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Barkley Bandon

Love Machine

Barkley Bandon - Love Machine | Laterhosen Records (LH13) - main
Barkley Bandon - Love Machine | Laterhosen Records (LH13) - 1Barkley Bandon - Love Machine | Laterhosen Records (LH13) - 2

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Tonight's The Night

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Green Light ft. Kaleab Samuel 03:18

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Tears Of Vanity

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Runaway

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You Decide ft Parking Big, pig$

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Eye Candy

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Love Machine

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VERTIGO 04:02

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Reverse Barking

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All The Way

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Nails ft. Kaleab Samuel

14.9€
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Pre order item Available Nov 1, 2024

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Barkley's back with his full length debut album. Expect the usual mix of pop, bass and filth.

Barkley Bandon’s debut album “Love Machine” is a sexy concept album, perfect pop record and an experimental look at club music all in one.

Hard to pin down stylistically, it’s visiting multiple spaces on a colour spectrum, with hues of Sophie’s hyperpop, Hudson Mohawke’s cheek, the nostalgic shades of Oneohtrix Point Never, a nod to Dean Blunt’s DIY aesthetic and maybe flirting a little with the of Teaches of Peaches. But really, it’s carving out a sound all for itself that is like nothing else out there.

The mysterious London producer recently contributed a song on CASISDEAD’s chart topping, Brit Award winning debut album ‘Famous Last Words’ and has worked with London RnB vocalist Gloria on her release Metal, which came out on Gaika’s label The Spectacular Empire.

Working here, on in his own playpen, he shows off his pop production skills on tunes like ‘Green Light’ and ‘Nails’ (collaborations with rising artist Kaleab Samuel from Aurora, Colorado) and ‘You Decide’, a collab with pig$ - the incredible producer from LA who makes up the other half of their joint project Parking Big. Then he flips the approach, stuffs a bunch of percussion sounds in a box, shakes it and lets clanky club bangers like ‘Vertigo’ and ‘Eye Candy’ tumble out.

Fronting the cover we see Barkley’s real life wife as a teen dream - his ultimate Love Machine.

The album will be released on 25.10.2024 on his own label Laterhosen Records on digital and limited cassette tapes.

“That bass… absolutely filthy” Tom Ravenscroft, BBC Radio 6

Mastered by Alex Gordon at Abbey Road.