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Various

Discomoda Salsa De Venezuela 1964-1977

Various - Discomoda Salsa De Venezuela 1964-1977 | Olindo (INF003) - main
Various - Discomoda Salsa De Venezuela 1964-1977 | Olindo (INF003) - 1

A1

Los Megatones de Lucho - El tumbaleque

A2

Sonora Venezuela - Pero en Caracas

A3

Los Megatones de Lucho - Muñeca

A4

Al Ramos y su Orquesta - El candidato

A5

Orquesta Sonoramica - Oye como suena

A6

Microbanda Marabina - Maracaibo

B1

Principe y su sexteto - Salsa de Guaguancó

B2

Genaro y sus All Stars - Mambo tema

B3

Orquesta Universidad - Atado a un recuerdo

B4

Los Kenya - No salgas de tu barrio

B5

Nelson y sus Estrellas - Disparo goajira

C1

Los Kenya - Pa' Puerto Rico

C2

Principe y su sexteto - Analiza

C3

Supercombo Los Tropicales - Juana Guaguancó

C4

Los Satélites - El tostao

C5

Johnny Sedes y su Orquesta - Algo diferente

D1

Los Satélites - Fiesta en Venezuela

D2

Rodrigo Mendoza - Lija

D3

La Renovación - Mi redención

D4

Los Blanco - Corta el bonche

D5

Grupo Yakambu - Si eres tú

27.9€
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Established in 1948 by César Roldán, Discomoda is one of the earliest record labels of Venezuela and the oldest family operated label in the country. Home to one of the most complete folkloric and popular music catalogues of Venezuela, the label also invested heavily in Afro-Caribbean and tropical rhythms that became popular in the 60s and 70s.

In the 1960s and before the Salsa era truly kicked off, Venezuela had a significant dance orchestra and big band movement. Unlike local record competitors dedicated to selling foreign productions, Discomoda achieved its leading position by recording the most important national bands, including Los Megatones de Lucho, Orquesta Sonoramica and Super Combo Los Tropicales; all featured in this compilation.

Later on, surrounding the festivities for the 400th anniversary of Caracas in 1967, the word "Salsa", which had been recently coined by famed radio host Phidias Danilo Escalona, was formalized to identify an Afro-Caribbean musical style with growing popularity in Venezuela and beyond. By then, the country was among the top 20 music markets in the world, with the local label Discomoda leading the way, responsible for one out of every five records sold in the country.

With the prolonged celebrations approaching due to the 400 years of the city, Discomoda and other labels began to capitalize on this new musical style by betting on both established and new local bands, such as Nelson y sus Estrellas, Los Kenya, Principe y su Sexteto and Los Satélites. As a result, this would kick off what could be considered a golden era of Salsa in Venezuela and which lasted until the mid-70s.

As we approach the 80s and with the emergence of new musical styles and bigger multi-national record labels funded by larger pockets, a lot of the previously popular bands begin to disband or choose to leave the country. Nonetheless, a few artists, like Rodrigo Mendoza, La Renovación and Grupo Yakambu, were still pushing out quality music.

We are thrilled and honored to celebrate one of Venezuela's and, equally, Latin America's most significant record labels, and to share a slice of their enduring influence in advancing Venezuelan-made Salsa music.