist) as well as receiving two Danish Music Awards and one Critic Award for ‘Best Musician’ between them.Outside of their own music, they’ve also played alongside talented contemporaries including Kaidi Tatham, Charlie Stacey, Erika de Casier and Taylor McFerrin in New York.With this album, a 20+ date European tour and a number of other exciting projects ahead of them, Athletic Progression are on the cusp of growing beyond their native Denmark and onto the global stage.

Full stereo and remastered version of this classic Sun Ra album originally from 1969 - fantastic edition!

The ‘Abroad EP’ catalogues a period of time spent travelling Japan in the spring of 2019. Throughout the course of the month-long trip, Rudy carried around a portable recorder, capturing various sounds that caught his ear. That collection of found sounds would eventually become the foundation for the EP, each track utilizing a handful of different recordings ranging from bird calls in Tokyo’s Yoyogi Park, to windchimes in the coastal town of Kawazu. The EP took a full year of patient, daily work to complete, during which time Rudy invited a diverse group of collaborators in to help finish the songs. Throughout the recording process, harp, saxophone, and violin parts were added to create a unique blend of organic and electronic sounds.