Norm Talley Moodymann Omar S
Det-313-EP

While Bauhaus have been waiting to continue their reunion shows, founding member David J has been trawling through his archive of tapes and diaries from the early 80s in coll;aboration with sound sculptor Tim Newman to present two volumes of unique spoken word and songs, including a vocal contribution from Black Francis of The Pixies and guitar overdubs by Warren Defever of His Name Is Alive and Adrian Utley of Portishead. Sleeve notes by Andrew Brroksbank of the Bauhaus Archive. Tangerine Vinyl

It's been a long time since Omar last put out such an effortless anthem as "One Of A Kind".Don't overlook the untitled track on the A2 though, that's a nice jam

LUXXURY (born Blake Robin) is the LA Beatmaker who really comes correct on this new EP on Nolita Records. It features four of his freshest tunes to date and if the title is anything to go by it could be the start of a fine new series. Things start all sensuous on 'Let's Stay Together' before the stylish cosmic disco Rhdoes and smooth grooves of 'Don't Give Up (I Believe In You)' and breezy, hip swing charms of 'Pleasure' make a great impression. 'Two Hearts' rides on nice languid bass riffs and last of all comes the upbeat, piano laced and hands in the air jam, 'Hold On (Crackazat remix).'

Le musicien et tenancier des groupe et bar fictifs Mild High Club signe un quatrième album en forme de purgatoire pour temps troublés.Quand certains disques, comme les derniers albums en date de Björk, semblent être le produit ou une fraction d’une dimension parallèle vaste comme le monde et totalement inexplorée, d’autres ont l’air, à l’inverse, d’appartenir à un espace-temps plus modeste aux limites connues.C’est le cas de Going Going Gone, nouvel album du génial multi-instrumentiste Alexander Brettin, qui rassemble tout ce qu’on entendrait dans un petit bar de nuit qui porterait le nom de son vrai-faux groupe : le Mild High Club où funk déglinguée, bidouillages électroniques, musique brésilienne et free jazz cohabitent sans heurt.

The first Huerco S. album in 6 years, Plonk’s world does not wholly resemble anything Brian Leeds has made under any alias. His sound palette has broadened to absorb and refine trap’s un-smeared geometrics and drill’s taught rhythms amongst the gaseous bodies and soul-piercing ambience that has garnered such acclaim; Where those previous veins were rooted in the pre-Columbian civilizations of his native Kansas, Plonk reflects the mournful sodium glow of cities at night, street corners that light up with painful moments of clarity you wish would disappear.

Just wow.