Neik Pierre Codarin Triad
WaM01 (red marbled vinyl 12" limited to 300 copies)

Seconde sortie annoncée pour les « New Generation Series » de Dubquake Records avec le tout premier EP d'une productrice proche du O.B.F crew : Esaïa. Habituée des sessions soundsystem, passionnée par la techno et les musiques électroniques au sens large, fascinée par les musiques de film, la jeune Genevoise s'est construite une identité sonore non étiquetable aux traits bass music appuyés. Le dub jamais très loin, Esaïa joue des drums, des nappes et des synthés pour toucher les corps et transmettre les émotions.Avec « Origin 4000 » elle présente un EP purement instrumental composé sur le thème de la ville. Soit six tracks qui s’imprègnent des écueils de la société urbaine, du rythme effréné de la vie dans les grandes citées et de l'impact de l'urbanisation sur la nature.Finalisé au cœur du Dubquake studio, mixé par Rico O.B.F, illustré par Kazy Usclef « Origin 4000 » ravira les adeptes du son hors case autant qu'il saura surprendre les inconditionnels de dub stepper !

Double side killer with Paul Fox beautifyl part and the Horns from Moonshine Horns on the flip. Check this one in our shop

Detroit's finest Javonntte pulls out all the stops w his debut album, an exploration into the jazz fusion sounds forged in the Motor City.Javonntte toured w the late Aretha Franklin, and this album presents his first exploration into jazz and soul sounds forged by the late the queen of soul. An emotive and personal record which was recorded entirely in Detroit, the influence of the Motor City can be heard transcending through each track.Dripping with jazz, soul and funk, the album is a testament to Javonntte's mastery of both keyboard and bass with additional vocals provided by the man himself.

A double vinyl ticket to eleven engaging and evocative destinations.A trip into the fantastical. An Oyster from Elsewhere...Compiled by soFa, the second instalment in his recent series ties together eighteen artists, each venturing down their own musical path, to produce an audio atlas that transverses not only styles but also cultures and continents.Disparate musicians come from far and wide have been brought together across two slabs of beautifully mastered vinyl and, somehow, someway, found a jittering, skittering and juddering balance.Tracks from Puma & Dolphin and Khidja conjure up images of thick jungle scenes as tribal rhythm patterns hypnotise and mesmerise alongside shamanic samples. The heady exotic aromas and tactile textures of the East are on display with Zatua traipsing through baked dunes and deserts before arriving to the shamanic organized chaos that is Bear Bones, Lay Low.Darker moods loom and lurk, skulking in the alleys of Konsistent or in t-woc’s lurid tones. These duskier elements are countered by the brightness of Velvet C’s future disco sounds or the laser synthwork of Rony & Suzy. The buzzing Chicago inspired sounds of Weird Dust, the dawning pulses of Twoonky and the triumphal charges of Föhn blur the lines between mystical places and the cruel reality of the modern world.

Terrific Deluxe edition. Gatefold, glow in the dark vinyl, lyrics, photo book, stickers... The festival-friendly funk troupe return with their 'Mood Valiant' featuring Arthur Verocai on string arrangements!

Currently a trio featuring Helge Sten, Arve Henriksen and Ståle Storløkken, Supersilent ’s album number 13 marks a turning point in the group’s two-decade career. After a dozen recordings under the umbrella of the diverse Rune Grammofon label, Supersilent have now signed to Oslo based Smalltown Supersound, where they join the likes of Lindstrøm, DJ Harvey, Prins Thomas and Andre Bratten as labelmates. After live and studio dalliances with Led Zeppelin’s John Paul Jones in the last few years, they return to the trio format with a real hunger and wigged-out vibe, covering more distance in the space of one record than many bands do in their whole career. Atavistic, abstract and alien, 13 documents a tangle of ribboning, in-the-moment thought processes in oscillation between atonal, asymmetric rhythms and discord and much lusher, spacious flights of fancy, with each player alternately operating at full, noisily expressive wingspan, and also at their most hunched, grubbing. Perhaps most shocking is prominent appearance of crushing, post-techno sludge impulses and almost darkwave-styled themes, whether infiltrating the opener with sloppy syncopation, slung low under 13.3 like Wolf Eyes at their most primal, squashed into the sprawling, psychotomimetic structure of 13.7 or clattering and fizzing under the weight of 13.9. But that’s just one of many deeply skewed aspects that light up across 13, which also shares much in common with the surrealistic, dissonant illuminations of Rashad Becker throughout, whilst the likes of 13.4 head off on crankiest electro-acoustic vectors recalling Edgard Varese’s early electronics or the ferric tang of Gottfried Michael Koenig, whereas 13.8 recalls the gloaming spectres of Gruppo D’Improvvisazione, and the ecstatic squall of 13.9 feels like Fennesz undergoing some radical metamorphosis. Figure it out for yourself, but for us this is one of the wildest, freeform sides of 2016 so far.