Luiz Eça Y La Familia Sagrada
La Nueva Onda De Brasil

This project started around September 2017, Kill Emil from Athens (GR) joined the MSG Records Family for an exclusive opening track, then Creestal (FR) accepted to join as the "closer".Mista Hope (FR) & Velvetian Sky (FR/US) both already released on the label decided to dive into this crazy sonic journey.After a few weeks they were joined by Henry canyons (LA / USA)Creestal (CM Jones/Munchie Records) started to produce some beats dedicated to Henry's performance. They learned how to work together around beats and exclusive lyrics added to the initial idea to remix the lovely classic (Last time i was here you were here).Underground et sensitive flow from Henry met the Emotional beatmaking ability of Creestal.Only 100 Records / No RepressMuch love from MSG Records, we'd like to thank every single artist on this precious record, you are all O G , Beasts or whatever these words means to you.

Pascale Et Robert - Á ConsommerLabel:Perkuss'on Music ‎– PM 2013002Format:Vinyl, LP, AlbumZouk

Andy Montañez ‎– El Catedrático De La Salsa Colombia Press from 1991.

We are proud to present the stellar debut and collab between the renowned Peruvian duo Dengue Dengue Dengue and Argentinian Prisma. ‘Pliegues' creates a hypnotic journey and infectious cadences that invites you to close your eyes while your hips move to the sound of colliding polyrhythms and powerful FM synth lines.But there is also room for the oneiric realm on this EP, with the track 'Grietas' this new trio opens a portal to steep and melodramatic terrains. Meanwhile the remix of ‘Brechas’ from our friend empanadas aka DJ Python unleashes his sincere trademark of atmospheric and sentimental dembow. Finally, el paisa Verraco makes his label debut reshaping the lead track with a bombastic, deconstructed, bipolar summer banger full of edgy sound design.

On June 3rd Gondwana Records present ‘Next Time Could Be Your Last Time’ – the debut album by Forgiveness, AKA Jack Wyllie, JQ and Richard Pike. Described as “not really jazz, not really new age, not really ambient or electronica”, instead they welcome you into a synaesthesia-inducing technicolour fantasy, full of wondrous emotive beauty.This genesis began with the sharing of music, burgeoning friendships, and the mutually-inspirational benefit of the collective power of a group dynamic, with each spurring the next on to heighten their already expansive skills.Intertwining the acoustic, electric and digital, utilising instruments and tools from across the decades, their synthesized Shangri La is a place where craftsmanship meets musicianship, even including sections notated on sheet music. The mood whilst recording, however, was one of loose freedom and enjoyment, with parts displaying a light-hearted playfulness. A world where shiny electronics meet flute and sax motifs, subverting them into something new.Jack Wyllie is best known for his work with Portico Quartet, Paradise Cinema and Szun Waves as well as collaborations with artists such as Luke Abbott, Adrian Corker and Charles Hayward. Whilst JQ has released on Boxed and Lo Recordings, with his music also remixed by Loraine James, Sun Araw and Foodman. Richard Pike has had multiple records on Warp as a member of PVT, collaborated with Modeselektor and Ital Tek, recorded under his alter-ego Deep Learning, and founded the tape label Salmon Universe, all whilst composing scores for TV drama.Wide-ranging influences on the LP include 70s era ECM and Miles Davis, Spencer Clark/Star Searchers, Ansel Adams, Steve Reich, H Takahashi, Don Slepian, The Blue Nile, Talk Talk’s ‘Spirit Of Eden’, Michael Gordon’s ‘Rushes for 8 Bassoons’, Sir Simon Rattle’s documentary ‘Leaving Home’, Horoshi Yoshimura, Ulla Strauss and Disasterpeace, plus new developments in vaporwave and software experimental.Hitting the centre at the ven diagram of these interests, the record converges the trio’s individual sound worlds into something singular. Primarily purveying a sense of endorphin-flushed tranquillity, they build synthetic, bucolic, lysergic landscapes, which although imbued with processed plasticity also contain multi-stranded depths of textural field.