Various Artist
Global Vibrations

Cheick TIDIANE SECKTimbuktu: The Music Of Randy WestonKomos FranceCheick Tidiane Seck's latest album is something of an all-star affair. It sees a banquet's worth of guest musicians (including fellow African music legend Manu Dibango) help the Malian music maestro send "an Afro-Jazz prayer" to the late, great Randy Weston - a musician whose unique Pan-African vision influenced so many of his contemporaries. The resultant set is vibrant and alluring, with Seck and company underpinning Weston's fluid jazz piano motifs with dense, heavy, intricate and often delightfully polyrhythmic rhythms. There are some more atmospheric and intoxicating numbers present, too - the version of "Timbuktu" is stunning, as is the bluesy "In Memory Of" - but the album's greatest calling card remains it's energetic and effervescent approach.

A mysterious sound aurora on the magical paths of the infinite universe of percussion, originally released in 1985 and then almost completley lost. The well-educated drummer Tiziano Tononi, together with David Searcy and Jonathan Scully, while working at the temple of classical music, Il Teatro alla Scala of Milano decides to realize a personal compendium of sounds using only purcussion instruments. The recording offers to us an amazing concert of sounds with acoustic purity, in perfect balance between wild rhythm and deep relaxation. Ecstatic elements of Japan ambient minimalism dialogue with contemporary musical solutions (Varese, Ligeti), in the stream of a harmonious fusion of ancient and modern. It’s a propitiatory ceremony of supernatural happenings that open portals of blissfulness, tribal and shamanic darkness, and,timeless jungles. Between amazon fires and African safaris, we float in the Asian rivers of meditation, lost in water games, echoes of caves and rocks in the night, synergies of frogs, birds, snakes, marimbas, chimes, gongs, and wooden drums.crédits

Lightning Bolt’s Ride the Skies sees a true classic from the band’s catalog back in print for the first time in a long time. Arguably the first album where the duo truly nailed their patented sound, Ride the Skies saw Lightning Bolt refine the auditory chaos of their self-titled debut into something much more concise and direct, bulking out pieces with more muscular sonics without sacrificing the sheer velocity and wild energy that made their first release so exhilarating.

Since his Beat Diary debut (a 12xLP box set comprising 365 beats recorded daily over the course of a year), Julian Sartorius has immersed himself in unique and ambitious projects - trekking the path not travelled to arrive at rhythmic life forms through found objects and prepared instruments. Equally as mighty are his two other escapades, the most recent being Locked Grooves - 112 beats cut as endless loops on vinyl spanning 56 dense 1.8 second compositions per side. Preceding that is his auditory hike into the mountains (Hidden Tracks: Basel - Genève), wading through and playing the landscapes around him like a lithophone.While Julian’s previous releases focus on innovative and conceptual approaches to realizing an album, his new venture on Marionette (titled Mux) is a culmination of all his efforts thus far to mimic a synthesizer and drum machine. This seemingly impossible feat challenges Julian to experiment and develop a musical language that bridges the gap between organic timbres and electronic music. When listening to Mux, one might simply forget that the seemingly electronic sounds are only constructed organically via hand movements. The common thread in all his works thus far is that the drums are treated as resonant bodies - free to flow and form rhythm and harmony in spacetime.This is Julian’s second outing for the label, the first being (the long out of print) Sulla Pelle with Valentina Magaletti in 2019. Other collaborations include prolific artists such as Matthew Herbert, Sylvie Courvoisier, Gyda Valtysdottir, Dimlite, Shahzad Ismaily and Dan Carey (Speedy Wunderground).

At the cross section between Jazz, Soul, Rock, Blues, Hip Hop, R&B and Funk stands Stimulator Jones. Coaxing strings that tremble with a cosmic frequency, keys beat in soulful repose while percussion relays some ancient, deep-rooted pulse. This is Stimulator Jones on La Mano.Stimulator Jones’ sophomore LP finds its way on the Oslo-based record label Mutual Intentions as the artist explores the musical possibilities contained in his hands. La Mano is a striking collage of sonic hues, developed through 13 musical vignettes across the LP. Prodigious and far-reaching influences are re-defined in succinct musical clusters as La Mano travels from Kingston’s bustling yards to serene Parisienne walkways.A multi-instrumentalist whose talent matured through the iconic Stones Throw camp, Stimulator Jones broke onto the world with the sensational Exotic Worlds & Masterful Treasures in 2018. Developing a distinctive fusion in his craft, the artist made bold strides on his debut, as rumbling bass-lines and visceral keys, counterpointed Jones’ delicate and tender vocals. The album presented an artist, who could harness the intricacies of the great musical languages of our age in the accessible executions of a pop song.La Mano finds the artist treading a new, yet familiar path, resting his vocal chords as he puts his hands into action. Playing an arsenal of physical instruments, Stimulator Jones’ dexterity is visceral as he moves between keys, guitars, drums and wind instruments. Arrangements coalesce around organic- and synthetic sounds that live in some tranquil equilibrium with the first vibration of the universe.Cruising grooves and mellow melodies convey a gauzy touch, breaking down the intellectual barriers of genre for the corporeal intimacy of the soul. La Mano finds the artist diligently pursuing an exploration in a fusion of musical languages, which he channels into novel territory on his debut for the Mutual Intentions collective.

The Invisible Sessions new album Echoes of Africa is the first on the newly launched Space Echo label out of Italy and is richly rooted in black music. It's been 15 years since a breakout release put this group on the map and now trombonist and multi-instrumentalist Gianluca Petrella and poet, rapper and MC Martin Thomas Paavilainen (aka Benjamin "Bentality" Paavilainen) link once more to great effect as they use jazz as a vehicle to convey their messages of cultural synergy, unity and love. Afro-beat and Ethio-jazz, funk, psychedelia, and modal music all colour the most compelling grooves.