Sidney Elliott
Little Boy Blue

Michel Legrand's cult soundtrack for Jacques Deray's 1969 classic 'La Piscine' gets reissued with three bonus tracks making their vinyl debut. Featuring newly remastered audio, gatefold sleeve designed by Eric Adrian Lee and Liner notes by Jeremy Allen (The Guardian, The Quietus).The RSD Edition will also include Michel Legrand's super rare and funky 7" OST for Deray's 1972 film 'Un Homme Est Mort'.

Shina Williams ‘Agboju Logun’ was a ground-breaking fusion of afrobeat, electronics, boogie and disco. First released on Phonodisk in 1979 as part of the ‘African Dances’ album, then in 1984 as an alternative version on Rough Trade’s Earthwork off-shoot, it has gone on to attain cult-like status.So it remains a bit of a mystery how so little has been documented about the follow-up. Shina’s self-titled album was originally released on Help Records in 1980. It differs from the upfront afro-disco-funk of ‘African Dances’ as it diverts into deeper, hypnotic, afro-beat territory. Though listed as a six-track album, each side (composing of 3 tracks) is built-upon one continuous groove with call and response female & male vocals and instrumental solos coming and going as each side progresses. The results are raw, hypnotic, locked-in grooves, which sit perfectly on forward-thinking contemporary dancefloors.Official Mr Bongo reissue. Replica original artwork. LP only. Licensed from the family of Shina Wiliams.

“100% Dynamite is among the finest compilations ever assembled.” The QuietusThis is a new black edition vinyl pressing of Soul Jazz Records’ seminal reggae meets funk and soul collection. 100% Dynamite is the cornerstone of Soul Jazz Records’ releases and launched their long-running series of highly-regarded reggae albums.This album is the fully expanded version and comes with download code.---------------------------------------------------------------------------------------------------------Since the album’s original release,100% Dynamite has become a cornerstone of funky reggae music. Eighteen killer tracks that show the influence that American Jazz, Funk and Soul music had on Jamaican Reggae.The album was Soul Jazz Records first foray into the mighty vaults of Studio One and many of the tracks featured come from the legendary label and the expanded edition features seminal tracks from the greatest Jamaican producers – Clement Dodd, Lee Perry, Winston Riley (Techniques) and many more.100% Dynamite features come serious and heavyweight Jamaican funk by Jackie Mittoo, The Upsetters and Toots & The Maytals, alongside the cream of Jamaican jazz musicians such as Tommy McCook, Cedric Brooks and Lennie Hibbert. Also included here are killer Reggae versions of USA Soul classics including Marlena Shaw’s ‘Woman of the Ghetto’, Aretha Franklin’s ‘Rocksteady’, Syl Johnson’s ‘Is It Because I’m Black’, William DeVaughan’s seminal ‘Be Thankful’ and more.Jamaican/USA influences went both ways and included here are many cornerstone reggae songs that cross into the worlds of both hip-hop and punk worlds – check Brentford All Stars massive ‘Greedy G’, the basis for Boogie Down Productions’ ‘Jack of Spades’, and Willie Williams’ ‘Armagideon Time’ later covered by The Clash.-------------------------------------------------------------------------------------------------------"The outstanding compilation of reggaefied soul, funk and jazz nuggets.” MOJO‘Soul Jazz’s seminal dive into reggae’s dusty grooves. This album kickstarted a dynasty - the 100% Dynamite series is a rewarding guide to reggae's most infectious back pages.” Irish Times“A compilation never resting on its laurels, 100% Dynamite fuses an intelligent reminder of a genre's roots and influences with some unabashedly cracking tunes.’ Allmusic“The compilation that started it all. This is flava central, hands down one of the best comps to own for any music head that has a soul.’ Turntable Lab’"Compilation of the month" MUZIK"Brilliant" TIME OUT"Album of the week" MIXMAG"Compilation of the f***ing year" MELODY MAKER"Buy this excellent compilation immediately" MOJO

Spacek is the man.

Ali Farka Touré trekked the world, bringing his beloved Malian music to the masses. Dubbed "the African John Lee Hooker," one could hear strong connections between the two; both employed a bluesy style of play with gritty textures that elicit calm and fury in equal measure. While the influence of Black blues music prevailed, Touré created a West African blend of 'desert blues' that garnered Grammy awards and widespread reverence. Though he transcended in 2006, Ali's musical legacy lives on through his son, Vieux aka "the Hendrix of the Sahara," an accomplished guitarist and champion of Malian music in his own right. On Ali, his collaborative album with Khruangbin, Vieux pays homage to his father by recreating some of his most resonant work, putting new twists on it while maintaining the original's integrity. The result is a rightful ode to a legend. Ali isn't just a greatest hits compilation. It's a lullaby, a remembrance of Ali's life through known highlights and B-sides from his catalog. It is a testament to what happens when creativity is approached through open arms and open hearts. "To me, music is magic, it is spontaneous, it is the energy between people," Vieux says. "I think Khruangbin understands this very well." The genesis of the album dates back to 2019, when Khruangbin, coming off their breakthrough album Con Todo el Mundo, was beginning to playto bigger crowds. The record was finished in 2021, as a global pandemic shuttered businesses and forced us to take stock of what Earth was becoming. Indirectly, Ali captures this as a moment of peace within a raging storm, a conversation between past and present without allegiance to suffering. Now, given Khruangbin's reach as a unit with legions of fans (including the likes of Jay-Z and Paul McCartney), they're poised to bring Malian music to broader groups of listeners. Ali is a masterful work in which the love surrounding it is just as vital as the music itself, driving it to unforeseen places; Vieux and Khruangbin are spreading the good word to a completely new generation. "I hope it takes them somewhere new, or puts them in a place they haven't felt or heard," Lee says. "It is about the love of new friendship and making something beautiful together," Vieux continues. "It is about pouring your love into something old to make it new again. In the end and in a word it is love, that's all."